Josef Krebs

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Josef Krebs Posted: Aug 06, 2013 0 comments

Oblivion

Based on director Joseph Kosinski's acclaimed graphic novel, Oblivion is set in the post-apocalyptic future in which an invading alien army is beaten but only through the use of nuclear weapons that leave the planet uninhabitable.

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Josef Krebs Posted: Jul 31, 2013 0 comments

G.I. Joe: Retaliation

As if the 2009 blockbuster G.I. Joe: The Rise of Cobra didn't have impressive enough earnings in grossing $302 million worldwide box office, its follow-up, G.I. Joe: Retaliation, surpassed it with a $320 million take (aided by the surcharges this time for a 3D viewing). At this rate, if G.I.

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Josef Krebs Posted: Jul 23, 2013 0 comments

The Ice Storm

This 1997 tale of middle-class conformity and malaise, directed by Ang Lee (Life of Pi, Crouching Tiger, Hidden Dragon, Brokeback Mountain) tells of the Connecticut suburb of New Canaan circa 1973, a land of bored, half-hearted adult experimentation with long-term relationships and casual sex while their youngsters experience their own first exci

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Josef Krebs Posted: Jul 16, 2013 0 comments

42

42 is so schmaltzy, clean-cut, clean-living, and well brought up that it makes sentimental 1940s-made baseball biopics with Jimmy Stewart (The Stratton Story) or Gary Cooper (The Pride of the Yankees) seem positively cynical and bawdy in comparison.

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Josef Krebs Posted: Jul 09, 2013 0 comments

The Life of Oharu

The Life of Oharu (Saikaku ichidai onna, 1952), from director Kenji Mizoguchi (Ugetsu, Sansho the Bailiff, A Geisha), tells of a 50-year-old prostitute no longer able to attract men looking back on her tragic life.

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Josef Krebs Posted: Jul 02, 2013 0 comments

The Producers

When on-the-skids Broadway theatrical hustler Max Bialystock (Zero Mostel) has his financial books examined by timid, nervous nebbish accountant Leo Bloom (Gene Wilder), the casual conversation that ensues persuades each of them that by producing a really, really dreadful play in order to ensure a massive flop, they can make more money than if they had a hit.

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Josef Krebs Posted: Jun 25, 2013 0 comments

Help!

The title song, Help!, kicks in beautifully - thrillingly - with snaredrums somewhere in the room up left, vocals in center, lead guitar in the surrounds - glorious. Whenever the film launches into one of its seven classic numbers (only seven?) in 5.1 channels the band leaps into the room filling the soundstage and bringing everything to life.

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Josef Krebs Posted: Jun 18, 2013 0 comments

Lifeforce

With a great sci-fi/horror pedigree - directed by Tobe Hooper (The Texas Chain Saw Massacre, Salem's Lot, Poltergeist), screenplay co-written by Dan O'Bannon (Alien, Total Recall, and Dark Star) and Don Jakoby from the 1976 novel The Space Vampires by Colin Wilson, special effects supervised by Oscar-winner John Dy

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Josef Krebs Posted: Jun 11, 2013 0 comments

Wild Strawberries

In this much-beloved 1957 masterpiece from the great film artist Ingmar Bergman (The Seventh Seal, Persona,Smiles of a Summer Night), Professor Isak Borg - memorably played by veteran director Victor Sjöström (The Phantom Carriage, He Who Gets Slapped, The Wind) - is a selfish and somewhat cruel, yet old-world charm

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Josef Krebs Posted: Jun 04, 2013 0 comments

A Good Day to Die Hard

The latest chapter of the popular, 25-year-old franchise is a Die Hard film with subtitles. But, fear not, ardent fans, it's just for a scene or two at the start and that's as arty as it gets. The rest of the film is standard slam-bam, big-boom, non-stop adrenaline-filled, Yippie-Kai-Yay thrill seeking.

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