Daniel Kumin

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Daniel Kumin Posted: Aug 14, 2014 7 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $1,199

AT A GLANCE
Plus
Ready for UHD with HDMI 2.0
Refined amplifiers headline strong sonics
Outstanding multiroom abilities, including dual HD-on-HDMI programs
Dolby Atmos capability
Minus
Proprietary auto-EQ had much subtler effect than previous-gen’s Audyssey

THE VERDICT
Onkyo’s usual benchmark audio and video get incremental upgrades, plus new features that include future-proofing HDMI 2.0 and Dolby Atmos.

Onkyo may or may not be the actual market leader in audio/video receivers, measured by unit sales, dollars, or any other B-school metric you care to name. But I’m fairly certain that, year in, year out, they produce more new AVR models combining performance, value, and innovation than anyone else. The TX-NR838 is a suitable example. On the face of things, the receiver seems identical to last year’s TX-NR828, which it replaces: unchanged power ratings, same basic specs, nearly identical quantities of inputs and outputs (this year’s version drops the composite count by one and kicks S-video to the curb altogether), and largely untouched cosmetics and user interface. But look a bit closer, and distinctions begin to come to light.

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Daniel Kumin Posted: Jul 30, 2014 0 comments
Dirty word, three letters: ABX.
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Daniel Kumin Posted: Jul 14, 2014 1 comments

Get comfortable, everybody; it’s story time.

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Daniel Kumin Posted: Jul 03, 2014 Published: Jul 02, 2014 6 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $700

AT A GLANCE
Plus
HDMI 2.0/HDCP 2.2-compliant
Solid amplifier performance
Fine Qdeo video processing on tap
Upgradeable for Dolby Atmos
Minus
Some menu layouts a bit unintuitive
Cramped, non-illuminated remote

THE VERDICT
Onkyo’s latest high-value offering arrives in an up-to-the-minute HDMI 2.0 flavor.

Want to know what next year’s $700 AV receivers will offer? Just take a look at this year’s $1,000 models. With every spring season, a whole new crop of receivers sprouts up, offering more for less. Competitive pressures and the relentless march of HDMI standards are the likely catalysts, but whatever the reasons, all the major brands roll out whole phalanxes of new AVRs. And with each iteration, last year’s step-up features seem to move one place lower on the price grid.

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Daniel Kumin Posted: Jun 23, 2014 1 comments
Like a lot of guitar players, I used to inwardly sneer, just a little bit, at Mick Taylor with The Stones. I was wrong.
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Daniel Kumin Posted: Jun 02, 2014 8 comments
Fully powered, or “active” loudspeakers have a lot of very real advantages. But can you name three serious models on the market today?
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Daniel Kumin Posted: May 16, 2014 0 comments
Performance
Features
Ergonomics
Value
PRICE $1,599

AT A GLANCE
Plus
Neutral tonal balance
Honest vocal and dialogue presentation
Handsome, understated looks
Minus
Limited volume output
Ergonomic shortcomings

THE VERDICT
Fine vocal and musical balance from an elegant, though not inexpensive, soundbar.

Pity the poor soundbar, the dancing bear of the audio world. (The audience applauds not how well the bear dances, but the fact that he dances at all.) And pity more the poor soundbar reviewer, tasked with saying something cogent about a not-inexpensive product that, while worlds better than any TV’s built-in speakers, is almost always demonstrably inferior to any number of affordable freestanding speaker suites, including the same manufacturer’s. Monitor Audio is a long-established, widely respected maker of just such speaker suites, a firm that presumably can read the handwriting on the wall just as well as the next guy: s-o-u-n-d-b-a-r-s-&-h-e-a-d-p-h-o-n-e-s.

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Daniel Kumin Posted: May 09, 2014 0 comments

Performance
Features
Ergonomics
Value
PRICE $1,199

AT A GLANCE
Plus
Super-svelte dimensions
Natural voicing and excellent subwoofer blend
Surprising volume ability
Minus
Limited stereo image width
Mediocre remote-control range

THE VERDICT
Solid tonal balance, unusually good soundbar/subwoofer integration, and substantial volume for so slim a design make the SoloCinema Studio a fine performer in its category.

Love them or hate them, soundbars are a big part of what’s keeping audio manufacturers afloat these days—those, at least, that haven’t already repaired to Davy Jones’ Locker. Baltimore’s Definitive Technology, a firm whose “real” loudspeakers have for two decades and more set high standards of performance and value, is no newcomer to the bar scene. Its latest effort is the SoloCinema Studio, a two-piece job, and the bar half is tiny, quite literally a bar: just 3-plus inches square by 42-plus wide.

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Daniel Kumin Posted: May 07, 2014 6 comments
Okay, it won’t revolutionize anything. And it’s more of a suggestion than a trick. But it might just enlarge your home theater’s filmsound experience, at least somewhat, and it costs exactly zero and takes all of 45 seconds to implement
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Daniel Kumin Posted: Apr 22, 2014 9 comments
We all remember what happens when we assume, right?

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