Daniel Kumin

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Daniel Kumin Posted: Dec 24, 2014 Published: Dec 23, 2014 0 comments

Prime Satellite 5.1 Speaker System
Performance
Build Quality
Value

SB-1000 Subwoofer
Performance
Features
Ergonomics
Value
PRICE $1,000

AT A GLANCE
Plus
Honest, subjectively accurate, full-range sound
Painless sub/sat blending
Cheap!
Minus
Won’t match ultimate volume level of larger, more costly systems

THE VERDICT
If your criterion is un-hyped reproduction, SVS’s Prime Satellite 5.1 system is as good as it gets for $1,000.

Good-sounding small speakers no longer impress me. After all, these days, pretty much anybody with a laptop and an Internet connection can design a small two-way that’s reasonably neutral. The tools are all online (many of them share/freeware), fine-performing drivers ranging from cheap ’n’ cheerful to exotic ’n’ expensive are readily available with complete Thiele-Small parameters, and MDF and veneer are plentiful down at Lowe’s. You don’t even need to know Ohm’s law; fluency in Windows or OSX and some basic woodworking skills are probably more useful.

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Daniel Kumin Posted: Dec 19, 2014 0 comments

Performance
Features
Ergonomics
Value
PRICE $1,599 as reviewed

AT A GLANCE
Plus
Fine tonal balance with genuine deep bass
Very substantial level potential
Elegant appearance
Minus
A few operational and hookup quirks (it’s French!)
No remote-control learn/teach scheme

THE VERDICT
A 5.1-channel system in soundbar packaging that combines tonal accuracy with impressive low-frequency response and power, plus surround as effective as we’ve heard from an all-up-front affair.

As recently as a couple of years ago, anyone shopping for an “audiophile soundbar” was in danger of being laughed off the lot. The bar scene was dominated by price-driven, mass-market models sold in big-box stores, and most of these were plastic jobs from the mega-mills of the Pacific rim, with just a smattering of somewhat more upscale choices from a few more serious American and Canadian brands.

Daniel Kumin Posted: Nov 19, 2014 1 comments
Dolby Atmos, the latest, “object-oriented” surround sound solution magicked up by the San Francisco technologists, has earned enough ink here and elsewhere that many of us are passingly familiar with it already. Briefly, then, object-oriented means that instead of panning discrete effects or overall mixes to left, center, right, or various surround channels, sound designers and producers can now direct sounds through a virtual listening space, letting the computer work out the details. Ultimately, of course, whether at the theater or at home, sounds still emanate from physical loudspeakers driven by physical amplifier channels, so there’s a certain amount of semantics at play here. But Atmos is scalable: A commercial theater can have as many as 64 discrete, individually addressable loudspeakers, including multiple “height” speakers in the ceiling.
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Daniel Kumin Posted: Nov 19, 2014 4 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $1,999

AT A GLANCE
Plus
Dolby Atmos surround
4K-ready/upscaling with HDMI 2.0
Nine channels of flexible power
Top-tier Audyssey room/speaker correction
Minus
No HDCP 2.2 for future UHD content
Fairly basic supplied remote
Some mode-selection options a bit cumbersome

THE VERDICT
Outstanding audio capabilities and thoughtful ergonomics underpin our first Dolby Atmos–capable A/V receiver.

It’s been several years since I’ve had the opportunity to “do” a big Denon A/V receiver. So when a sample arrived of the company’s behemoth AVR-X5200W, one of the very first receivers ready to decode and distribute Dolby Atmos in a home theater setting, I was ready to begin. Atmos is the San Franciscans’ latest, “object-based,” scalable-multichannel surround format.

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Daniel Kumin Posted: Nov 11, 2014 2 comments
This week, I'm going off on something that really gets me going: drummers.
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Daniel Kumin Posted: Oct 30, 2014 2 comments

Performance
Features
Ergonomics
Value
PRICE $500

AT A GLANCE
Plus
True 5.1-channel sonics from a soundbar system
Reasonably neutral tonal balance
Fairly deep response
Unexpectedly substantial volume
Minus
Restrained treble
No IR passthrough

THE VERDICT
This Vizio is a large, affordably priced, true 5.1-channel soundbar system that actually plays loud, with respectable bass extension and very presentable sound.

Vizio has come a long way from its roots in a small PC-monitor brand (Princeton) a decade or so ago. Depending on your metrics, the California firm is now the No. 1 brand in both LCD HDTVs and soundbars. Today, the soundbar has ridden the coattails of the big-screen explosion to become an important product category in its own right. And with many serious loudspeaker makers getting into the game (likely a matter of survival in some cases), the ante has been raised so that what was once a mere profit-sweetening sales-ticket afterthought to a TV sale is now a hotly competitive category where performance and features figure as prominently as price.

Daniel Kumin Posted: Sep 26, 2014 1 comments

Mini T Speaker System
Performance
Build Quality
Value

Mini T Subwoofer
Performance
Features
Build Quality
Value
PRICE $8,881 (as tested)

AT A GLANCE
Plus
Outstanding sonics and dynamic ability
Impressive bass extension from Mini-T alone
Made in Canada, not overseas
Minus
Requires substantial
amplifier power for best performance
Classic boxy designs won’t thrill everyone

THE VERDICT
They’re big, boxy, and expensive, but these speakers are world-class performers, top to bottom.

Bryston’s new Mini T loudspeakers spoke to me early, even before I’d fully wrestled them out of their imposing, oversized packaging. And what they said was, “We were designed by guys who don’t give a hamster’s hindquarters for new-age cosmetics, ‘breakthrough’ transducers, or 21st-century styling: We’re old school!”

For the record, Bryston Ltd.—based in the small Canadian city of Peterborough, an hour or so east of Toronto—has for decades produced some of the world’s preeminent power amplifiers (also preamps, surround processors, and even the odd integrated amp), impeccable performers built to a standard of brick-house quality seldom bettered, and warrantied accordingly. If you wanted vast reserves of current, bulletproof design, road-ready ruggedness, and genuine craftsmanship, Bryston fit the bill.

Daniel Kumin Posted: Sep 08, 2014 3 comments

Bowers & Wilkins CM6 S2 Speaker System
Performance
Build Quality
Value

Bowers & Wilkins ASW10 CM S2 Subwoofer
Performance
Features
Build Quality
Value
PRICE Price: $5,850 (CM6 S2, $1,000 each; CM Centre 2 S2, $1,250 each; CM1 S2, $550 each; ASW10 CM S2, $1,500)

AT A GLANCE
Plus
Exceptional tonal balance
Superb sub/sat integration
Impressive bass extension from compact sub
Lovely design and finish

Minus
Expensive
No dipole/bipole surround option

THE VERDICT
Highly neutral and free of obvious coloration, invitingly listenable, and beautiful, the B&W CM S2s wear their substantial prices fairly.

B&W should need little introduction in these pages. The British loudspeaker-maker has been a force in serious audio repro practically since Noah’s flood (1965, actually), and here in the States have for two decades and more occupied an enviable market position straddling the highest of high-end to the almost-popularly-priced. So when a new generation of B&Ws take the stage, the audio world tends to pay attention, as we are doing here with the firm’s latest iteration of its next-most-affordable CM range. Named with typical British phlegm the CM S2, the new designs highlight a dozen or so interesting engineering refinements in driver, crossover, and cabinet designs (in particular a new “dual-dome” aluminum tweeter diaphragm claimed to push its resonance a half-octave or so higher, and thus extending its smooth reproducing range), but in typical B&W fashion show comparatively little in the way of visible changes.

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Daniel Kumin Posted: Sep 02, 2014 14 comments
I’m mad as hell, and I have no choice but to keep taking it.
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Daniel Kumin Posted: Aug 22, 2014 0 comments

Performance
Features
Ergonomics
Value
PRICE $1,500

AT A GLANCE
Plus
Impressive tonal balance
Unusually good dynamics and bass extension
Wired/wireless subwoofer hookups
Minus
Difficult-to-read display
Obscure menu structure
Modest “surround” effectiveness
No subwoofer supplied
Pricey

THE VERDICT
It’s priced among the most expensive soundbars and comes without a supplied sub. But if you value dynamics, bass extension, and overall sound quality first, you’ll be well rewarded.

The soundbar proposition is easy to understand: Plunk down some cash, open up one box, and you’ve got home theater, without the bulky speakers, messy wires, and painful expense. It’s all good, right?

You and I know better, of course— but just how close can you come?

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