Rob Sabin

SRS & the Future of Surround

Like most Home Theater readers, I’ve known SRS Labs primarily as the company that does virtual surround sound and other audio solutions for HDTVs and soundbars—features largely dismissed by serious enthusiasts as lightweight hocus-pocus. So it was with some skepticism that, back in March, I rolled into the firm’s Santa Ana, California, headquarters for a private demo of some new surround sound technology.

If you're shopping for an HDTV this weekend, you might find yourself battle-scarred by a war you didn't even know was happening. Anyone considering a set with 3D compatibility—which now comes along for the ride in most better flat panels —will be forced to choose between one that comes with either active-shutter or passive 3D technology. The key proponents of active-shutter 3D are Samsung, Panasonic, and Sony. Leading the charge for the more recently introduced passive technology are Toshiba, Vizio, and LG (which developed the passive home 3D system being used by the others). Although both types will play back the same 3D Blu-ray Discs and broadcasts, the glasses and the resulting 3D image are different. Here are some facts to help you sort things out.

I took the invitation a while back to visit the Panasonic Hollywood Laboratory in Los Angeles, where the company introduced its 3D Innovation Center to members of the press. PHL is a research and mastering center where Panasonic works with filmmakers on new camera, editing, encoding and playback technologies.

Moving Pictures is finally on Blu-ray—not the kind of pictures you watch, but Moving Pictures, the seminal Rush album that went quadruple platinum in the U.S. and will be released April 5th in a new, fully remastered audiophile edition.

The new 30th anniversary Deluxe Edition reissue from Universal Music comes in a dual-disc package, combining a digitally remastered version of the original CD mated with either a DVD or Blu-ray Disc. Both the DVD and Blu-ray include high-resolution 96kHz/24-bit stereo taken from the original analog master, as well as 96/24 5.1-channel PCM surround audio mixed down from the original multitrack assets under the careful supervision of Rush lead guitarist Alex Lifeson.