Also on display was the full range of Samsung's new LED-LCD sets. Shown is the F8000, available in a range of sizes up to 75-inches, it's said to offer much improved black levels with Samsung's Precision Black and Micro Dimming Ultimate (zone edge dimming). In a press demo in the same private, darkened room in which we saw the F8500 plasma, it did seem to have admirably rich blacks.
Sony was the only Ultra HD 4K exhibitor that showed a still of a newspaper page in both standard HD and 4K Ultra HD. The photo shown here (standard HD) and below (4K) only show a very small area of the screen.
The color shift you may see here and above, plus moire, are the likely result of my camera's pixels strobing with the pixels on your screen. But other than cropping and identical downscaling, no other processing was performed on the photos here and above. The improved clarity of 4K version here is impossible to miss even after the photos were reduced so they could be used in our blog format. The differences were even more obvious in person.
Times change. The once illustrious speaker brands Klipsch, Jamo, and Energy now belong to conglomerate VOXX (along with RCA, AR, and others). This lonely kiosk on the main convention center floor didn't look too encouraging, given the vitality of those brands at past shows. At the Venetian, where most of the audio exhibits are held, things looked slightly better. I'd expect the Klipsch name to be kept relatively sacrosanct, and there were some nice looking Jamo floor-standers on static display. But the Energy Demo was relegated to a modest-looking sound bar.
Samsung's upcoming Ultra HD 4K sets will feature full array backlighting with zone local dimming, The 85-inch set shown here can be set up with its floor stand or the stands legs removed and the set mounted to the wall. It can then be moved down within the outer frame, as needed, to adjust to the desired height. The speakers are located in the outer frame. In addition, a switch box is included that can accept multiple sources and connect then to the set via a single thin (non HDMI) cable.
This 21:9, 29-inch may not be just the ticket for that big screen home theater, although it can display 2.35:1 films without black bars. But its primary application will be for a computer monitor, where it can display multiple images at once, including a 4-screen split for multitasking.
As mentioned in our early CES entries, Sharp is working on a new variation on LCD display technology, called IGZO for Indium, Gallium, Zinc, and Oxygen. It is said to offer ultra low power consumption, improved touch screen capabilities, and twice the potential resolution of conventional LCD. The limited range of products produced to date include a 4K, 32-inch monitor said to be useful for medical imaging, financial analysis, and other possible applications.
Screen shots are notoriously bad at showing the quality of a display, but even on your computer screen you can see the potential. This shot is only a portion of the entire screen image.
Sharp may be working on new technologies like its IGZO low power consumption LCDs for portable devices or upping the pixel count beyond the current industry goals in its gee-whiz 8K demos (see below), but it doesn't plan to be left behind in the race to 4K. It showed prototypes of its own that looked as impressive as the best versions seen elsewhere. They're expected to ship in the spring (of this year!), in both 60- and 70-inch sizes. The "Moth Eye" feature is a Sharp proprietary glare reduction technology.