Every audio reviewer thinks back on specific products and sometimes wishes that he or she bought them following the review. For me, one such product was the Polk RT3000p. The two-piece speaker featured a powered subwoofer, with the mid-tweeter section perched on top in a separate cabinet. The system had a gutsy, meaty quality to it that beautifully suited movie soundtracks.
When Pioneer released its first KURO plasma sets last year, its eighth generation of plasmas overall, they met with nearly universal praise. Critics acclaimed the KURO series for the new standards it set with the depth of its blacks. Fittingly, the word “kuro” means deep, dark, and penetrating in Japanese.
Last week we had fireworks and speeches in Denver, as 84,000 screaming fans jammed Invesco Field to celebrate the upcoming CEDIA Expo. It was the biggest kickoff CEDIA has had since Bose sued them for use of the term "Lifestyle."
<IMG SRC="/images/archivesart/patton.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Released in 1970, <I>Patton</I> is the cream of the crop of World War II films released recently on Blu-ray by 20th Century Fox. The film won eight Oscars, including Best Picture, Best Director, and Best Actor. George C. Scott, in the title role, famously turned down the honor as he didn't believe in competing with other actors. That takes nothing away from one of the most compelling performances ever put on film.
Living as I do in a suburb of LA, it's hard to avoid movie news. The local rag, the <I>Los Angeles Times</I>, is awash in it. Its theater listings take up an entire section of the paper, which on Friday and Sunday can feature huge, double-page ads for major releases. So if a movie opens to big notices and reviews, good or bad, it's hard to avoid hearing about it around here.
As with many projector manufacturers, Epson's product line is heavily oriented toward business applications. In that respect, the company is consistently at or near the top in worldwide sales. But Epson also occupies a significant and growing share of the home-theater market.
The right size, the right price, the right controls.
Video experts and video reviewers can be a cantankerous bunch. We’re always engaged in a tug of war with manufacturers about what we’d like to see in new HDTVs. We aren’t often successful, not necessarily because the manufacturers are stubborn (OK, sometimes they are), but because they’re more concerned than we are about the realities of the wider marketplace. We couldn’t care less about floodlight-worthy light output, a remote that will also start your car, or a little jig the TV plays when you turn it on or off. But we’re sticklers for good blacks, natural-looking detail, and accurate color.