Thomas J. Norton

PRICE $7,000/pair (R5t tower), $5,000 (D15s subwoofer)

AT A GLANCE
Plus
Clean, uncolored sound (R5t)
Surprisingly powerful bass (R5t)
Excellent build quality (R5t)
Stunningly dynamic performance (D15s)
Excellent build quality (D15s)
Minus
Pricey (both)
Not the best option for very large rooms (R5t)

THE VERDICT
Perlisten Audio's R5t towers and D15s subwoofer offer stunning performance and good looks, but in this case the great sound and build quality will cost you.

Even the most veteran A/V enthusiast is unlikely to have heard of Perlisten (short for Perceptual Listening) Audio, but that situation should soon change. Founded by a group of audio industry veterans, the company was formally launched in 2021. For a new speaker outfit, the number of Perlisten models is astonishingly long and encompasses towers, standmounts, center and surround speakers, in-walls, and subwoofers, all of them engineered in the U.S. and manufactured in China.

All full-range loudspeakers have a tweeter, apart from relatively uncommon, single driver designs. A tweeter's performance can vary widely, but generally reflects the budget and/or the intentions of the designer. Most buyers are happy with the tweeters in their loudspeakers, but are they missing something?

Aperion Audio believes they are. They offer three different super tweeters as add-on devices to your current loudspeakers. There are other super tweeters on the market, but as a category they're rare. Aperion sent me one of each — the pure Aluminum Ribbon at $649 (shown in the photo above), the Planar-Ribbon at $399, and the pure Dual Aluminum Ribbon (radiating toward both the front and the back) at $999.

When I wrote about the new film version of Dune some months back my reaction was positive. I saw it in a movie theater—my first visit to one in two years. There was plenty of social distancing during my visit; with a dozen or so other attendees at a midweek, midafternoon showing I could have swung a cat on a 10 foot rope without hitting anyone (with apologies to cat people). I enjoyed the film, but as I noted in that October 2021 blog, I was disappointed by the quality of much of the cinematography. This was surprising, since it was the Dolby Cinema in my local AMC-plex. Dolby Cinema is by far my favorite way to see a movie in a commercial theater. It wasn't the sort of disappointment the average viewer would feel, and even I could set my concerns aside once I got into the film. But I know Dolby Cinema can do better and the film deserved it.

...Long before the CGI animation revolution, a number of Disney animators quit to go off on their own. It was the late 1970s, and Disney, they felt, had fallen into a rut, resisting new animation techniques and failing to adequately train new animators. Their leader was Don Bluth, and while the efforts of his nascent company were only modest successes at best over the years, they did leave us with one title that deserves to be remembered as a genuine classic: The Secret of NIMH.