Thomas J. Norton

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Thomas J. Norton Posted: Sep 28, 2012 4 comments

2D Performance
3D Performance
Features
Ergonomics
Value
Price: $2,600 At A Glance: Deep, uniform blacks • Superb out-of-the-box color and crisp detail • Head-tilt 3D crosstalk

The most popular, current approach to designing an LCD HDTV with LED lighting is to position the LEDs around the periphery of the screen and rely on diffusors to spread the light out uniformly. Sometimes (but not always) the brightness of the LEDs is also altered dynamically to help the LCD pixels create deep blacks, where needed.

Thomas J. Norton Posted: Sep 17, 2012 1 comments
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3D-Ness
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As Marvel’s comic characters go, Ghost Rider is hellishly hard to categorize. From what I can gather from the character’s two films, 2007’s Ghost Rider and this sequel (I’m not a fan of the comics), Johnny Blaze is a motorcycle stunt rider who sells his soul to the devil to save his father’s life. In exchange, he periodically turns into an ancient, fiery demon that searches out evil to suck out its soul. A bummer for sure, but everybody needs a hobby. His motorcycle has apparently sold its carburetor and tires to Beelzebub as well, since whenever Johnny goes all flames and stuff, he’s also treated to one hell of a ride. Talk about sitting on the hot seat.
Thomas J. Norton Posted: Sep 13, 2012 1 comments

2D Performance
3D Performance
Features
Ergonomics
Value
Price: $2,995 At A Glance: Excellent detail • Good black level • Full calibration control • Limited physical setup options

I remember my first exposure to a DLP front projector. It was at a trade show in the late 1990s and was not a warm and fuzzy experience. Blessedly, I don’t recall the manufacturer. But compared to CRT front projection, in which even a bargain-basement model commanded $10,000 or more, the simpler, smaller DLP, a technology developed at Texas Instruments, held out the promise of form factors and prices that would appeal to a wider range of buyers.

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Thomas J. Norton Posted: Sep 04, 2012 0 comments

Performance
Build Quality
Value
Price: $7,197 At A Glance: Wide and deep soundstage • Clear, uncolored midrange • Superb fit and finish

The Wharfedale brand is one of the oldest and most widely respected in the loudspeaker business. Gilbert Briggs founded the company as the Wharfedale Wireless Works in Yorkshire, England, in 1932. While his name is less well known in the U.S. than, say, Saul Marantz, Avery Fisher, and James B. Lansing, Briggs was also clearly one of the founding fathers of the high-fidelity business that took off big time in the 1950s.

Thomas J. Norton Posted: Aug 28, 2012 1 comments
2D Performance
3D Performance
Features
Ergonomics
Value
Price: $3,600 At A Glance: Superb detail, accurate color • Two- and 20-step calibration controls • Magic Remote tedious to use • Disappointing black level

The pick of the litter in today’s LCD HDTV designs is full LED backlighting with local dimming. Such sets first appeared in 2008, but the process of positioning clusters of LEDs behind the screen was, and is, expensive. While LCD sets with LED lighting have now become ubiquitous, most of them use edge lighting (sometimes with a limited form of dynamic dimming, sometimes without) in which a smaller number of LEDs are located at the borders of the screen. This both keeps the price down and enables slender, more stylish sets.

Thomas J. Norton Posted: Aug 23, 2012 2 comments
2D Performance
3D Performance
Features
Ergonomics
Value
Price: $11,000 At A Glance: Big, beautiful picture • Excellent setup controls • Serious 3D crosstalk

Editor's Note: It's with great pleasure that Home Theater brings you this exclusive first review of Sharp's new ground-breaking LC-90LE745U HDTV. With this 90-inch set, the first at its size truly intended for mass production, Sharp begins the era of projection-size flat panels suitable for any light environment. While the $10,000 (street) ticket price still exceeds the cost of a high quality 2D/3D projector and screen, as a sign of what's to come, it is a significant introduction. And, as you'll read in Tom Norton's detailed review, not a bad TV. - Rob Sabin

Ninety inches diagonal is not all that big as projection screens go. But Sharp’s new LC-90LE745U, at that same 90 inches, is immense by flat panel standards. With more than twice the screen area of a 65inch set, it has little flat panel competition for its size, and none at all for its combination of size and cost. Panasonic has an 85inch plasma, for example, that will set you back nearly twice as much. LG showed a 4K 80-inch LCD set at last January’s CES, but exact pricing and availability is still undetermined. Mitsubishi offers a 92-inch rear-projection set at some remarkable street prices (around $3,000), but its massive 194 pounds and 25-inch depth (225 pounds and 32 inches in its shipping carton) might be just a little intimidating.

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Thomas J. Norton Posted: Aug 13, 2012 2 comments
Picture
Sound
Extras
Interactivity
When I was a wee lad, I was taken to a movie about a boy and his dog. It was a Lassie movie, I believe, although I was too young for that to mean anything. According to my mother, however, I cried so hard they could hear me in the back of the balcony. (All theaters had balconies in olden times.)
Thomas J. Norton Posted: Aug 09, 2012 7 comments
3D Performance
2D Performance
Features
Ergonomics
Value
Price: $2,530 At A Glance: Crisp resolution and superb color • Full control and calibration features • White uniformity could be better

With all the talk about LCD this and LED that, and the buzz about upcoming OLED sets that are expected to set the video world on fire (a very pricey fire, at least to begin with), plasmas are still very much with us. Samsung remains one of the technology’s biggest supporters, although LCD sets remain its bread and butter.

Thomas J. Norton Posted: Aug 03, 2012 10 comments

3D Performance
2D Performance
Features
Ergonomics
Value
Price: $3,700 At A Glance: Bright, punchy picture • Blacks and shadow detail approaching reference quality • Near-complete adjustability

Panasonic has improved its plasma sets each year, and while that march forward has generated torturous verbiage to describe its continually improving plasma HDTV black levels (Infinite Black, Infinite Black Pro, Infinite Black Ultra, and, perhaps next year, Infinite Black Pro Ultra), the company has kept pushing the design envelope. And it has done so even as flat panel prices continue to drop. A 65-inch plasma for $3,700 would have been considered an impossible dream just a few years ago when the goal was to get prices down to $100 per diagonal inch.

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Thomas J. Norton Posted: Jul 05, 2012 2 comments
It may surprise you to learn that Technicolor is now a French-owned company, with its main offices outside of Paris. It may also be new to you that, to a significant degree, the company is now involved in audio post-production work, rather than the film processes for which it is best known.

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