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Thomas J. Norton

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Thomas J. Norton Posted: Oct 25, 2012 3 comments

802 Diamond Speakers
Performance
Build Quality
Value
 
W DB1 Subwoofer
Performance
Features
Build Quality
Value
Price: $32,000 At A Glance: Clear, sparkling highs • Tight, extended bass • Broad, deep soundstage • Stunning fit and finish

If you’re unfamiliar with the British speaker company Bowers & Wilkins, perhaps that’s because it’s more commonly known simply as B&W. Founded in the mid-1960s by John Bowers and Roy Wilkins, it’s now one of the most respected loudspeaker manufacturers in the world, with products ranging from budget-priced to Olympic.

The 800 Diamond series is the third generation of Bowers & Wilkins’s most sophisticated range, with iconic looks that date back to the late 1990s. The 802 Diamond is one step down in price from the company’s current flagship, the $24,000/pair 800 Diamond. And while B&W’s lower-priced speakers, like most, are manufactured in China, the 800 is built in the company’s facilities in England.

Filed under
Thomas J. Norton Posted: Oct 24, 2012 8 comments
Denver may seem like an odd place for a high-end audio show. As a medium-sized city, you wouldn’t expect it to be a hotbed of passionate audiophiles. But when you add the attendees who drive or fly to the mile-high city to a core of local enthusiasts you have what has become the biggest consumer audio show in the U.S. Last June's Orange County (CA) show reportedly drew bigger crowds (no surprise given the huge Southern California market). But the RMAF appeared to attract more exhibitors.
Thomas J. Norton Posted: Oct 18, 2012 2 comments
2D Performance
3D Performance
Features
Ergonomics
Value
Price: $2,000 At A Glance: Wide, wide image on wide, wide movies • Outstanding detail and good color • Bright, punchy 3D • Minor issues need sorting out

It was just a year or so ago when I first noticed that most of the movies I looked forward to experiencing on my home theater projection system were ’Scope films—productions with an aspect ratio of 2.35:1 or 2.40:1. Comedies, documentaries, art-house fare, and virtually all HD broadcasts are mainly limited to 1.85:1, 1.78:1 (16:9), or 1.66:1 (European widescreen). Classic films, of course, are 4:3.

Thomas J. Norton Posted: Oct 01, 2012 1 comments
Picture
3D-ness
Sound
Extras
Interactivity
Zeus, king of the gods, enlists the help of his half-human son Perseus in defeating Perseus’ brother Ares, who has allied with Hades in an effort to release Kronos, the leader of the Titans and the father of Zeus and the other gods. But Perseus just wants to be left alone to live as a human with his son.
Thomas J. Norton Posted: Sep 28, 2012 4 comments

2D Performance
3D Performance
Features
Ergonomics
Value
Price: $2,600 At A Glance: Deep, uniform blacks • Superb out-of-the-box color and crisp detail • Head-tilt 3D crosstalk

The most popular, current approach to designing an LCD HDTV with LED lighting is to position the LEDs around the periphery of the screen and rely on diffusors to spread the light out uniformly. Sometimes (but not always) the brightness of the LEDs is also altered dynamically to help the LCD pixels create deep blacks, where needed.

Thomas J. Norton Posted: Sep 17, 2012 1 comments
Picture
3D-Ness
Sound
Extras
Interactivity
As Marvel’s comic characters go, Ghost Rider is hellishly hard to categorize. From what I can gather from the character’s two films, 2007’s Ghost Rider and this sequel (I’m not a fan of the comics), Johnny Blaze is a motorcycle stunt rider who sells his soul to the devil to save his father’s life. In exchange, he periodically turns into an ancient, fiery demon that searches out evil to suck out its soul. A bummer for sure, but everybody needs a hobby. His motorcycle has apparently sold its carburetor and tires to Beelzebub as well, since whenever Johnny goes all flames and stuff, he’s also treated to one hell of a ride. Talk about sitting on the hot seat.
Thomas J. Norton Posted: Sep 13, 2012 1 comments

2D Performance
3D Performance
Features
Ergonomics
Value
Price: $2,995 At A Glance: Excellent detail • Good black level • Full calibration control • Limited physical setup options

I remember my first exposure to a DLP front projector. It was at a trade show in the late 1990s and was not a warm and fuzzy experience. Blessedly, I don’t recall the manufacturer. But compared to CRT front projection, in which even a bargain-basement model commanded $10,000 or more, the simpler, smaller DLP, a technology developed at Texas Instruments, held out the promise of form factors and prices that would appeal to a wider range of buyers.

Filed under
Thomas J. Norton Posted: Sep 04, 2012 0 comments

Performance
Build Quality
Value
Price: $7,197 At A Glance: Wide and deep soundstage • Clear, uncolored midrange • Superb fit and finish

The Wharfedale brand is one of the oldest and most widely respected in the loudspeaker business. Gilbert Briggs founded the company as the Wharfedale Wireless Works in Yorkshire, England, in 1932. While his name is less well known in the U.S. than, say, Saul Marantz, Avery Fisher, and James B. Lansing, Briggs was also clearly one of the founding fathers of the high-fidelity business that took off big time in the 1950s.

Thomas J. Norton Posted: Aug 28, 2012 1 comments
2D Performance
3D Performance
Features
Ergonomics
Value
Price: $3,600 At A Glance: Superb detail, accurate color • Two- and 20-step calibration controls • Magic Remote tedious to use • Disappointing black level

The pick of the litter in today’s LCD HDTV designs is full LED backlighting with local dimming. Such sets first appeared in 2008, but the process of positioning clusters of LEDs behind the screen was, and is, expensive. While LCD sets with LED lighting have now become ubiquitous, most of them use edge lighting (sometimes with a limited form of dynamic dimming, sometimes without) in which a smaller number of LEDs are located at the borders of the screen. This both keeps the price down and enables slender, more stylish sets.

Thomas J. Norton Posted: Aug 23, 2012 2 comments
2D Performance
3D Performance
Features
Ergonomics
Value
Price: $11,000 At A Glance: Big, beautiful picture • Excellent setup controls • Serious 3D crosstalk

Editor's Note: It's with great pleasure that Home Theater brings you this exclusive first review of Sharp's new ground-breaking LC-90LE745U HDTV. With this 90-inch set, the first at its size truly intended for mass production, Sharp begins the era of projection-size flat panels suitable for any light environment. While the $10,000 (street) ticket price still exceeds the cost of a high quality 2D/3D projector and screen, as a sign of what's to come, it is a significant introduction. And, as you'll read in Tom Norton's detailed review, not a bad TV. - Rob Sabin

Ninety inches diagonal is not all that big as projection screens go. But Sharp’s new LC-90LE745U, at that same 90 inches, is immense by flat panel standards. With more than twice the screen area of a 65inch set, it has little flat panel competition for its size, and none at all for its combination of size and cost. Panasonic has an 85inch plasma, for example, that will set you back nearly twice as much. LG showed a 4K 80-inch LCD set at last January’s CES, but exact pricing and availability is still undetermined. Mitsubishi offers a 92-inch rear-projection set at some remarkable street prices (around $3,000), but its massive 194 pounds and 25-inch depth (225 pounds and 32 inches in its shipping carton) might be just a little intimidating.

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