Shane Buettner

Answering a reader letter for a recent print issue provided an opportunity to look at how the flat panel TV has evolved since the demise of the best flat panel TVs yet devised, the gone but hardly forgotten Pioneer KURO line of plasmas. These sets looked better, and the measurements demonstrated that in many key respects, they were in fact better than the competition. In blacks and contrast, objective and subjective, we’ve not yet seen their equal let alone their better. My question is whether anyone is really trying any more. The KURO in a short time built an incredible reputation and brand equity and identification. To this day, when readers email me about these sets, they say “KURO,” not Pioneer or Pioneer Elite. That mark stuck with people. When the KURO walked the Earth the other manufacturers were forced to catch up. Within a short time LCD flat panel manufacturers had to answer, and they did. LCDs improved dramatically, primarily through the advent of full array local dimming. Blacks and contrast with LCDs suddenly stood where no LCD had stood before. When the KUROs were here it seemed LED backlighting with local dimming and the performance increases it afforded LCDs were the next big thing. But the KURO went away. Edge lighting came about and is far more prevalent than full array local dimming, making TVs almost iPhone thin. But these sets don’t compete with local dimmers in blacks and contrast and have uniformity issues that may bother purists. The full-array local dimmers are now apparently confined to premium models from LG and Sony, with only VIZIO offering more affordable models. Since thin has been in, there’s also been a massive fixation on Internet streaming apps and of course, 3D. Rumors persist that engineering talent from project KURO now resides at Panasonic, and that the next KURO-like performance will emerge from there. Panasonic’s latest plasmas are definitely the closest we’ve seen from plasmas, but they’re not quite at KURO level in blacks and contrast even though Panasonic has a full suite of Internet apps and excellent 3D.

An industry colleague and I spent some time together the other day, and in kibbitzing about the state of the industry as we see it, he wondered aloud whether we’re now in the beginning of the end of the era of the AV receiver. Blu-ray players are now equipped with full decoding capabilities for both legacy lossy and full lossless Dolby and DTS audio. In addition to playing back Blu-ray Discs, these players are now full media hubs with hosts of streaming apps for both audio and video. Other set-top box media hub devices are entering the market as I write this, and some even integrate cable and satellite broadcast content into a unified interface that manages all of this content. It doesn’t seem a stretch to think these devices could evolve to include the base level audio decoding found in BD players, or that more with integrated BD drives will emerge. And full range wireless audio is something that’s been around the corner for some time, clearly a question of when not if. So, my colleague wondered, if you add powered loudspeaker systems with wireless capability into this equation is that a look at the future? The dazzling capabilities of the AV receiver are both its strength and weakness. AVRs are intimidating. How much of all that capability do people really bother to use? How many people could get by with a lot less capability in favor of usability? I don’t know the answers to these questions but found them provocative enough to bring to you, and get your opinion. Are these the end days of the AVR as we know it?

So, here’s a little slice of the Editor’s life. I live in the Pacific Northwest and work from home, traveling to Home Theater’s Los Angeles offices about a week per month to close each print issue. Last week and next week are back to back closes for HT’s December issue and the massive Buyer’s Guide annual. Coming home from these work trips, after catching up with the family my favorite ritual is opening up my stack of packages that inevitably arrive in my absence, which always includes my supplementary/impulse buys from Amazon. Yes, movies and music.

Price: $16,470 (as tested) At A Glance: One-of-a-kind, best-in-class movie interface • Very expensive • Music management not at same level • Blu-ray playback currently cumbersome • Standout pure performance

Escape Physical Media

Going back several years, I remember my first reaction to learning of the Kaleidescape paradigm. Then, media servers didn’t exist, and a Kaleidescape starter system cost a startling $30,000. On paper, it looked like its principal novelty was ripping and playing back DVD movies without having to load a disc into a player. My first thought was something like, “Wow, life is really expensive for people who don’t want to get up and walk a few feet to grab a disc and put it into a DVD player.” Of course, this was exceptionally ignorant and shortsighted. My cynicism lasted roughly two and a half to three seconds into actually using a Kaleidescape system. Much like the Apple products that are so near and dear to my heart, Kaleidescape’s power is in the interface. The library management and organization is a metadata-enriched, best-in-class experience. It’s about changing the way you browse and experience your content at least as much as it’s about storing your digital content on a server. What’s better still, it’s dead simple to use. You could hand the remote to your mom, and she’d be watching a movie in seconds. But power users can dig deeper and find movies by their favorite actors, directors, genres, and more.