Mark Fleischmann

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Mark Fleischmann Posted: Sep 07, 2012 0 comments
One-upping Paradigm's 30th anniversary models and KEF's 50th anniversary models, Wharfedale celebrates its 80th anniversary with the Denton monitor. Audio history buffs will recognize the model name which goes back decades and decades. If that mahogany finish looks good to you (and it looked great to us) act fast because only 2000 pairs will be made. The one-inch soft dome tweeter and six-inch Kevlar woofer were made especially for this model in IAG's Shenzhen factory, which is capable of making every part, however tiny, that goes into its products. Also shown were two UPC subs including a dual 10-inch powered by 500 watts and a dual 8-inch powered by 350 watts. They come with remote control for volume, crossover, and phase and you can turn off the front panel display if it annoys you. We wish all subs were so eager to please. And we wish all speakers were so drop-dead gorgeous.
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Mark Fleischmann Posted: Sep 07, 2012 0 comments
What is it that the Canton Digital Movie soundbar has that no others do? To find out you will have to look closely at the back panel (not pictured, ha). It has a phono input. You read that right, a phono input. That's a set of values we applaud. It also has two optical, two coaxial, and two analog inputs (including phono) as well as two analog outs. On the front are two coaxial tweeter/mid-woofer arrays flanking four more mid-woofers, all aluminum. Look for it in mid-November for $1500.
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Mark Fleischmann Posted: Sep 07, 2012 0 comments
The Bowers & Wilkins CI800 Series replaces the Signature in-walls with pricing at $5000-8000/pair. These speakers feature parts from B&W's high-end 800 Series including Rohacell woofers, new Kevlar midranges, carbon-reinforced metal tweeters, and premium capacitors among other things. Three models include two in-walls and one in-ceiling speaker. The larger of the in-walls is the CWM8.3 with dual eight-inch woofers, a five-inch midrange, and one-inch tweeter.
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Mark Fleischmann Posted: Sep 07, 2012 0 comments
Krell is getting back into the sub-$10K price point with the Foundation pre-pro. At $6000, it offers fully balanced output stages, as you can see from all those XLR outs. Ever conscious that the surround audiophile may also be a stereo audiophile, it supplements its eight HDMI ins and two outs with a stereo preamp mode that keeps the signal entirely in the analog domain. Add some combination of Krell's five-, three-, or two-channel power amps and you've got a compelling system.
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Mark Fleischmann Posted: Sep 07, 2012 9 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $1,800 At A Glance: Proprietary HDAM topology • 4K video processing • Audyssey, the works

Marantz has come a long way since Saul Marantz started building audio products in his Kew Gardens, New York, basement. The latest twist in the story is the reinvention of D&M Holdings—that’s D for Denon and M for Marantz—into D+M Group. In addition to trading its ampersand for a plus sign, the company has radically expanded its product lines to include more new products and even new product categories. While Denon has gotten a lot of attention for the latter, including four jam-packed headphone lines, Marantz is also experimenting with new kinds of fun. Its first self-contained iDevice docking system is the Consolette, with a retractable dock, AirPlay, DLNA, Internet radio, two-way internal speakers, and cosmetic echoes of the Saul Marantz–designed preamp that got the party started. But Marantz has not neglected its longtime status as a maker of great home theater products. An overhaul of its audio/video receiver line’s upper end has brought three new models. The top model soon found its way into the guest-receiver berth on my rack.

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Mark Fleischmann Posted: Sep 07, 2012 0 comments
Of the four soundbars in Polk Audio's line, two are new, and one is quite remarkable. We're talking about the SurroundBar 9000 IHT ($799). This 5.1-channel bar has three tweeters for the front channels and dedicated woofers for each of the five channels, with each driver powered by 45 watts, plus external eight-inch sub. What fascinates us is that bass frequencies from 80-200Hz are routed to all woofers in the bar. In other words, if there's significant bass content in any one of the five channels, it's routed to the other channels as well. This allows better bass handling than you'd expect in a bar. It also allows a lower crossover to the sub, an audiophile-approved 80Hz, which keeps voices from booming out of the sub. Connectivity is optical and analog, both times two, with Dolby Digital and DTS decoding. Guess what? The 9000 worked wonders with a James Taylor concert track, with realistic acoustic guitar harmonics and a vocal presentation that was crisp but not fatiguing. The other new guy is SurroundBar 5000 IHT ($399), a 2.1-channel Bluetooth bar with a pair of full-range drivers backed up by a 6.5-inch sub. Both shipping this month.
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Mark Fleischmann Posted: Sep 07, 2012 0 comments
The wiggling-needle volume meters that are synonymous with McIntosh are now equally pleasing-to-look-at LEDs. The MC8207 seven-channel amp ($6000) on which they blink boasts 200 watts per channel into both eight and four ohms. McIntosh also showed two pre-pros, one of which was making its debut at CEDIA. That was the MX121 and it brings AirPlay and music streaming from Pandora and the like. Price is $6500. Both shipping now.
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Mark Fleischmann Posted: Sep 07, 2012 0 comments
See that USB port on the back of the Marantz SA-11S3 disc player? The advent of computer-worthy USB ports on audio products is a development whose importance can't be overstated. True, there are a lot of great outboard DACs on the market, with more to come—but what if you don't want that extra box and power cable in your rack? One option is to build the DAC into another product such as the Pioneer SC-68 surround receiver, or this Marantz SACD/CD player. Incidentally, it does not do Blu-ray or DVD. The Burr-Brown DAC has resolution of 192/24. Build quality is typically superb, with copper substituting for aluminum in the back panel and some internal parts. Price is $4000.
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Mark Fleischmann Posted: Sep 07, 2012 0 comments
What you see is Meridian's Media Source 200. This little fella makes adding additional zones easy. Plug an ethernet cable into it and it'll output to Meridian DSP speakers via wireless Cat5 SpeakerLink. There's also a mini-jack that serves as a combo optical or analog connection for your signal source of choice. Product ships end of this month for $1000. Meridian also announced two new in-walls, the DSP520, a 5.25-inch two-way design, and the DSP 630, similar but with extra woofer. They've got RS-232 and IR ports, both bidirectional, and are shipping in November at prices to be announced.
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Mark Fleischmann Posted: Sep 06, 2012 0 comments
We always regret having to resort to torture, but with bamboo under the fingernails and a threat of the iron maiden we finally convinced Revel to start shipping its long-awaited Performa3 speakers starting in two weeks (and if it doesn't happen, we've got thumbscrews). The line features two of everything: towers, monitors, centers, sub, and a single bipole surround. Gloss walnut and black finishes are supervised by Italian craftsmen and the speakers are produced at an Indonesian facility that has air conditioning—it's nice to run across a star designer (Kevin Voecks) who refuses to accept the torturing of workers. All drivers are proprietary aluminum cones or domes. Priced per speaker, the towers go for $2500 and $1750, the monitors for $1000 and $750, the centers for $2000 and $1000, the subs for $3000 and $2000, and the bipole is $900. The top-of-the-line F208 tower and C208 center have both tweeter and boundary level controls for extra flexibility in acoustically difficult spaces. Revel also introduced the 2-Series of four in-ceiling and three in-wall speakers including the home theater worthy W253L LCR with 1-inch tweeter and dual 5-1/4-inch woofers.

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