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Mark Fleischmann

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Mark Fleischmann Posted: Jan 12, 2012 0 comments
Monitor Audio's Shadow on-walls come in four sizes, all with four-inch flat mid-woofers and the famous C-CAM tweeter used in company's other speakers, built into tough extruded aluminum enclosures. Prices range from $849 to $1649 per pair. They sounded mellower than is typical for Monitor and were home theater worthily dynamic.
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Mark Fleischmann Posted: Jan 12, 2012 0 comments
Cardas is best known for bleeding-edge cables but is moving into earbuds with the EM 5813 Ear Speakers. Their heavy and lustrous metal casings are brass in the $425 model and steel in the $325 model. Despite their weight, they fit well and don't fall out easily if you pick the right cushion size (took me a couple of tries). Cardas went to a lot of trouble to make the tube mimic the shape of the cochlea, in proportions that adhere to the Golden Ratio, a longtime Cardas design obsession. (It seems to have resulted in a long string of great-sounding products.) The diaphragm is about the size of the eardrum.
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Mark Fleischmann Posted: Jan 12, 2012 1 comments
Cambridge Audio has always made fine-sounding a/v receivers but in past years the British brand has had trouble keeping up with the latest features, as often happens with smaller manufacturers competing in the feature-frenetic a/v receiver space. But Cambridge is catching up with 3D and other must-haves with three new models. The Azur 751R has 200 watts times seven, Anchor Bay video processing, an extra sub-out for zone two, and Audyssey 2EQ auto setup and room correction (note that it does not equalize the sub channel). The Azur 651R is similarly equipped with 175 watts times seven ($2200). The Azur 551R ($1200) has 110 watts times seven, Faroudja video processing, and proprietary CAMCAS auto setup but no room correction. Note that these power ratings are into six ohms, so the more customary eight-ohm ratings would be a bit lower (for instance, 120 times seven in the top model). Still, the six-ohm ratings suggest how the receivers will perform with slightly more demanding speakers. And these receivers are far from underbuilt. All have heavy damped metal chassis with large toroidal power transformers and an X-tract heat control system involving a large central heat sink and cooling fans, allowing high performance in a not-too-tall form factor.
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Mark Fleischmann Posted: Jan 12, 2012 0 comments
The Paradigm people unveiled their new Paradigm SHIFT brand at CES 2011. At CES 2012 they showed the Paradigm SHIFT soundbar—not the company's first, but the first under the new moniker. It includes a wireless sub and will sell for $799 starting this summer. Paradigm also showed new in-ceiling speakers with magnetic grilles and noted that the magnets are embedded in the speaker, not merely glued on. That's the kind of thing you can do when you control your manufacturing. Also shown was a $59 Bluetooth dongle to go with active speakers. Having trouble routing your earbud cables? Paradigm is introducing a $12 ear hook to take care of that problem. On the Anthem side, the M1 mono-block amp ($3499) was being demoed to good effect and the brand's two pre-pros, AVM 50v and D2v, are being updated for 3D.
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Mark Fleischmann Posted: Jan 12, 2012 0 comments
NAD is now shipping three receivers introduced at CEDIA 2011. They include the T 787 ($4000), T 777 ($3000), T 757 ($1600), and T 748 ($900). All but the bottom model have modular construction to allow a variety of updates in the top two models and video updates in the third. The top model has dual transformers which should do a lot to juice dynamics. This receiver would beat up your receiver and take its lunch money if it didn't have such a dreamy, poetic hi-fi personality.
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Mark Fleischmann Posted: Jan 12, 2012 0 comments
GoldenEar Technology continues to produce thoughtful, independent-minded, and well-engineered new products. Pride of place in the company's exhibit went to the Triton Three powered tower, whose 800-watt DSP-enhanced digital amp drives a 5- by 9-inch sub driver, further reinforced by two 6.75- by 8-inch passive radiators. With the top end handled by GoldenEar's signature folded ribbon tweeter and Audio Research electronics, the speaker left the room awash in delicious sound. Another notable debut was the SuperCinema 3D Array soundbar. This LCR bar includes, in triplicate, the folded ribbon and a 4.5-inch woofer. Cancellation of inter-aural crosstalk gives it the ability to sound anywhere from slightly to considerably (almost unnervingly) bigger than the width of the bar itself. Since it's an LCR, factor in the cost of surrounds and sub. Pricing for either one: $999/each. Also shown was the Invisa HTR 7000 in-ceiling speaker, the first product in that genre to include the folded ribbon ($499).
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Mark Fleischmann Posted: Jan 12, 2012 0 comments
The gorgeous green Focal Diablo Utopia was fed in style by the Devialet D-Premier, winner of a CES 2012 Innovations award. The D-Premier combines the functions of streamer, DAC, preamp, and hybrid amp in a svelte flat form factor. At $16,000 it doesn't come cheap.
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Mark Fleischmann Posted: Jan 12, 2012 0 comments
This metal grille has a lotus pattern that is said to be acoustically transparent. You'll find it in Morel's new Sopran tower ($12,000/pair) and Octave 6 ($6500/pair for the tower, $3500/pair for the monitor).
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Mark Fleischmann Posted: Jan 12, 2012 0 comments
Interesting shapes were seen in the exhibit of this Danish loudspeaker maker.
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Mark Fleischmann Posted: Jan 11, 2012 0 comments
One definition of high end is a product that caters to a high end clientele. That sent Meridian in search of "a speaker that doesn't look like a speaker." The result is the charmingly cone-shaped M6. In the tradition of a company that pioneered powered speakers before they became fashionable, it juices each woofer with 350 watts and each full-range driver (not tweeter) with another 125. Yet its wide off-axis response demonstrates good social skills. Shipping in late February for $9000/pair. Also at the Meridian booth was the second Sooloos iPad app, which takes a slicker and more graphic (that is, less text-based) approach than the original.

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