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Mark Fleischmann

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Mark Fleischmann Posted: Sep 05, 2012 1 comments
The CEDIA Media Preview also featured some surround electronics and other items. Here they come:

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Mark Fleischmann Posted: Aug 24, 2012 0 comments
Jerry Garcia's premature death at age 50 left a void comparable to that of John Lennon at 40. We ache from the loss of their iconic presence, their wry wit, and songs they might have written. But though Garcia did not live to see his 70th birthday celebrated on August 3rd, 2012, he was present in spirit at the marathon concert convened at Bob Weir's TRI Studios in San Rafael, California. It included old friends, new acolytes, songs that have not worn out their welcome, heart-on-sleeve performances, an audience that spanned generations, and the subtle use of technology that let the musicians do what they did best while spreading the event to a webcast audience.

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Mark Fleischmann Posted: Aug 16, 2012 6 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $1,299 At A Glance: Advanced cooling allows for small chassis • Auto setup but no room correction • A true music lover’s receiver

Some of the best-sounding audio/video receivers come from companies that have earned a “low end of the high end” reputation in the two-channel sphere. And, yes, in case you were wondering, that’s a good thing. These receiver brands offer audiophile performance at what I would call moderate prices—although the owner of doghouse monoblocks would consider them cheap, while penny pinchers at the other end of the spectrum would consider them sky high. Among others, I’m referring to Arcam, Rotel, NAD—and Cambridge Audio, which just revamped its AVR line to include three new models.

Mark Fleischmann Posted: Aug 15, 2012 1 comments
Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $600 At A Glance: Denon entry-level AVR • Boston Acoustics sat/sub set • Acceptable performance

Eliminating nonessentials sounds easier than it is. A year ago, I went through my clothes and filled six shopping bags with shirts and pants I knew I’d never wear again. Just a month ago, I repeated the exercise and darn if I didn’t fill another bag. If I’d exerted myself, I could have filled two. So I felt a certain respect as I cracked open the Denon DHT-1513BA carton and moved its contents to my rack and speaker stands—because I knew this system’s designers had made some tough decisions. They’re more hardheaded than a guy who decides to let his HD DVD promotional T-shirt survive another year.

Mark Fleischmann Posted: Aug 10, 2012 2 comments

Performance
Build Quality
Value
Price: $6,800 At A Glance: Three-way with coaxial midrange/tweeter • Sub with dual side-firing drivers • Laser-like focus and well rounded

Kent, in the south of England, was best known for hop farming when Raymond Cooke left Wharfedale and founded KEF in 1961. The company was named after the industrial site on which it was founded: Kent Engineering & Foundry. KEF’s numerous distinguished alumni include Laurie Fincham, who now develops next-generation audio technologies for THX, and Andrew Jones, who designs world-beating loudspeakers at a variety of price points for Pioneer and TAD. KEF has earned a reputation for making both great speaker systems and great speaker drivers, some of which were instrumental in the legendary BBC-designed LS3/5A, which KEF and other manufacturers have marketed in various forms. Roving through a New York cocktail party celebrating KEF’s 50th anniversary last year, hobnobbing with the audio elite, I found that the drive units inspired as much nostalgia as the speakers in which they were used. (To read about KEF’s history in more detail—and in a handsome coffee-table book, no less—see KEF: 50 Years of Innovation in Sound by Ken Kessler and Dr. Andrew Watson.)

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Mark Fleischmann Posted: Jul 18, 2012 0 comments
Readers may already have noticed that my speaker and receiver reviews have begun name-checking a new reference signal source. It is a Micro Seiki BL-51 turntable. And it's a jewel. There isn't a single component in my rack that I don't respect and depend on. But the Micro Seiki I love-love-love. Let me tell you how and why I acquired it.

Mark Fleischmann Posted: Jul 17, 2012 3 comments
Audio is not supposed to be fun. That’s why outdoor speakers are a terrible idea. Music is meant to be enjoyed in an acoustically perfect room by a single person sitting in the sweet spot. While you listen, it might be permissible to reverently handle a gatefold album jacket or dutifully edit metadata to make it absolutely perfect. But it is not permissible to swim, soak up the sun, watch the kids play with the dog, pour daiquiris from a pitcher, or hobnob with neighbors. Above all, it is never socially acceptable to barbecue while listening to music. If you are a morally upright audiophile, you may safely assume the rest of this story will be in the same vein. Go now. Retreat to your music library while I discipline the riffraff.
Mark Fleischmann Posted: Jul 12, 2012 3 comments

Performance
Build Quality
Value
Price: $1,098 At A Glance: Dual orbs in front, single orbs behind • Full-range drivers in steel enclosures • Rod or pedestal stand

Spherical loudspeakers are perhaps too easily dismissed: “Oh look, it’s round. Cute gimmick. Next…” That box speakers are easy to build certainly doesn’t guarantee sound quality. In fact, designers of quality speakers are constantly rebelling against the limitations of rectangular enclosures. To curb cabinet resonance, designers build bracing into the box and stuff the interior with damping material. They curve the sides to stop standing waves from developing between parallel walls. But rather than tweak boxes, some do away with them altogether. So if you think the spherical steel shells of Orb Audio’s People’s Choice satellite speakers are mere gimmicks, think again.

Mark Fleischmann Posted: Jun 26, 2012 7 comments
Performance
Features
Ergonomics
Value
Price: $600 At a Glance: 2.1 independently amped channels • Bluetooth and dock connectivity • Tweaked by Paul Barton

The NAD VISO 1 was an immediate hit in my household from the moment it was uncrated. Between my roommate and myself, it received Bluetooth input from an iPad 2, iPhone 4, and iPod touch 2G. The dock played host to two iPod nano 6Gs and two nano 2Gs in addition to the nano 5G actually used for formal demos. Though not portable in the strictest sense—it won’t slip easily into a briefcase or carry-on—the system was still movable, and eager hands shifted it from living room to bedroom to kitchen. It was pressed into service to provide music for ballet exercises, cooking, reading, and bedtime listening.

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Mark Fleischmann Posted: Jun 08, 2012 6 comments
Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $2,599 At A Glance: ICEpower Class-D amplification • Bluetooth- and iOS-compatible USB • No room correction or low-volume mode

How would you like your audio/video receiver if it had a coal chute and chimney atop the chassis? Would you enjoy shoveling coal into the chute as the chimney belched black smoke and particulates into your home?

Or would you find this entire arrangement so unhealthy, so 19th century, as to be unbearable? Most people probably would prefer to avoid burning coal when sitting down for movie night or putting on some music. And of course, there are no A/V receivers that run directly on coal. But don’t fool yourself. Coal is the single-largest feedstock for electricity generation—not only in developing economies like China, but in the United States as well—far outpacing natural gas, nuclear energy, and other sources.

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