AT A GLANCE Plus
It’s like having three top-drawer speakers
Passive design allows benefits of an AVR
Passive design requires an AVR
Phase Technology’s Teatro TSB3.0 soundbar dispenses with the fancy stuff and provides the performance you’d expect from three well-engineered and great-sounding speakers.
This might seem a radical concept, but what if a soundbar were just a speaker, or two or three? What if it had no internal amplifiers, just some really good drivers, a thoughtfully engineered crossover, and sets of speaker terminals, like any other quality loudspeaker?
Is this kind of soundbar a good idea? That depends on what kind of system you want—or, more specifically, whether you want a standalone audio/video receiver in your system. For some people, the AVR is like the guy you’d cross the street to avoid, someone who confuses and bedevils you. For others, the AVR is the key to a cornucopia of features, the cornerstone of a system that unlocks all your desires.
I have been lucky enough to spend nearly all of my career explaining audio and video technology to readers. I'm just as lucky to have made Sound & Vision and its predecessor Home Theater my roost since 2001. But in a previous phase of my career, I divided my time between specialist publications like this one and other kinds: music and pop culture magazines, men's and women's and travel magazines and newspapers and more. It was while writing a story for Details that I racked my brain for a way to assert the relevance of audio technology to a young, hip, music-loving audience (not unlike myself at the time). Finally I stumbled upon the key that unlocked it all: the phrase closer to music. I've been using that phrase and its cousin—your relationship with music—ever since.
Jeff Bezos—movie mogul? Don’t be surprised if the next movie you see at the local cineplex was bankrolled by Amazon. Says Roy Price, VP of Amazon Studios: “Our goal is to create close to 12 movies a year with production starting later this year.” Amazon’s Original Movies would be exhibited in theaters before moving on to Prime Instant Video. Of course, Amazon has already produced content for the small screen, including a couple of dozen pilots and eight series, most recently including Bosch, an L.A. crime drama based on the bestselling novels of Michael Connelly.
Prestige 15B Speaker System Performance Build Quality Value
Seismic 110 Subwoofer Performance Features Build Quality Value
AT A GLANCE Plus
Advanced driver designs
Fine-grained, transparent, dynamic playback
Compact but powerful
Boxy, non-curved enclosures
Paradigm’s Prestige series speakers and Seismic 110 sub employ unusual driver design to achieve remarkable transparency and punch.
As I sat down to write this review of the Paradigm Prestige speaker system, I couldn’t get a seemingly unrelated subject—the Pono hate—out of my head. No joke, folks: I sat at the keyboard for hours mulling it over. What chance did I have to convince readers that a $6,145 speaker system is worth hearing when a $400 music player is greeted with language like “don’t buy” and “snake oil”?
OK, I know I’m preaching to the converted. You probably wouldn’t be reading Sound & Vision if you weren’t open to the idea that a well-designed speaker system has the power to bring you closer to music. That’s what the Paradigms did for me when I informally played a few recent additions to my high-resolution music library (more on them later). I felt as if a curtain had been lifted and music was in the room with me—not just recorded music, but music.
I recently spent a few weeks exhaustively reviewing five headphone DAC-amps. They included the Schiit Fulla ($79), AudioQuest DragonFly v1.2 ($149), Oppo HA-2 ($299), Celsus Companion One ($595), and Sony PHA-3 ($1,000). Of course anyone who buys one of these products will find that the listening experience depends heavily on the headphones used with it, and there's no predicting which headphones an individual buyer may use, so I chose a varied selection: the Oppo PM-2 ($699), Sennheiser HD600 ($400), and Sony MDR-V6 ($110). Then I had to choose the demo music. That was fun—anyone who says a job like mine isn't fun should find another job—but it took some care and forethought. Just as associated gear affects perception of an audio product, so too does the music.
The city government of Lincoln, Nebraska wants its citizens to enjoy the benefits of cable competition. So it is allowing a second cable operator onto the playing field. And guess what? The incumbent cable operator isn’t happy about it.
Freak that I am, I still pay for most of the music I listen to. Not that I didn't have a fling with Napster and its successors—but I've removed torrenting software from my PCs and no longer seek out illegal downloads. Nowadays, if I want to check out new-to-me music without investing, I try the public library, YouTube, borrow from a friend, or—being a journalist has its privileges—ask for a review sample of the disc or download. But I also explore the vast realm of classical music via $2 LPs and pay full price for CDs and LPs by greying artists I've supported for decades. The one thing I refuse to do now is settle for a lousy stolen MP3. I'm done with that. If you're not, here are a few things to think about. Please don't get the impression that I'm acting all high and mighty about illegal downloading. What I'm arguing is that it's in your best interest to give it up. Here's why.
SoundSpot MT-3 Speaker System Performance Features Value
SUB-8X Subwoofer Performance Features Build Quality Value
AT A GLANCE Plus
1mm-thick steel sphere
Superb imaging, soundfield
Predictably modest bass
Morel’s MT-3 Music Theatre combines steel truncated-sphere enclosures, concentric drivers, and a unique grille pattern to create a visually striking and high-performing compact sat/sub set.
The advent of Dolby Atmos casts a shadow over existing 5.1- and 7.1-channel surround systems. Some home theater buffs want the new technology and want it now, while others may decide not to go all in. In between are those wondering whether to leave the door open for Atmos. And that brings us to the Morel MT-3 satellite/subwoofer set. The 5.1-channel configuration reviewed here does not support Atmos; at least, these satellites lack the up-firing drivers that constitute an “Atmos-enabled” speaker system. However, their base provides for wall-, ceiling-, or tabletop positioning with no additional hardware, and surface-mounting an extra pair (or two) of satellites on a ceiling would indeed bring this speaker system into Atmos territory with a 5.1.2 (or, better yet, 5.1.4) configuration.