Chris Chiarella

The title of Le cercle rouge is derived from a Buddhist proverb about people coming together in fateful encounters—a theme pertinent to recently released convict Corey (Alain Delon) who crosses paths with escaped suspect Vogel (Gian-Maria Volonte). Along with alcoholic ex-cop Jansen (Yves Montand), they team up for a big-franc jewel heist—sophisticated for its time—unaware that determined detective Mattei (André Bourvil) and his snitches are on their trail. While similarities inevitably exist, anyone expecting the visceral intensity of a more recent Heat or a Reservoir Dogs will be in for a surprise.

Nostalgia--that "twinge in your heart, far more powerful than memory alone" as Don Draper famously explained it--can be a potent ally to the modern filmmaker. With its risky and highly publicized meta-twist (which I won't spoil here, just in case), Spider-Man: No Way Home managed to complete director Jon Watts' arachno-trilogy on an epic scale, capping not only this story arc but one far grander, much as Avengers: Endgame did for the whole of the Marvel Cinematic Universe.

The Godfather still kills. At a recent theatrical re-release marking the 50th anniversary of the first film in the series adapted from Mario Puzo's bestseller, I witnessed the audience hanging on every emotional nuance set forth by director Francis Ford Coppola. Once the highest-grossing film of all time, this operatic tale of the Corleone crime family boasts bigger-than-life characters doing despicable things, spouting irresistible dialogue, and backing it up with copious violence. Part II is both prequel and sequel, with characters new and old seen through a fresh lens in another grand story: the "origin" of Don Vito Corleone, interwoven with son Michael's attempted business expansion into pre-Castro Cuba. Part III was reimagined and recut as Mario Puzo's The Godfather, Coda: The Death of Michael Corleone in 2020. While improved over past versions, it's by far the weakest of the lot, an outlier and a vain attempt to recapture past glory.

When you're all-in with the Marvel Cinematic Universe, you take the good with the bad, and Jack Kirby's lesser-known 1970s comic book has yielded the latter. With Eternals, we are introduced to a diverse team of never-aging otherworldly protectors, each with a different superpower, who are tasked with defending humanity from some nasty creatures.