Geoffrey Morrison

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Geoffrey Morrison Posted: Jan 12, 2013 0 comments

Never underestimate the power of a good demo. There's some sort of magic mix of twisting expectations and cleverly revealed reality that sticks with the audience for years. Bose gets this, with their "but it's just these small speakers!" reveal. Pioneer nailed it with the "this TV is also on" KURO demo.

DTS might have done it with their Headphone X demo at CES.


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Geoffrey Morrison Posted: Jan 12, 2013 0 comments

We know Velodyne for their subwoofers, and lately, headphones. This isn’t all they do, though.

They also love robots.

Self-guided, thinking, driving, car-sized robots.

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Geoffrey Morrison Posted: Jan 12, 2013 0 comments

We loved the VT50, and even gave it our Video Product of the Year award. Panasonic, though, didn’t just update their plasma flagship model, they made a whole new flagship model.

Sure, a bunch of improvements were mentioned, but how much better is the ZT60?

Well, they had a darkened room at their booth with the two side-by-side. Some skepticism and cautious enthusiasm after the jump.

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Geoffrey Morrison Posted: Jan 12, 2013 0 comments

In one of the weird niche products LG showed at CES, the HECTO is a laser-based projector with a fixed throw distance. That distance? 22-inches from the lens.

As you can see in the photo, the HECTO is designed to nestle up nearly to the wall, and project a distortion-free 100-inch, 16x9 image.

A few more details after the jump.

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Geoffrey Morrison Posted: Jan 09, 2013 0 comments

 

There’s a few big headlines right off the top. The first, Panasonic’s entire LCD line now uses LEDs for backlighting. The second, no more GT Series on the plasma side. The third, a new ZT Series slots in above the once-top-of-the-line VT Series. 
 
All the models and features after the jump.
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Geoffrey Morrison Posted: Jan 07, 2013 0 comments

Sharp wanted to be the name in massive flat panel TVs, and that it achieved. With other companies “making do” with 65-inch TVs, Sharp’s 70-, 80-, and 90-inch models make them seem puny.

Lots of models, after the jump.

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Geoffrey Morrison Posted: Jan 02, 2013 0 comments

With CES a few days away, and my yearly pilgrimage to that great abomination in the desert (Las Vegas) imminent, I figured it was a good time to compile some excellent driving songs.

The key to a good driving song is not that the song has something to DO with driving, that's lazy and often highly inaccurate. Similar to my article on Pop Music in the Movies, the key is the feel. The key is a fast, *ahem* driving beat.

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Geoffrey Morrison Posted: Dec 30, 2012 0 comments

Can I like the idea of a thing, better than the thing? This is the question I'm pondering as I write up this admittedly cool LED/laser hybrid projector from ViewSonic. Instead of UHP lamps or even "regular" LEDs, the Pro9000 adds a laser to the mix, because ... well because it's cool, right?

While it gets an "A" on the technology front, its performance grade is notably lower.

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Geoffrey Morrison Posted: Dec 27, 2012 0 comments

If the weather, calendar, and bevy of "PLEASEGIVEMEANOSCAR" movies didn't give it away, surely the title of this article does: 2012 is pretty much history.

In the pages of Sound+Vision (both the digital and analog variety), we've covered some interesting trends, products, news, and more.

So here are some highlights and lowlights, some contrast and brightness, some tweeters and some woofers, some increasingly lame metaphors, some... well, you get the point.

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Geoffrey Morrison Posted: Dec 24, 2012 0 comments

Unless you've been living down a hobbit hole, or care nothing about movies and technology (in which case, how did you get here?) you've heard about The Hobbit and it's magical new "High Frame Rate": 48fps. This doubling of the traditional movie framerate has gotten much hoopla, with director Peter Jackson claiming it's the best way to see his new film.

So with an open mind, and a slightly emptier wallet, I saw The Hobbit in IMAX HFR 3D, and then a few days later, in "regular" 24fps RealD with Dolby Atmos. The difference was not subtle.

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