Geoffrey Morrison

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Geoffrey Morrison Posted: May 21, 2012 0 comments

There’s a coffee cup on the remote, an icon unmistakably a cup and saucer. Maybe it’s tea. It’s the largest button. It’s backlit. It might be taunting me.

So begins my time with the Epson MegaPlex MG-850HD Projector, a plucky little PJ that makes me question the logic of every flat panel in existence.

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Geoffrey Morrison Posted: May 18, 2012 0 comments

Carmakers have a problem. OK, I’m sure they have a lot of problems, but as this one has to do with sound, it’s relevant to us here at S+V.

As cars have gotten quieter, and as turbocharging finds its way onto more vehicles, we’re losing the sonorous soundtrack of the engines themselves.

So the engineering wizards are using technology to combat the progression of... technology?

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Geoffrey Morrison Posted: May 17, 2012 0 comments

Announced today, Dolby has added a new trick to their TrueHD encoding. It allows studios and authoring houses a way to upconvert standard 48 kHz content (the sampling rate of most movies) to 96 kHz for Blu-ray.

At an event at Dolby headquarters in San Francisco, I got a chance to hear the results. Interestingly, it was quite... interesting.

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Geoffrey Morrison Posted: May 11, 2012 0 comments

I am not naive enough to think that the gaming industry's primary desire is anything other than to make money. As an industry, they're really good at it, making more than the movie and music industries combined.

The past year has seen an explosion of "Free to Play" (F2P) games that are, well, free to play. Lately, storied titles like Tribes have been reborn in this model. More titles in development aim directly at this new pricing strategy.

But is it good for games, and more importantly, is it good for gamers?

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Geoffrey Morrison Posted: May 09, 2012 0 comments

It is the job of every generation to complain that the younger generations are inferior, or headed for destruction, or whatever the latest cause célèbre is. Even in the lifetimes of those reading this blog, it's easy to point to the mass hysteria surrounding rock and roll, then heavy metal, then rap, then video games, as examples of one generation making mindless accusations about another.

In the audio world this is just as common, it's ongoing, and Harman has released a study that shows that the old people need to shut the hell up (I'm paraphrasing).

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Geoffrey Morrison Posted: May 07, 2012 0 comments

Somewhere between a simple setup disc and a full professional calibration is the Spyder from Datacolor.

Consisting of a small colorimeter you attach to your TV, some software, and a Blu-ray (or DVD) with test patterns, the package claims to let you "calibrate" (their word) your own TV.

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Geoffrey Morrison Posted: May 04, 2012 0 comments

One of the most common requests I get by email, and in comments on reviews, is to share what picture settings I've used to achieve the best image.

To put it bluntly: no. This isn't because my settings are some big secret, it's because I honestly believe sharing them is a bad idea, and I'd be doing more harm than good.

And once I list the reasons why, you may even agree with me.

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Geoffrey Morrison Posted: May 02, 2012 0 comments

The ability of a display to upconvert standard definition content (like a DVD, or many cable/satellite channels) was once a key component of its overall performance.

But now, most TVs do a reasonable job, and more important, I don’t think most people actually have any SD content.

Should we bother to continue testing it?

Geoffrey Morrison Posted: Apr 27, 2012 0 comments

I had no intention of seeing Titanic in 3D. This wasn't a "Hmmm, should I" type decision. At no point was the option of going to a theater and seeing this movie in faux-3D a valid option in my brain. It was up there with "run marathon," "time travel," and "read Twilight" on the list of things I know I will never do.

Well, last night I saw it - James Cameron's retrofitted 3D masterpiece. And you know what, I expected to hate it. . . and didn't. As someone who reviews 3D crap - sorry "stuff" - for a living, here's my take.

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Geoffrey Morrison Posted: Apr 25, 2012 0 comments

Burbling quietly as it rolls down the back of the flatbed truck, the Panamera appears an expansive stretch of undulating blue sheet metal. With nary a paper to sign, the delivery driver hands me the keys and says, “have fun” with a wry smirk.

Because it amuses me (and probably my neighbors), I park it next to my 1975 Porsche 914, which cost me a hair north of 1% of the sticker price of its great-great-grand sibling.

It’s going to be a good week.

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