Is he or isn't he? That's the question at the heart of Series 1 (2006-07) of the highly stylized British cop drama Life on Mars (later adapted for a 17-episode U.S. run). Is Detective Sam Tyler (John Simm) mad, bad, or dangerous to know - which is to say, is he delusional, disjointed, or actually in a coma imaging Manchester circa 1973?
Bob Dylan, bard for the ages, brought his never-ending tour to Convention Hall in Asbury Park, New Jersey, on the torrential evening of Sunday, August 14, and reinforced his prowess as the key observer and interpreter of our ever-distressing modern times.
Ian Anderson of Jethro Tull is quite animated when discussing the current and future state of recorded music. Back in the early months of 2000, Anderson and I sat down in a hotel restaurant in New York City to discuss similar topics. It's interesting to see how things have progressed since then - or not...
“It’s a timeless record with so much detail,” says surround-sound remix guru Richard Chycki about Rush’s 1981 masterpiece, Moving Pictures. “I’m glad you’ve clued into all of the nuances.” Chycki is referring to what I said to him last week about the PCM 5.1 and DTS-HD Master Audio 5.1 mixes he did for MP’s 30th anniversary reissue. Today marks the release of the CD+DVD version, something certainly worth getting if you’re not equipped for Blu-ray — but the much preferred Holy Grail CD+BD version won’t be out until May 3.
Surround-sound guru Steven Wilson has upped the ante yet again on his Grace for Drowning solo tour by presenting the music itself in surround sound, an unprecedented feat. Well, ok, technically speaking, the show is in live quad, with two speakers placed in the back of the venue at hand.
“We were all vinyl junkies,” said Robert Plant at a packed press conference immediately following the screening of Led Zeppelin’s new live concert film Celebration Day at the Museum of Modern Art in New York on October 9.
Why did you decide to remaster the Boston Greatest HitsCD (Epic/Legacy)? For one thing, the other Greatest Hits CD [from 1997] was horrible-sounding - not as bad as Third Stage [chuckles], but it was an older CD, back from the days when Pro Tools was still a fledgling thing, and a lot of that mastering was done in 1