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Ken C. Pohlmann Posted: Oct 21, 2013 6 comments
Their future seemed so very bright. The SACD format, with a bit rate four times that of CD, was designed to lead the CD to new heights. DVD-Audio, sibling of the wildly successful DVD-Video format, offered audiophile fantasy surround at 96 kilohertz/24 bit. Hard on the heels of Avatar, 3DTV promised to change TV viewing forever.
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Ken C. Pohlmann Posted: Oct 15, 2013 8 comments
A screen of infinite beauty, of most excellent fancy. He hath shone on me a thousand times. And now, how abhorred he is. Where be your hues now? Your wider viewing angle? Your deeper blacks? Your brightness that was wont to set the room on a roar? Now get you to my lady’s chamber, and let her paint a screen an inch thick. Make her look at that.

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Ken C. Pohlmann Posted: Oct 01, 2013 0 comments
Much to the dismay of audiophile old fogies, the audio scene has been overrun by punks and their celebrity endorsements. Everywhere you look (Dre, I’m looking at you) you see audio gear, headphones in particular, with a famous DJ or other artist name attached. Of course, even old fogies were young once, and now it’s another generation’s turn to discover how cool audio is.
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Leslie Shapiro Ken C. Pohlmann Posted: Sep 27, 2013 0 comments
The year is 1976, when sex was safe and racing was dangerous. The Formula One World Championship is up for grabs, and it’s a grudge match. British race driver James Hunt goes mano a mano with Austrian race driver Niki Lauda, both driving pedal to the metal, with absolutely no margin for error and loving every minute of it. As Hunt explains, “The closer you are to death, the more alive you feel.” Director Ron Howard accelerates out of his comfort zone, and you’re sitting beside him, on the ride of your life.

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Ken C. Pohlmann Posted: Sep 23, 2013 0 comments
So far, this has been a pretty good year for moviegoers. The Hollywood dream machine has cranked out a steady stream of big-budget movies with colossal production values. If you enjoy getting your eyeballs fried by flying fireballs or your ears rocked by rampaging robots, the multiplex has been very, very good to you. But how will these screen gems look from your Lay-Z-Boy? After our reviews of the theatrical releases, I asked colleague Leslie Shapiro (our Grace Notes blogger) to join me in eagerly anticipating their Blu-ray releases.

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Ken C. Pohlmann Posted: Oct 31, 2006 0 comments

Choosing a good loudspeaker is pretty much the same as choosing a good woman. Obviously, they come in all shapes and sizes, and you want the model that's perfect for you. Looking for a speaker that's rich, or perhaps a woman with a wood-grain finish? Don't forget to consider the size of the woofers (or whether, in fact, they are tweeters).

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Ken C. Pohlmann Posted: Mar 07, 2005 0 comments

Digitizing music changed all the rules - even though we took almost two decades, from the introduction of the CD to the rise of MP3, to explore its full potential. Freed from the limitations of hard-wired analog circuits, new software-driven digital music systems can be amazingly powerful and flexible, especially when combined with networked computers.

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Ken C. Pohlmann Posted: Oct 25, 2011 0 comments


How many copies of Jurassic Park do you own? I'll give you an hour to tell me. That's because if you are a dino-fan, it will take awhile to tally them all. Don't miss any! There's VHS, Laserdisk, DVD, the Trilogy DVDs, the Adventure Pack DVDs, Blu-ray…. So, how many copies of Jurassic Park do you own? Well, get ready to buy some more. The Jurassic Park: Ultimate Trilogy Blu-ray set is being released today (with a freshly remastered DTS-HD Master Audio 7.1 soundtrack and a whole lotta extras as incentives to purchase). And after that. . .

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Ken C. Pohlmann Posted: Jul 09, 2002 0 comments
Photos by Brian Payne The temperature was chilly - at least to two southerners - but even the coldest day in Rocky Mountain National Park is sweltering compared to the frigid -450° void of outer space.
Ken C. Pohlmann Posted: Feb 18, 2011 0 comments

You might not know this, but I’ve dabbled in the screenwriting of commercial motion pictures. Perhaps you’ve heard of some of them: The Usual Suspects, Fargo, Titanic, Gladiator, No Country for Old Men, The Hurt Locker. Well, okay, so I didn’t write any of those, but if I hadn’t been so busy surfing the Web every day, I probably could have.


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