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Ken Richardson Posted: Oct 29, 2013 0 comments
Also: Humble Pie expanded, Jethro Tull remixed in 5.1, and much more. Plus: the return of Dorothy Wiggin. (She used to be a Shagg.)

Ken Richardson Posted: Oct 15, 2013 1 comments
Also reviewed: Pearl Jam. And in revue: many more new releases, as well as classic XTC in 5.1.

Ken Richardson Posted: Oct 08, 2013 0 comments
Whatever you think of Miley Cyrus these days, she does have you thinking. In other words, she got your attention. Which, in the current era of Lady Gaga, Katy Perry, and elder shockwoman Britney Spears, is the first order of business, and I do mean “business.”

The thing is, what if she’d gotten our attention another way?

Ken Richardson Posted: Oct 01, 2013 0 comments
Also reviewed: Joan Jett, Haim, Quasi, and the Blind Boys of Alabama. Plus: the scoop on boxes from Rush and Vladimir Horowitz. And much more.

Ken Richardson Posted: Sep 24, 2013 0 comments
Also reviewed: Kings of Leon, Sting, and Icona Pop. Plus: a thematic list of all the other prominent new releases and reissues, including The Complete Waitresses and a big box of Nirvana’s In Utero.

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Ken Richardson Posted: Sep 10, 2013 Published: Sep 17, 2013 0 comments
This Week in Music, September 10, 2013: The country side of Sheryl Crow
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Ken Richardson Posted: Sep 16, 2013 1 comments
Also reviewed: Richard X. Heyman, Potty Mouth. Plus: boxes of the Band and the Grateful Dead.
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Ken Richardson Posted: Aug 13, 2013 0 comments
Also: Glen Campbell, Chastity Belt, Mickey Hart Band, Béla Fleck, Nirvana vinyl, and more.
Ken Richardson Posted: Sep 05, 2007 0 comments

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Ken Richardson Posted: Sep 03, 2013 0 comments

Nine Inch Nails: Hesitation Marks

New release (Columbia; tour dates)
Photo of Trent Reznor by Baldur Bragson

Trent Reznor already came back haunted in March with the release of Welcome oblivion by How to destroy angels. That side project with Atticus Ross and (Reznor’s wife) Mariqueen Maandig took post-industrial/ambient music and made it sound fresh. By contrast, Hesitation Marks, Reznor’s first album in five years under the Nine Inch Nails moniker, seems beset by run-of-the-mill electronica. Ross and another veteran collaborator, Alan Moulder, return as co-producers with Reznor, but together they’re often just busy little techno-bees buzzing around Reznor’s generally average material.