Josef Krebs

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Josef Krebs Posted: Feb 27, 2013 0 comments

The Master

Continuing to push the boundaries of traditional narrative and character development, the latest film from director Paul Thomas Anderson (Magnolia, There Will Be Blood, Boogie Nights), The Master, tells of Naval veteran Freddie Quell (Joaquin Phoenix) who arrives back stateside from fighting in the Pacific front in World War II troubled, un

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Josef Krebs Posted: Apr 29, 2011 0 comments

The first extra I jumped to after experiencing the 1998 film adaptation of Hunter S. Thompson’s seminal brainspill Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream was the author’s commentary.

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Josef Krebs Posted: Jun 18, 2013 0 comments

Lifeforce

With a great sci-fi/horror pedigree - directed by Tobe Hooper (The Texas Chain Saw Massacre, Salem's Lot, Poltergeist), screenplay co-written by Dan O'Bannon (Alien, Total Recall, and Dark Star) and Don Jakoby from the 1976 novel The Space Vampires by Colin Wilson, special effects supervised by Oscar-winner John Dy

Josef Krebs Posted: Sep 01, 2006 0 comments

First skirmish in the Blu-ray Conflict: martial arts vs. illegal arms. (As with the HD DVD roundup in our previous issue, this is a fair fight, so all ratings are relative to other high-definition discs, not to standard-definition DVDs. All discs were screened using an unmodified Samsung BD-P1000 player.)

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Josef Krebs Posted: Mar 04, 2007 0 comments
KOCH Lorber
Movie •••½ Picture •••½ Sound ••• Extras •••
Is it a joke?
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Josef Krebs Posted: Mar 31, 2011 0 comments

The Social Network opens with a conversation between Mark Zuckerberg (Jesse Eisenberg) and his soon-to-be-ex-girlfriend (Rooney Mara), and it's the perfect setup for a movie about a certain form of Internet interaction.

Josef Krebs Posted: Jun 09, 2008 0 comments
Disney Blu-ray Disc
Movie ••••½ Picture •••• Sound •••• Extras ••••½

In this inspired homage

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Josef Krebs Posted: Apr 18, 2002 0 comments

Since he first delighted audiences and divided critics with his stylized, idiosyncratic first feature, Strictly Ballroom, writer/ director Baz Luhrmann has gone on to make Romeo+Juliet and Moulin Rouge - each more ambitious, more stylized, and more dividing of critics than the last. Each has also had greater success at the box office and in accumulating awards both in the U.S.

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