Steven Stone

Sort By: Post Date | Title | Publish Date
Steven Stone Posted: Jun 19, 2005 Published: Jun 20, 2005 0 comments

The modern world revolves around easy. Look at the home-theater-in-a-box products. Consumers only need to make one shopping decision to purchase an entire home theater sound system. Unfortunately, they still need to set up the speakers and connect everything together.

Steven Stone Posted: Jun 13, 2005 0 comments

McIntosh ranks among the best-known names in high-end audio. Since the company's inception in the early 1950s, McIntosh products, with their immediately recognizable black-glass front panels, have earned a place in homes of passionate audiophiles throughout the world.

Steven Stone Posted: Apr 24, 2005 0 comments

Once upon a time, audiophiles used to get very excited about power amplifiers. They would obsess about the minutiae of an amp's sonic character and its ability to successfully drive 2ohm loads. Times change. Now amplifiers are among the least sexy components in a home theater. Most videophiles would concur with the concept that amplifiers should be heard, but not seen. Within the new world order of home theaters, amplifiers have been relegated to a supporting role.

Steven Stone Posted: Feb 06, 2005 0 comments

The most expensive and problematic component of any home theater system is the room. Changing speakers or electronics seems like child's play compared with trying to change the room in an attempt to tame its resonant frequency nodes (areas where certain frequencies are cancelled) and antinodes (areas of reinforcement). Correcting a room electronically is a far more practical solution to most rooms' problems.

Steven Stone Posted: Dec 15, 2004 0 comments

Since Revel's formation in 1996, few other speaker makers have garnered as much critical acclaim for their products. Revel speakers have a reputation for not only sounding wonderful, but also measuring well and having striking good looks. The only problem with Revel's original Ultima series speakers was their price, at which even veteran audio reviewers blinked twice.

Steven Stone Posted: Dec 15, 2004 0 comments

We all long for big, bodacious home theater systems. Unfortunately, many of us, especially urban dwellers, find ourselves shoehorning 100 pounds of gear into a 10-pound space. Some videophiles even resort to pitiful little satellite speakers the size of Ping-Pong balls.

Steven Stone Posted: Oct 15, 2004 0 comments

Most power amplifiers are primarily differentiated by their size and color. Eventually, even an amplifier fetishist grows weary of digging for the minute variations that make each amplifier special. Perhaps that's why it's so refreshing to discover an amp that embraces some truly unique new technology. Bel Canto, a small company located in darkest Minnesota, has managed to find a way to manufacture a digital amplifier, dubbed the eVo2, whose performance rivals that of more conventional analog designs.

Filed under
Steven Stone Posted: Sep 19, 2004 0 comments

<I>Junior Wells, Buddy Guy. Directed by Andre Peraza. Aspect ratio: 4:3. Dolby Digital 2.0. 88 minutes. 2004. Sony Music/Legacy Video JVD55754. NR. $14.98.</I>

Steven Stone Posted: Aug 02, 2004 0 comments

Back in the bad old days of early digital sound, most CD players produced horrendous amounts of jitter&mdash;mistiming of the bits in the digital bitstream. Some high-end audio companies came up with devices for reducing jitter that were often referred to as "jitter boxes." Audio Alchemy was among the most well-known of these specialty makers. AA ceased operations long ago, but one of their principal designers, Doug Goldberg, has created a similar device for Camelot Technology called the Dragon 5.1 Plus. It promises to do for DVD players what the Audio Alchemy box did for CD players: make them sound a lot better.

Steven Stone Posted: Jul 11, 2004 0 comments

TEAC has been around since the early days of stereo, and my own history as a user of their products spans almost 35 years. My first TEAC was an A-1200 reel-to-reel tape recorder, purchased in 1968. It was big and heavy, and it worked perfectly for many years. I currently use a TEAC RW-H500 CD recorder to make all my live concert recordings, and a complete TEAC 500-series system&mdash;AV-H500D 5-channel integrated amplifier, T-H500 AM/FM stereo tuner, R-H500 cassette deck, PD-H570 CD changer&mdash;provides music in my master bedroom.

Pages

X
Enter your Sound & Vision username.
Enter the password that accompanies your username.
Loading