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Rob Sabin

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Rob Sabin Posted: Dec 26, 2012 11 comments
Editor-in-chief Rob Sabin reminisces about a meeting with superstar amplifier designer Dan D’Agostino and lessons learned from a demonstration he'll never forget.
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Rob Sabin Posted: Dec 15, 2012 9 comments
I made it a point this weekend to be among the first to view Peter Jackson’s latest epic, The Hobbit: An Unexpected Adventure, in its native 48 frames-per-second frame rate. If you’ve not been keeping up with the news surrounding this movie, Jackson made the decision early on to shoot it digitally at twice the 24 fps rate used for the last 80 years or so. The 24 fps rate is closely associated with the look of film as we’ve come to know it. Increasing that rate can greatly reduce blurring and judder on fast motion and camera pans, allowing for extra detail that would otherwise be lost when shooting either film or video at 24 fps. Fast frame rates also improve the 3D experience, making viewing easier on the eyes and reducing the instance of crosstalk or “ghosting” artifacts. But it imparts a sheen that most of us would more closely associate with native video rather than film. If you’ve looked at film-based content on any LCD television that has its 120 Hz or 240 Hz motion enhancement features turned on, you know what I’m talking about. Such circuits cause content originally shot at 24 fps to look like video — the so-called “soap opera” effect. Some folks like the look and some don’t. Whichever side you fall on, there’s no arguing that the look these circuits impart to 24 fps native content is an artifice—it’s clearly not what the director was watching when he composed the film or what he intended for your viewing.

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Rob Sabin Posted: Dec 10, 2012 2 comments
Find out why Editor-in-Chief Rob Sabin thinks the concept of transmitting high-quality sound via a wireless link should not be taken lightly.
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Rob Sabin Posted: Nov 21, 2012 4 comments
As the holiday seasons kicks off, a report from dealnews.com suggests that Black Friday will see some insane TV deals—like 55-inch 1080p HDTVs going for $499.
Rob Sabin Posted: Nov 13, 2012 0 comments
Looking for that perfect receiver? Before you hit the stores, here’s everything you need to know in a quick-read format. See our Top Receiver Picks.
Rob Sabin Posted: Nov 06, 2012 0 comments
Looking for that perfect Blu-ray player? Before you hit the stores, here’s everything you need to know in a quick-read format. See our Top Receiver Picks.
Rob Sabin Posted: Oct 25, 2012 1 comments
Looking for that perfect set of speakers? Before you hit the stores, here’s everything you need to know in a quick-read format. See our Top Picks for Floorstanding and Compact Speakers and Subwoofers.

Rob Sabin Posted: Oct 19, 2012 1 comments
Looking for that perfect big-screen TV? Before you hit the stores, here’s everything you need to know in a quick-read format. Visit our How To Shop page for tips on shopping for Speakers, A/V Receivers, Blu-ray Players and more.
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Rob Sabin Posted: Sep 25, 2012 2 comments
With great gear, it's all about the "something special."

Reviewers at Home Theater have a near-impossible task. Their job is to communicate, with words on a page accompanied by a few photographs, an experience with an audio or video component that can only be rightly conveyed viscerally. That is to say, in real life we don’t just listen to or view components, we react to them: physically, emotionally, intuitively.

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Rob Sabin Posted: Sep 07, 2012 0 comments
Runco is in Indianapolis with several new DLP front projectors across a range of price points, including three models in its new XtremeProjection Series targeted at high-end installations, the X-200i ($14,995), the X-400d ($34,995), and the X-450d ($39,995). The X-200i features integrated processing, while the two top models ship with the DC-300 Dimension Digital Controller, an outboard processor said to be optimized to enhance 3D performance. The X-200i, shown here and demonstrated for press on Thursday, is a single-chip DLP projector rated for 1430 ANSI lumens and up to 50 foot-lamberts of light output. It threw some impressive images of Kung Fu Panda on a 120-in Stewart Studiotek 130 screen.

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