You can pay thousands for a good screen, or paint your own for the low hundreds. Screen Goo Americas (probably the company with the most memorable name in the business) offers four flavors: Reference White (roughly unity gain) HIgh Contrast, Max Contrast, and Ultra Silver 3D (high gain, preserves light polarity). All of them may be rolled or sprayed on an appropriate flat, smooth surface. The even make a screen paint for rear projection! It's also said to be flexible enough that the screen can be moderately curved after painting. We're not saying that it can equal a professionally produced screen, but the demo we saw looked mighty impressive. If the cost of a screen is keeping you from acquiring a projection system, this approach might well help.
Not much information was available on this Elite NP-M50 streaming device, but at $700, with an asynchronous DAC, it should be a hot ticket. A similar NP-M30 deletes some capabilities, including the asynchronicity in its DAC, will go for for $500. December availability for both.
While it didn't photograph well in its dark location (despite my primo photographic skills!), DreamVision's new Inti series of projectors are lookers. At least their cosmetics are, and if their JVC innards are any indication, their performance will be as well (they were on static display only. The Inti 2, shown here, is $10,000. The Inti 1 is $7000, and the Inti 3 is $13,995.)
Schneider Optics offers a wide range of some of the most respected anamorphic lenses in the business. Interestingly, they also market their own projector, not widely known in the states, that includes an anamorphic lens on a built-in track. The projector is priced around $25,000, with the anamorphic lens. It was on static display only.
KEF's new R-series, mentioned in an earlier blog, was inspired by KEF's far pricier Blade ($30,000/pair), shown here in its dress whites. It sounded surprisingly good on the open show floor, with a tight, punchy bass that was undoubtedly helped by the lack of room modes--though the latter can hardly be blamed on any speaker. When I placed by hand on the composite cabinet during those heavy kick-drum hits, I felt practically nothing.
Panasonic brought along its 152-inch, 4K plasma. It was surprising how small it looked on the open show floor, until a passerby stood in front of it to provide a sense of scale. I don't even want to imagine how much it adds to an electric (including air conditioning!) bill. Of course if you can afford the set, that probably won't matter much to you.
As usual, video guru Joe Kane was holding forth in his black-curtained lair in the land of Da-Lite , demonstrating his Samsung-derived projectors (sadly, no longer available) and his approved, Da-Lite Affinity screens (which definitely are). Joe is working 24/7 to get his next test disc ready to market, which will include 3D material and 3D test patterns sorely needed by video pros, calibrators, and users alike.
Wolf demonstrated its Cub 3D projector ($15,000) on a SI Black Diamond screen (gain 1.4, 10-feet wide). The demo material consisted of music, including scenes from the new Blu-ray release of Rio which I recently reviewed for our November issue. It's a terrific transfer, and I had no complaints about the Wolf. A review sample of the Cub is expected at chez Home Theater, soon.
Vivitek was demoing two of its projectors in 2D. A stacked pair of its well-established H9080 LED-based DLP projectors ($15,000 each, shown here) were converged onto a 118" wide, Da-Lite Affinity screen (gain 1.1). A single D8300 ($118,000, shown below) was firing onto a c comparably sized Stewart Firehawk.