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Tom Norton

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Tom Norton Posted: Sep 10, 2011 0 comments
You can pay thousands for a good screen, or paint your own for the low hundreds. Screen Goo Americas (probably the company with the most memorable name in the business) offers four flavors: Reference White (roughly unity gain) HIgh Contrast, Max Contrast, and Ultra Silver 3D (high gain, preserves light polarity). All of them may be rolled or sprayed on an appropriate flat, smooth surface. The even make a screen paint for rear projection! It's also said to be flexible enough that the screen can be moderately curved after painting. We're not saying that it can equal a professionally produced screen, but the demo we saw looked mighty impressive. If the cost of a screen is keeping you from acquiring a projection system, this approach might well help.
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Tom Norton Posted: Sep 10, 2011 0 comments
Not much information was available on this Elite NP-M50 streaming device, but at $700, with an asynchronous DAC, it should be a hot ticket. A similar NP-M30 deletes some capabilities, including the asynchronicity in its DAC, will go for for $500. December availability for both.
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Tom Norton Posted: Sep 10, 2011 1 comments
While it didn't photograph well in its dark location (despite my primo photographic skills!), DreamVision's new Inti series of projectors are lookers. At least their cosmetics are, and if their JVC innards are any indication, their performance will be as well (they were on static display only. The Inti 2, shown here, is $10,000. The Inti 1 is $7000, and the Inti 3 is $13,995.)
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Tom Norton Posted: Sep 10, 2011 0 comments
Schneider Optics offers a wide range of some of the most respected anamorphic lenses in the business. Interestingly, they also market their own projector, not widely known in the states, that includes an anamorphic lens on a built-in track. The projector is priced around $25,000, with the anamorphic lens. It was on static display only.
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Tom Norton Posted: Sep 10, 2011 0 comments
KEF's new R-series, mentioned in an earlier blog, was inspired by KEF's far pricier Blade ($30,000/pair), shown here in its dress whites. It sounded surprisingly good on the open show floor, with a tight, punchy bass that was undoubtedly helped by the lack of room modes--though the latter can hardly be blamed on any speaker. When I placed by hand on the composite cabinet during those heavy kick-drum hits, I felt practically nothing.
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Tom Norton Posted: Sep 10, 2011 0 comments
Most recliners have a high back, which can interfere with the audio your ears receive. My long-term HT seats have long had this problem, which I minimize by using a different chair for serious music listening. It's hard to find a low-backed recliner, but the Axis model from Canada-based Palliser might be just the ticket. The rear headrest can be extended when you're in a more laid-back (literally) than critical mood. At roughly $2000 per seat (with power reclining and various shades of leather, straight and curved multi-seat configurations available), if they seem expensive, you haven't priced many premium HT seats. They're manufactured in Canada and Mexico.
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Tom Norton Posted: Sep 10, 2011 0 comments
This projector mount from Chief ($189) was not in the full-line catalog available at the show, but looks husky enough to handle many home theater projector. It might be useful for those who want their projector mounted high but don't want to hang it from the ceiling, Instead, it's mounted to the rear wall. But since in this case the projector will be mounted near the rear wall, you must be sure that the projector is compatible with the throw distance to your screen.
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Tom Norton Posted: Sep 10, 2011 0 comments
We've discussed Sony's new 4K home theater projector earlier in this running blog, but based on the crowds lining up to see it, it's clearly the hit of the show. But the demo, while striking and definitely worth the time to see, could have used less talk and longer, or more, actual demonstrating. I really wanted to see it a second time, but knowing that the two actual demo selections lasted, at best, 10 minutes, I decided against it.
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Tom Norton Posted: Sep 10, 2011 0 comments
Add on anamorphic lenses to provide a 2.35:1 image on a 2.35:1 screen are a popular though pricey option. Panamorph is one of the best known names in the market. Its prism-type lenses are more affordable than the more visibly "normal" round lenses, but they work well. Round lenses, such as those from Schneider (below) are more flexible with regards to throw distance (they offer focus separate from that of the projector's own lens) but their prices are higher. We've seen superb setups with both types of lenses.
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Tom Norton Posted: Sep 10, 2011 0 comments
Kaleidescape's CD/DVD/Blu-ray server gets around the copy protection issue with Blu-rays by having the user load his or her Blu-rays into this carousel-like unit--the Vault. The discs are then loaded onto hard drive servers and played from there. But they will only play from the server if the unit confirms that they are still in the Vault. If not, the server will no longer play the disc file. That's not a limitation with CDs or DVDs, which can also be loaded into the Vault, but can be removed (but still play) after copying onto the hard drives. The Vault holds over 300 discs, but the number of Blu-rays you can load will depend on how big a server you purchase. No word on whether the pretty blue light is standard or just a show special.

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