Tom Norton

In an adjoining room, Thiel was demonstrating the new CS1.7 (estimate $5500/pair, available early in 2012), a replacement for the well-received CS1.6. They use the same woofers as the MCS1.2, below, and sounded superb driven by Bryston electronics. But I might add that Thiel has used this same room for the last three CESs, and it hasn't produced anything short of audio magic there yet.

Good things come in threes, and in this case it's Parasound's new three-channel Halo A31 amplifier ($3000, available soon). It's essentially a three-channel version of Parasound's highly-regarded Halo A21 stereo amp, and a cousin to the company's Halo A51 five-channel design. Why would you want a three-channel amp? To locate your front channel amps up front and your surround amps in the rear where they can benefit from shorter cable runs to the surround speakers. Or perhaps you don't need as much power in back, or already have a decent stereo amp you can use there.

Energy has long been one of my favorite speaker companies, not least because of my long term reference Energy Veritas v2.8 speakers, circa 1994 (an eon for an audiophile to favor anything). But the brand has fallen on hard times since its acquisition (along with Mirage) by the Klipsch Group. Hopefully better days are ahead. There are, apparently, some new Veritas models in the lineup, but you'd never know it from Klipsch's CES kiosk that features subwoofers and soundbars.

Later at the show we obtained more details about Panasonic’s 2012 sets. New models in the VT50, GT50, and ST50 series of plasma sets will make up the meat and potatoes of Panasonic’s updated designs, expect to be available in 2-3 months if past delivery schedules are maintained. There will be an expanded range of new Panasonic LCD IPS designs as well. In fact, there are 15 new LCD models, 13 with LED backlighting. Seven of the LCD sets are 3D, including three in the ET5 series using passive glasses—Panasonic’s first departure from full HD 3D (passive glasses sets cut the vertical resolution seen by each eye in half in a 1080p set). In addition, the LCD line now includes 47- and 55-inch sizes. Previous Panasonic sets at 42-inches and larger have all been plasma designs. With LCD now dominant in the market, could Panasonic be hedging its bets?