Scott Wilkinson

This week at ShoWest 2005 in Las Vegas—the premier gathering for commercial-cinema owners and operators—HD entrepreneur Mark Cuban and partner Todd Wagner announced at they are taking a big step toward the digital future with the purchase of six Sony SRX-R110 digital-cinema projectors for their Landmark Theatres, the nation's largest "art-house" theater chain, currently with 209 screens in 22 markets. The SRX-R110 provides 4K (4096x2160) resolution and 10,000 ANSI lumens of light output using SXRD (Silicon Crystal [X-tal] Reflective Display) technology, Sony's version of LCoS. The projectors will be installed in six Landmark Theatres—two each in Los Angeles, New York, and San Francisco—with the eventual goal of converting all Landmark locations to 4K SXRD projection.

<IMG SRC="/images/archivesart/headshot150.sw.jpg" WIDTH=150 HEIGHT=200 HSPACE=6 VSPACE=4 BORDER=0 ALIGN=RIGHT>We live in troubling times. Many people look at our society and see an increasing erosion of morality and civility, which leads them to yearn for the perfect suburbia as depicted in early television sitcoms such as <I>Father Knows Best</I> and <I>Leave It to Beaver</I>.

Earlier this week, it looked like the Voom HD satellite service was dead, but it now seems that reports of its demise were at least slightly exaggerated. On <A href="http://www.ultimateavmag.com/news/030105voom/">Tuesday</A>, we reported that Cablevision, Voom's parent company, decided to pull the plug after founder Charles Dolan failed to meet a February 28 deadline for purchasing Voom's remaining assets. (The Voom satellite and FCC licenses to operate at its orbital location are being purchased by rival EchoStar, subject to regulatory approval.)

The National Aeronautics and Space Administration (NASA) recently took delivery of 30 Panasonic AK-HC900 high-definition video cameras to monitor the launch of <I>Discovery</I> this May as the space shuttle program finally returns to flight after the <I>Columbia</I> disaster just over two years ago. A number of the cameras will be positioned at two launch pads in shielded enclosures close to the orbiter to provide NASA with real-time, high-definition images of the launch for scientific-image analysis as well as vehicle-safety and status assessment.