Philips has been making headphones for decades, but the company hasn't been a prominent presence in the market for a long time. Now that headphones have gotten hot, the brand's re-emerging with all-new models.
Cutting the cable” is a fashionable trend, but Monster is doing it in a different sense: It’s now just going by Monster instead of Monster Cable. True to its new moniker, the company didn’t even mention cable in its CES press conference today. But given the onslaught of cool new products the company introduced, nobody seemed to notice.
Even though soundbars were pioneered by midline speaker companies like Definitive Technology and Polk, TV companies such as Samsung and Vizio kinda took over the category with ~$300 self-powered models that you didn’t have to connect to a receiver.
On June 11, 2009, I lost a cherished friend: the Sony Watchman TV I'd owned for 20 years. When analog TV broadcasts went dead that day, my Watchman, along with every other portable analog mini-TV, suddenly became useless. A few portable digital TVs have since appeared to fill the gap, but because the ATSC digital-TV standard wasn't designed for mobile use, none of them can deliver the reliable roving reception of my 1980s-vintage Watchman.
A party Monday night at the Palms Towers in Las Vegas launched a colorful new audio brand targeted at ... well, whatever marketing term applies to people in their teens and 20s. (Gen-Z? Milennials? The beard/trucker hat/thick glasses set?) BOOM is a division of DEI holdings, whose other brands include Polk and Definitive Technology.
Like panthers or hamsters or bats, video projectors do the bulk of their business in the dark. But darkness makes most humans uncomfortable, which may be why front projection has never made it into the mainstream — in order to get a good picture, you have to turn most, and preferably all, of the lights off.
When I first encountered the Exodus from House of Marley, during our test last fall of celebrity-branded headphones, I didn’t expect much. I assumed the company had put all its effort into the Exodus’ stunning styling, and little into sound quality.
When I attend trade shows, I’m always reluctant to ask for a review sample of a new product. ’Cause who knows if I’ll see something cooler around the corner? But when I saw the Custom One Pro at the recent Rocky Mountain Audio Fest in Denver, I asked Beyerdynamic’s Pete Carini to send me a sample ASAP. After a quick listen to the Custom One Pro, I knew there was no way I’d find a more interesting headphone that weekend.