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Mark Fleischmann

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Mark Fleischmann Posted: May 18, 2006 1 comments
Creative Labs has sued Apple Computer alleging that the iPod violates a patent granted for the Creative Zen player. Patent number 6,928,433 describes itself as "a method, performed by software executing on the processor of a portable music playback device, that automatically files tracks according to hierarchical structure of categories to organize tracks in a logical order. A user interface is utilized to change the hierarchy, view track names, and select tracks for playback or other operations." To iPod fans, that is tantamount to patenting the human body. You've got two arms and two legs? Busted! The patent was filed on January 5, 2001 but not granted until August 9, 2005. The first-generation iPod made its debut on October 23, 2001, a few months after the filing. "We will pursue all manufacturers that use the same navigation system," vows Creative's CEO Sim Wong Hoo.
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Mark Fleischmann Posted: May 17, 2006 2 comments
Doesn't the world sometimes seem unbearably noisy? The best advice I can give you is this: Stick it in your ear! I'm talking about Mack's Pillow Soft Earplugs. Made of silicon gel, they mold themselves to the shape of your outer ear canal and cut noise by 22 decibels. That's better than any model of noise-canceling headphones. With a few days of practice you'll get used to gently pushing them into the ear just enough to cover the opening. Getting used to the sound of your footsteps traveling up your spine (BONK, BONK, BONK) takes longer. And I must admit that eating while wearing plugs sounds like a horror movie. But I am no longer willing to walk out on the road-rage-possessed streets of New York City without them. I also find them comforting on buses, subways, planes, and even in airports—a siren at the Newark Airport security checkpoint once practically brought me to my knees. What will other people think when they see you with plugs in your ears? Who cares? Give up a little dignity and baby your ears. They're the most irreplacable components in your system.
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Mark Fleischmann Posted: May 16, 2006 2 comments
Are you about to bring your iPod to San Francisco, Oakland, or the Bay Area? Then don't forget to download Bay Area Rapid Transit information before you leave home. In addition to the BART system map, you'll also get schedules, station information, and email warnings whenever the system changes. The map will work only on iPods with color displays and iTunes 4.7 or later. For skeds and stations you'll need a display (color or B&W) plus the Notes feature. BART also offers a PDA QuickPlanner for the Palm OS and Pocket PC and a Wireless QuickPlanner for web-enabled mobile devices. For other cities, check out isubwaymaps.com (formerly ipodsubwaymaps.com before Apple's lawyers sent a nastygram). The enthusiast-fueled site has maps of Berlin, Bilbao, Boston, Chicago, Hong Kong, London, LA, Lyon, Melbourne, Milan, Montreal, NYC, Paris, Philadelphia, Salt Lake City, San Diego, San Francisco, Seoul, Singapore, Tokyo, Toronto, Vancouver, and Washington DC. Paypal donations appreciated but not compulsory.
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Mark Fleischmann Posted: May 15, 2006 0 comments
Sometimes it's better to be indirect.

Mirage has been, ahem, reflecting on the influence of room acoustics for nearly two decades. In the process, this distinguished Canadian speaker maker has birthed some unorthodox designs. The common thread running through all of them is a determination to make room reflections work for loudspeakers rather than against them. That determination bears fruit in the second-generation Omnisat series.

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Mark Fleischmann Posted: May 15, 2006 1 comments
Listeners who claim to detect audible differences in digital interconnects may be equally fascinated by this report from a British CD-R distributor. Among other things, it includes useful descriptions of how CD-Rs and CD-RWs (and recordable DVDs) actually work. A brief quote hardly does justice to the more subjective details presented but here's a dose: "Whilst colorations in sound may be evident between differing brands, it's fair to say that only very poor 'B grade' un-named CD-R media are likely to cause offence to the ears.... So yes, there may be slight differences in the sound of one brand or specification over another; but it should be remembered that the real issue, the most likely problem area, is going to be playback compatibility rather than sound." Speed kills: "Reported effects of high-speed (say, 6x or higher), recordings in apparent sound are loss of fullness in the bottom-end and a meddling of the stereo image," though the BBC "found no appreciable sound difference when recording between 1x and 4x (but no faster)." Note that the source is STRL, U.K. distributor of TDK, Philips, and Neato products, and exercise your own judgment accordingly.
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Mark Fleischmann Posted: May 12, 2006 2 comments
The HDMI interface promises to deliver high-def video and surround through one wire. But this potential garden of electronic delights is more a desert of frustration for anyone whose DVD player won't talk to a newly purchased HDTV. How to protect yourself? One thing to look for is Simplay certification from Simplay Labs, a subsidiary of Silicon Image, a major player (though not the only one) in the development of HDMI. There is of course a Simplay website and the featured products page lists a dozen Mitsubishi LCD panels and DLP projectors, four Thomson DLP rears, and a lone Sanyo 32-inch CRT. Covering mainly the HDCP content security system, Simplay may not be the final word in HDMI compatibility—among other things, it doesn't cover all potential audio-related issues—but it's a good start.
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Mark Fleischmann Posted: May 11, 2006 1 comments
Teens love vinyl, says a Canadian researcher. A Ph.D. candidate who interviewed them for his dissertation found they love analog sound, respond to the visuals of big LP jackets, get a kick out of older music, and like all collectors, enjoy the thrill of the hunt. Surface noise? ¡No problemo! Their "active involvement in negotiating the pops, skips and crackles endemic to most second-hand records" was cited as part of the experience. And then there's rebellion, of course, something that every generation of kids is good at: "Through their retrogressive tastes and practices, these youth effectively disrupt the music industry's efforts to define and regulate their consumer identities," said the researcher, David Hayes. His findings were published in the Feb. 2006 issue of Popular Music and Society (though the text is not online).
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Mark Fleischmann Posted: May 10, 2006 1 comments
OK, let's tote up the recent wins for Steve Jobs. The trademark lawsuit from the Beatles is history. The music labels have renewed their 99-cent download arrangement with iTunes, amid much grumbling, even after Steve rejected their demand for variable pricing. The French parliament may be backing off its legislative requirement that iTunes downloads play on non-Apple devices. Disney is paying $7.4 billion for Pixar, of which Steve owns more than half, and he's got a seat on the board of directors, presumably alongside Mickey. The iPod is dominating the audio industry. Intel-driven Macs are being positioned for higher sales. Microsoft just can't seem to get its act together for the next generation of Windows. And whether or not Jobs ever gets to beat Bill Gates, he's already beaten an even meaner adversary, pancreatic cancer (God bless). I'll bet there aren't even any widows in his sock drawer.
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Mark Fleischmann Posted: May 09, 2006 0 comments
Warner Bros. will distribute movies and TV shows through BitTorrent, essentially adapting a technology developed for file sharing to legal use. BitTorrent's "file swarming" technique does not download entire files from a central server. Instead it assembles a piece of content using bits from several other computers in an ad hoc network. The company's first step toward respectability came last year, when it removed illegal movie content and links from its site at the, uh, ah, request of the Motion Picture Association of America. Soon you'll be able to file-swarm new movie titles on the same date as the DVD release (price not announced) or TV shows for a buck. The download may either sit on your hard drive temporarily, for a single use, or be backed up to a DVD, though it would still play only on the PC that recorded it. Whether the rules will evolve is uncertain, and no one's given a start date, but the concept seems promising. The studios are already dipping their toes in other forms of digital home distribution.
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Mark Fleischmann Posted: May 08, 2006 0 comments
Contrary to an earlier report, it looks as though France won't become the first nation to demand interoperability in music downloads and portable devices. A laudable copyright law revision has been not only watered down but totally negated. Among the key changes, the words translatable as "open standard" have been changed to "protected copy." If you're an attorney fluent in French, take a look at the proposed amendments from the Commission des Affaires culturelles. The committee's handiwork is already being cited as a victory for Apple, which had bitterly condemned the bill's original wording as "state-sponsored piracy" and a mortal threat to iTunes. The resistance is still resisting—see eucd.info and stopdrm.info—but the prospects for consumer-friendly legislation have deteriorated. The French senate is expected to vote by mid-month.

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