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Mark Fleischmann

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Mark Fleischmann Posted: Nov 02, 2012 4 comments
This just may be the first in a series of blogs on music that finds its way into demos I'm constantly staging for loudspeaker and a/v receiver reviews. Hence the subtitle: Demos. Music is the reason I became an audio critic in the first place. In fact, I was a published music critic long before I became a technology critic, starting in 1979, writing for Spin and Trouser Press and editing the Trouser Press Collectors' Magazine. Tech criticism turned out to be a better way of earning a living but I still see it as an outgrowth of my identity as a music (and movie) critic. As I note in my book: "We master technology so that art can take precedence over technology."

Mark Fleischmann Posted: Oct 19, 2012 0 comments

DX-1 HCP Speaker
Performance
Build Quality
Value
 
DX-1 subwoofer
Performance
Features
Build Quality
Value
Price: $799 At A Glance: Sweet but detailed mids • High-gloss finish • Great sats, OK sub

One of your best friends calls up to announce that she is about to wed someone rich and powerful. He owns a shipyard that manufactures exceptionally luxurious yachts. You’re happy for her, but you worry, too. Would living with such a strong personality, a guy with all that money and all that power, be good for her? Would it make her stronger or weaker? A few years later you run into her, and after a few hours of conversation, you conclude that she’s in great shape internally as well as externally. There’s a serenity beneath the tan. Her husband is affectionate and faithful, a child is on the way, and she’s never been happier.

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Mark Fleischmann Posted: Oct 05, 2012 2 comments
As I wandered around the floor at the recent CEDIA Expo in Indianapolis, a theme emerged. By some remarkable coincidence, three different loudspeaker manufacturers were showing special models to celebrate multiple-decade anniversaries. The brands—Paradigm, KEF, and Wharfedale—continue to be formidable ones. They have been making some of the world's best speakers for a long time, and these anniversary products are worth celebrating. They all include monitors, which are right up my alley: My reference system is based on monitors. Unfortunately, most of these models (except KEF) will be made only in limited quantities. Moreover, they are sold only per pair, so if you want to use them in a 5.1 or other odd-numbered surround configuration, an extra speaker is going to languish in a closet. Therefore I won't be able to get them in for review. However, I'd like to celebrate them here and note their passage through the history of audio.

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Mark Fleischmann Posted: Oct 05, 2012 42 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $2,500 At A Glance: 32-bit asynchronous USB DAC • D3 Class D amplification • All the Apple trimmings

Like a parent who charts a child’s growth with colored pencil marks on the wall, I’ve been observing the growth of audio/video receivers since the beginning of the product category. The wall is covered with ascending marks: Here’s the first A/V receiver, with composite video switching and no surround processing. Here’s the first Dolby Surround model, the first Dolby Pro Logic model, the first Dolby Digital model—and the first with DTS, THX, lossless surround, room correction, satellite radio, HDMI, network audio, Apple everything.

Mark Fleischmann Posted: Sep 14, 2012 0 comments

MilleniaOne Speakers
Performance
Build Quality
Value
 
MilleniaSub subwoofer
Performance
Features
Build Quality
Value
Price: $2,648 At A Glance: Die-cast aluminum satellites • Flat-form-factor subwoofer • Remarkable transparency

Not often do I begin a review with an apology to readers. But I owe you one.

It’s taken me an unconscionably long time to get around to reviewing the Paradigm MilleniaOne satellite speaker system and MilleniaSub. The products made their retail debuts in November 2010. Since then they’ve languished on my to-do list despite the fact that Paradigm is one of my favorite speaker manufacturers. In fact, I never fail to cite my reference speakers, the Paradigm Reference Studio 20 v.4, in every A/V receiver review. Now that I’ve gotten an earful of the MilleniaOne and MilleniaSub, I’m kicking myself. I should have recommended these stellar satellites and innovative subwoofer to you a whole lot sooner, whether you’re in the market for a sat/sub set or not. This is the kind of high-performance sat/sub set that might make believers out of people who weren’t even interested in the product category to begin with.

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Mark Fleischmann Posted: Sep 07, 2012 2 comments
Extruded aluminum enclosures and Imagine Series lineage are only part of what make the Imagine W1 and W3 on-wall speakers special. In addition to being voiced like the great-sounding Imagine Mini, they're also coordinated the way designer Paul Barton says surround speaker systems should be: with the center having twice the output of the left and right combined. So the W3 center ($1200/each) has a sensitivity rating of 89dB, versus the 86dB of the W1 ($600/each), and the 3dB difference enables the center to play twice as loud with the same power. Of course, in practice, you'll level them to have the same output, but your amp will have more headroom for the center at dynamically challenging moments. Elsewhere in the Imagine line, the Imagine Mini Center ($700/each) is now available to match the Imagine Mini satellite. All of the above are shipping October. PSB also announced CustomSound in-wall and in-ceiling speakers of which the most interesting is the C-SUR, whose angled baffle contains enough drivers to run both side- and back-surround channels. Shipping end of December. Also shown was the second-gen VISO 1 AP compact audio system, which eliminates the original VISO 1's dock in favor of AirPlay for $600. It ships first quarter of 2013. The original VISO 1 remains available.
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Mark Fleischmann Posted: Sep 07, 2012 0 comments
The Bowers & Wilkins CI800 Series replaces the Signature in-walls with pricing at $5000-8000/pair. These speakers feature parts from B&W's high-end 800 Series including Rohacell woofers, new Kevlar midranges, carbon-reinforced metal tweeters, and premium capacitors among other things. Three models include two in-walls and one in-ceiling speaker. The larger of the in-walls is the CWM8.3 with dual eight-inch woofers, a five-inch midrange, and one-inch tweeter.
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Mark Fleischmann Posted: Sep 07, 2012 0 comments
Of the four soundbars in Polk Audio's line, two are new, and one is quite remarkable. We're talking about the SurroundBar 9000 IHT ($799). This 5.1-channel bar has three tweeters for the front channels and dedicated woofers for each of the five channels, with each driver powered by 45 watts, plus external eight-inch sub. What fascinates us is that bass frequencies from 80-200Hz are routed to all woofers in the bar. In other words, if there's significant bass content in any one of the five channels, it's routed to the other channels as well. This allows better bass handling than you'd expect in a bar. It also allows a lower crossover to the sub, an audiophile-approved 80Hz, which keeps voices from booming out of the sub. Connectivity is optical and analog, both times two, with Dolby Digital and DTS decoding. Guess what? The 9000 worked wonders with a James Taylor concert track, with realistic acoustic guitar harmonics and a vocal presentation that was crisp but not fatiguing. The other new guy is SurroundBar 5000 IHT ($399), a 2.1-channel Bluetooth bar with a pair of full-range drivers backed up by a 6.5-inch sub. Both shipping this month.
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Mark Fleischmann Posted: Sep 07, 2012 0 comments
What you see is Meridian's Media Source 200. This little fella makes adding additional zones easy. Plug an ethernet cable into it and it'll output to Meridian DSP speakers via wireless Cat5 SpeakerLink. There's also a mini-jack that serves as a combo optical or analog connection for your signal source of choice. Product ships end of this month for $1000. Meridian also announced two new in-walls, the DSP520, a 5.25-inch two-way design, and the DSP 630, similar but with extra woofer. They've got RS-232 and IR ports, both bidirectional, and are shipping in November at prices to be announced.
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Mark Fleischmann Posted: Sep 07, 2012 0 comments
What is it that the Canton Digital Movie soundbar has that no others do? To find out you will have to look closely at the back panel (not pictured, ha). It has a phono input. You read that right, a phono input. That's a set of values we applaud. It also has two optical, two coaxial, and two analog inputs (including phono) as well as two analog outs. On the front are two coaxial tweeter/mid-woofer arrays flanking four more mid-woofers, all aluminum. Look for it in mid-November for $1500.

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