High on the list of stars needing a good movie under their belt we would find the beleaguered Mr. Schwarzenegger. His box office clout was waning, then he spent many years away from show business to run California. At one point his most promising comeback vehicle seemed to be a bizarre "Governator" cartoon, and then it all came crashing down amid a horrible public scandal. But could he still hold his own on the big screen if he wanted to?
There are many reasons to enjoy RoboCop, still beloved (and now remade) after 27 years. If you don’t like the brilliantly executed action, there’s the biting statement about ’80s greed in America. If you don’t appreciate the scathing satire, there’s the poignant struggle of a good man trying to regain his identity.
Gravity doesn’t waste a single second: After a brief text reminds us of how utterly dangerous space is, disaster strikes a shuttle crew in the midst of a Hubble telescope upgrade. With the help of veteran spaceman Matt Kowalski (the ever-affable George Clooney), scientist Ryan Stone (Sandra Bullock, ditching her blatant sass in favor of genuine emotion) must find a way to survive her first mission and return home alive somehow. But with one unfortunate twist after another, her ordeal is relentless.
Now celebrating its 30th year, Vacation recalls a bygone era of station wagons, roof racks, sing-alongs, roadside attractions, whiny kids (they never go out of style) and a whole generation that drove everywhere for their summertime frolics. The late, great John Hughes adapted the memorable script from his earlier story in the pages of National Lampoon magazine, and director Harold Ramis scored a sophomore hit following his debut, Caddyshack. But the movie truly belongs to star Chevy Chase...
Neill Blomkamp’s follow-up to his justly acclaimed District 9 is Elysium, another social commentary set in a strangely relatable future. This time he contrasts the lives of the wealthy against those of the downtrodden, with all of Earth having become a decrepit, overcrowded hellhole. A former criminal (Matt Damon) is trying to stay on the straight and narrow, but when he becomes collateral damage of the rich getting richer, his only hope for survival is to infiltrate that utopian space station of the title.
Whenever you dramatize one of the most beloved characters in all of popular culture, you’re going to elicit a lot of strong opinions. Many folks seem to either love or loathe Man of Steel, director Zack Snyder and producer/co-writer Christopher Nolan’s major reboot of the Superman franchise. The basic story is recognizable to even the most casual fans, yet much has changed, so it doesn’t feel like a rehash of any version we’ve seen before.
Magnifying the crisis in midlife crisis, arrested adolescent Gary King (Simon Pegg) coaxes his better-adjusted childhood chums to revisit their hometown and reattempt the feat that conquered them 20 years earlier: drinking their way through all 12 pubs of Newton Haven’s Golden Mile. Last stop: The World’s End. The five friends soon realize that most of the citizenry—including two of their own—have been replaced by alien automatons (“blanks”) and that sleepy Newton Haven is the beachhead for world conquest.
An eclectic batch of classics—old and new—is the basis of four very different Ultimate Collector’s Editions from Warner. Festooning eminently rewatchable favorites with a thoughtful array of mementos, the 91-year-old studio is fueling our passions with individually numbered limited-edition sets perfect for the most devout film fanatic in your life—even if it’s you.
Ever wonder how Monsters, Inc.’s Mike and Sully met? Me neither, since their friendship is so well defined in that vastly superior original film. But Monsters University takes us back to their college days anyway, when the optimistic Mr. Wozanski and the cocky Mr. Sullivan first crossed paths. Since childhood, the bookish, hardworking Mike has dreamed of becoming the greatest scarer ever, but after a disastrous first semester, he must win the campus Scare Games if he’s to have any hope of continuing his education. That means teaming up with a ragtag bunch of underdogs—and with Sully, who is rather a shallow jerk before he learns to play nice. This prequel is fraught with clichés and soon feels too darned long. As we used to say back when I was in school, that’s a bummer.
By 1973, the marital arts genre was nothing new, but Bruce Lee took it to new heights with what would be his final completed film, Enter the Dragon. The movie gave a worldwide theatrical audience a glimpse of his genius as a true star and as an action hero second to none, performing feats that boggle the mind even in today’s jaded milieu of wire-enhanced stunts and computer-generated effects. Lee starred as, well, “Lee,” a gifted Shaolin martial artist recruited by British intelligence to compete in an exclusive tournament staged by the suspected opium lord, Mr. Han.