Chris Chiarella

When an immensely talented young screenwriter with something to prove fights to make his movie his way—and wins—every once in a while, we get a Reservoir Dogs. Quentin Tarantino's auspicious directorial debut is rough and raw and all the better for it, the story of a heist gone wrong and the rat in the criminals' midst, with copious amounts of blood spilling and bodies piling up as plans spin wildly out of control.

Someone once posited that the way to gauge the quality of a sequel is to plot the delta—better or worse—from the movie that spawned it. Employing that metric, Top Gun: Maverick might be the best damned sequel that I've ever seen.

Before comic book adaptations became their own industry, this earnest action-comedy take on Lowell Cunningham's lesser-known creation became a runaway hit, spawning a popular movie, TV and merch franchise. These supremely discrete "MIB" government agents monitor the comings and goings of Earth's rather frequent alien visitors, maintaining peace through secrecy. Their newest recruit, Jay (Will Smith), needs to step up when a particularly nasty creature lands with ill intent for the galaxy, and Jay's winning chemistry with his world-wearier partner, Kay (Tommy Lee Jones), combined with many highly imaginative sight gags, yields plenty of laughs. At a brisk 98 minutes--the plot was cleverly streamlined after negative test audience feedback--Men in Black is definitely a fun re-watch.

Ambitious, original, yet largely underappreciated, the first Star Trek film stands alone. Rushed into theaters in December 1979 with unfinished special effects and a studio-mandated runtime of only 130 minutes, it was not the version director Robert Wise intended.