By 1973, the marital arts genre was nothing new, but Bruce Lee took it to new heights with what would be his final completed film, Enter the Dragon. The movie gave a worldwide theatrical audience a glimpse of his genius as a true star and as an action hero second to none, performing feats that boggle the mind even in today’s jaded milieu of wire-enhanced stunts and computer-generated effects. Lee starred as, well, “Lee,” a gifted Shaolin martial artist recruited by British intelligence to compete in an exclusive tournament staged by the suspected opium lord, Mr. Han.
It’s been 34 years since the world was introduced to Max Rockatansky, a good cop in a bad world. For reasons not explained in 1979’s Mad Max, society “a few years from now” is crumbling, and the law is losing the battle to keep it safe from violent gangs. When Max (a very young Mel Gibson) runs down a murderer with vengeful chums, his contented life is torn asunder, sending him off into the wasteland with a bleak, uncertain future.
You take on some baggage when your movie stars Tom Cruise. He’s been a box office titan for decades, so you’re improving your chances of a hit. On the other hand, ever since the couch-jumping incident, he tends to bring a certain off-screen persona that rubs a lot of folks the wrong way. Plus, a leading man of his magnitude tends to be Tom first, character second.
AT A GLANCE Plus
Elegant two-piece add-on to enhance smartphone audio
More power, superior DACs
Sleek, serious metal construction
Minus
Makes phone heavy and bulky for your pocket
Metallo case a pricey add-on
THE VERDICT
V-Moda offers a stylish solution to turn your smartphone into the sonic titan you always dreamed it could be.
The Samsung Galaxy S III (a.k.a.GS3) was arguably last year’s second best-selling mobile phone, behind the iPhone 5, and the popularity of this non-Apple device—reportedly over 30 million units in consumers’ hands—in a sea of Android competitors speaks volumes. Smartphones do a lot, often serving as many folks’ primary media player, but they face the quandaries of all modern portable gear: Performance must contend with the realities of physical size and weight, as well as battery life. One such casualty is the diminutive digital-to-analog converter inside the phone, which turns the digital audio signals into analog audio that we can hear over headphones or the built-in speaker. As a GS3 user for the past 11 months, I have no major gripes about the onboard DAC (in this case built into the Qualcomm WCD9310 chip), but it is fair to say that it wasn’t selected only for audio quality, but perhaps partly because it’s tiny and it won’t overwhelm the phone’s battery.
Cloud Atlas is something of a cinematic curiosity. It is incredibly ambitious and deftly executed, weaving together six disparate tales with similar themes of oppression and rebellion, each told with the same handful of actors playing the key roles in each scenario. Set in different locations and in eras ranging from 1849 up through 2321, the movie serves up everything from a single slave earning his freedom on a sailing ship to a genetically engineered hostess inspiring a full-on societal revolt. But even when the all-star filmmaking team of the Wachowskis and Tom Tykwer has three hours to play with, not one of the half-dozen narratives can be particularly deep or overwhelmingly original. They have, however, fashioned an enormous event movie that pushes technique—dramatic as well as purely technical—into bold new territory.
Peter Jackson gave the world a beloved, wildly successful film adaptation of J.R.R. Tolkien’s The Lord of the Rings, culminating in a record-breaking Oscar sweep, so of course, he was the obvious choice to helm the Hobbit prequels. But whereas the Rings trilogy made a newbie like me love it with its epic thrills and fascinating characters, An Unexpected Journey seems to be in love with its own familiar world and everyone in it. We meet a younger Bilbo Baggins, a hobbit happily minding his own business when the wizard Gandalf drafts him for a dangerous quest.
Father and son Miyazakis craft another touching tale, Helen Mirren shines as a capable cop, and all hell breaks loose in an offbeat World War II gorefest.
Steven Spielberg’s long-rumored dream project—bring- ing the factual, Holocaust-set book Schindler’s Ark to the screen—finally arrived to great acclaim in 1993, culminating in Academy Awards for Best Director, Best Picture, and more. Oskar Schindler (Liam Neeson) is a clever civilian businessman and a bit of a cad who achieves a fortune by manufactur- ing pots and pans for the German army during World War II. His secrets? World-class schmoozing and an unpaid legion of Jewish laborers. He has no love of the Nazis or their agenda, but as he bears witness to their escalating atrocities, he is reluctantly moved to become a champion of his ill-fated workforce. His steps are small at first, ultimately leading to the creation of a list of more than 1,000 names of people to be kept at his factory instead of sent to concentration camps or gas chambers. This decision winds up costing Schindler all of his vast wealth, but his selfless act made history. It’s a profound tale told with great passion and indelible images.