Chris Chiarella

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Chris Chiarella  |  Mar 05, 2014  |  0 comments
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Whenever you dramatize one of the most beloved characters in all of popular culture, you’re going to elicit a lot of strong opinions. Many folks seem to either love or loathe Man of Steel, director Zack Snyder and producer/co-writer Christopher Nolan’s major reboot of the Superman franchise. The basic story is recognizable to even the most casual fans, yet much has changed, so it doesn’t feel like a rehash of any version we’ve seen before.
Chris Chiarella  |  Mar 05, 2014  |  0 comments
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Magnifying the crisis in midlife crisis, arrested adolescent Gary King (Simon Pegg) coaxes his better-adjusted childhood chums to revisit their hometown and reattempt the feat that conquered them 20 years earlier: drinking their way through all 12 pubs of Newton Haven’s Golden Mile. Last stop: The World’s End. The five friends soon realize that most of the citizenry—including two of their own—have been replaced by alien automatons (“blanks”) and that sleepy Newton Haven is the beachhead for world conquest.
Chris Chiarella  |  Feb 26, 2014  |  1 comments
An eclectic batch of classics—old and new—is the basis of four very different Ultimate Collector’s Editions from Warner. Festooning eminently rewatchable favorites with a thoughtful array of mementos, the 91-year-old studio is fueling our passions with individually numbered limited-edition sets perfect for the most devout film fanatic in your life—even if it’s you.
Chris Chiarella  |  Jan 23, 2014  |  0 comments
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Ever wonder how Monsters, Inc.’s Mike and Sully met? Me neither, since their friendship is so well defined in that vastly superior original film. But Monsters University takes us back to their college days anyway, when the optimistic Mr. Wozanski and the cocky Mr. Sullivan first crossed paths. Since childhood, the bookish, hardworking Mike has dreamed of becoming the greatest scarer ever, but after a disastrous first semester, he must win the campus Scare Games if he’s to have any hope of continuing his education. That means teaming up with a ragtag bunch of underdogs—and with Sully, who is rather a shallow jerk before he learns to play nice. This prequel is fraught with clichés and soon feels too darned long. As we used to say back when I was in school, that’s a bummer.
Chris Chiarella  |  Dec 13, 2013  |  0 comments
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By 1973, the marital arts genre was nothing new, but Bruce Lee took it to new heights with what would be his final completed film, Enter the Dragon. The movie gave a worldwide theatrical audience a glimpse of his genius as a true star and as an action hero second to none, performing feats that boggle the mind even in today’s jaded milieu of wire-enhanced stunts and computer-generated effects. Lee starred as, well, “Lee,” a gifted Shaolin martial artist recruited by British intelligence to compete in an exclusive tournament staged by the suspected opium lord, Mr. Han.
Chris Chiarella  |  Nov 25, 2013  |  0 comments
It’s been 34 years since the world was introduced to Max Rockatansky, a good cop in a bad world. For reasons not explained in 1979’s Mad Max, society “a few years from now” is crumbling, and the law is losing the battle to keep it safe from violent gangs. When Max (a very young Mel Gibson) runs down a murderer with vengeful chums, his contented life is torn asunder, sending him off into the wasteland with a bleak, uncertain future.
Chris Chiarella  |  Nov 08, 2013  |  0 comments
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You take on some baggage when your movie stars Tom Cruise. He’s been a box office titan for decades, so you’re improving your chances of a hit. On the other hand, ever since the couch-jumping incident, he tends to bring a certain off-screen persona that rubs a lot of folks the wrong way. Plus, a leading man of his magnitude tends to be Tom first, character second.
Chris Chiarella  |  Nov 01, 2013  |  0 comments

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PRICE Vamp Verza, $598; Metallo case, $101

AT A GLANCE
Plus
Elegant two-piece add-on to enhance smartphone audio
More power, superior DACs
Sleek, serious metal construction
Minus
Makes phone heavy and bulky for your pocket
Metallo case a pricey add-on

THE VERDICT
V-Moda offers a stylish solution to turn your smartphone into the sonic titan you always dreamed it could be.

The Samsung Galaxy S III (a.k.a.GS3) was arguably last year’s second best-selling mobile phone, behind the iPhone 5, and the popularity of this non-Apple device—reportedly over 30 million units in consumers’ hands—in a sea of Android competitors speaks volumes. Smartphones do a lot, often serving as many folks’ primary media player, but they face the quandaries of all modern portable gear: Performance must contend with the realities of physical size and weight, as well as battery life. One such casualty is the diminutive digital-to-analog converter inside the phone, which turns the digital audio signals into analog audio that we can hear over headphones or the built-in speaker. As a GS3 user for the past 11 months, I have no major gripes about the onboard DAC (in this case built into the Qualcomm WCD9310 chip), but it is fair to say that it wasn’t selected only for audio quality, but perhaps partly because it’s tiny and it won’t overwhelm the phone’s battery.

Chris Chiarella  |  Oct 31, 2013  |  2 comments
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Cloud Atlas is something of a cinematic curiosity. It is incredibly ambitious and deftly executed, weaving together six disparate tales with similar themes of oppression and rebellion, each told with the same handful of actors playing the key roles in each scenario. Set in different locations and in eras ranging from 1849 up through 2321, the movie serves up everything from a single slave earning his freedom on a sailing ship to a genetically engineered hostess inspiring a full-on societal revolt. But even when the all-star filmmaking team of the Wachowskis and Tom Tykwer has three hours to play with, not one of the half-dozen narratives can be particularly deep or overwhelmingly original. They have, however, fashioned an enormous event movie that pushes technique—dramatic as well as purely technical—into bold new territory.
Chris Chiarella  |  Sep 28, 2013  |  0 comments
Mort the Mouth returns to our television screens, Nicolas Cage and John Cusack square off, and the grip of post-9/11 paranoia gets personal.

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