Geoffrey Morrison

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Geoffrey Morrison  |  Aug 06, 2007  |  11 comments
In the August issue I initiated a “bold challenge” for you to prove to me that you had more music files than I did. Well I was quite impressed with the number of and the numbers in the responses. And I thought I liked music. Here’s the highlights, in ascending order.
Geoffrey Morrison  |  Jul 30, 2007  |  0 comments
Blur? What blur?

It has come to my attention that some of you out there feel that I am, for some reason, biased against LCDs. I would like to apologize. I am sorry for pointing out poor black levels, inaccurate color, horrendous viewing angles, mediocre contrast ratios, and, above all else, motion blur. Yep, my bad.

Geoffrey Morrison  |  Jul 23, 2007  |  0 comments
Power Processing comes to Blu-ray

While the in the end, Samsung's first foray into the Blu-ray world wasn't the major culprit in said format's poor picture quality (turns out most of the early discs just didn't look very good), it was still rather lackluster. It didn't upconvert DVDs very well, it didn't offer a 1080p/24 output, and it didn't decode any of the new audio formats. With its second-generation offering, Samsung has fixed most of these shortcomings. Most.

Geoffrey Morrison  |  Aug 13, 2007  |  Published: Jul 13, 2007  |  0 comments
The bad, the ugly, and the 120 hertz.

I have long been a complainer about motion blur with LCDs. It drives me crazy. I have gotten a lot of flack over the years for this, which I really couldn't care less about. (You don't see me making fun of your issues, do you?) I would just like to point this out: Why, if I weren't the only one who hated motion blur with LCDs, would nearly every LCD manufacturer come to market with 120-hertz LCD panels that claim to eliminate motion blur (a problem that they, surprisingly, haven't mentioned before)? Before I rub it in and say, "I told you so," let's look at what causes motion blur, why it may or may not be a big deal, and how a 120-Hz refresh rate can help solve the problem for LCDs.

Geoffrey Morrison  |  Jul 03, 2007  |  0 comments
It seems like nearly every high-end audio company is trying to get out of the house and into the car these days. While at first this appears strange, it makes a lot of sense. The home audio market has been stagnant for years, and every bit of exposure can only help. The car also has several aspects that make it somewhat easier to design for than the home. For one, you know where your listeners are going to be, and you know with a lot of certainty what and where the reflective and absorptive surfaces are. The downsides, of course, are road noise, and less than perfect speaker placement. There are many ways a company can approach these problems, and done well, they can sound vastly better than the stock system, and often better than any aftermarket system as well.
Geoffrey Morrison  |  Jul 03, 2007  |  34 comments
This is the first of a three part series where I get to write about two of my favorite things that I never get to write about: audio and cars. As more and more audio companies get out of the house, we’ll see more and more of this cross-pollination.
Geoffrey Morrison  |  Jul 02, 2007  |  Published: Jun 29, 2007  |  0 comments
Video: 4
Audio: 3
Extras: 1
This touching movie from Tim Burton is very un–Tim Burton. It’s the story of a son trying to get to know his father, whose stories of his life have been nothing but tall tales. It’s an almost surreal journey and worth it for anyone who has ever had a father. It stars Ewan McGregor, but there are small parts from a host of great actors like Danny DeVito, Steve Buscemi, Robert Guillaume, Jessica Lange, and more. I saw this movie on an airplane the first time. Even on a 4-inch LCD screen, I loved it, so that should say something.
Geoffrey Morrison  |  Jun 21, 2007  |  0 comments
JVC, Mitsubishi, and Sony square off.

I admit it; I am an unreserved fan of projectors. I've had one as my sole display since my 38-inch RCA CRT blew up four years ago. There is nothing like watching life-size (or larger than life-size) characters on a 110-inch screen. Now, that is engaging. I don't understand why everyone doesn't have a projector. Guests to my gloomy, cavelike abode could probably offer logical rationales. But come on: Look at the size of Adama's head!

Geoffrey Morrison  |  Jun 19, 2007  |  0 comments
Video: 3
Audio: 2
Extras: 4
Rarely before this movie had such bad people been seen getting away with bad things. You love Steve McQueen’s Carter despite the fact that he’s a bank robber and he kills people. Add in Ali MacGraw, explosions, and the fact that this is one of the only movies made almost entirely in sequence (as in the first scene was shot first, the last one last), and you have a classic of American cinema.
Geoffrey Morrison  |  Jun 18, 2007  |  12 comments
Sony unveiled a slew of new TVs at their recent TV unveiling in NYC.

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