Mike Mettler

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Mike Mettler Posted: Jul 25, 2011 0 comments

"It's too bad that her trainwreck of a personal life has at least temporarily derailed what started out as a pretty cool musical retro-ride."

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Mike Mettler Posted: Jul 06, 2006 0 comments

How does it feel to have the two Sirius channels that you created - Underground Garage (Channel 25) and Outlaw Country (Channel 36) - broadcasting 24/7? I feel like we made history already, you know? It's not easy to create a new format in radio, and I created two.

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Mike Mettler Posted: Jun 09, 2006 0 comments

On Robot Chicken, action figures are stop-motion animated in humorous, wacky, and sometimes violent sketches - and I can't stop watching. Why does the show work? MATT: Our big thing is that we play off of nostalgia.

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Mike Mettler Posted: Jan 09, 2014 0 comments
"We knew this was a bunch of people who love music," said an appreciative Stevie Nicks about the Monstrous crowd at Fleetwood Mac's muscular 75-minute set, which capped Monster's 2014 Retailer Awards at the Paris Ballroom in the Paris Hotel in Las Vegas on January 8. The mighty Mac were the headliners for a night that saw Monster celebrate its 35th anniversary with style and class.
Mike Mettler Posted: Apr 18, 2011 0 comments

Man, do I loooooove Record Store Day.

If there’s one thing to take away from this past Saturday’s RSD, it’s that there’s a strong and rabid group of record buyers willing to wait in line for hours and hours to willingly spend lots and lots of dough on physical product — and that’s incredibly encouraging in light of what many see as an ever-shrinking tactile music marketplace.

Bottom line: Give them a reason, and they will come. And spend.

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Mike Mettler Posted: Feb 12, 2014 0 comments
“We would have done surround sound at the time if it had been available.” Original Moody Blues keyboardist Mike Pinder is discussing the always-enveloping signature orchestral sound of the band he was a part of for its first 15 years. Much of the Moodies’ core "Classic Seven" catalog has since seen a series of 5.1 releases in the interim, and Pinder’s innovative usage of the mellotron helped take many of those mixes (“Higher and Higher,” “Watching and Waiting,” “Legend of a Mind”) to the threshold of aural perfection.
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Mike Mettler Posted: Mar 04, 2009 0 comments

So after 6 or 7 years of work, Christmas on Mars (Warner Bros.) is finally here. And it isn't "just" a holiday film, it's what I'm calling a fable for the sci-fi generation. It's a fable of hope for the sci-fi generation, yes. Is there a sci-fi generation?

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Mike Mettler Posted: Jun 06, 2001 0 comments

Ground Control, this is Off-Road Gear One, a.k.a. ORG-1, as I'm still orbiting the earth in the experimental mobile-entertainment vessel I transmitted from last month. Do you copy?

Yes, I copy, ORG-1. This is Steve at Ground Control. I can hear you loud and clear - and without distortion, I might add.

Mike Mettler Posted: Oct 15, 2014 2 comments
“Turn off your mind, relax, and float downstream.” John Lennon was referencing a theme from the Tibetan Book of the Dead by way of Timothy Leary’s book The Psychedelic Experience, but there really was no other way to start “Tomorrow Never Knows,” the pivotal track that ends Side 2 of The Beatles’ groundbreaking August 1966 album release, Revolver. And “Tomorrow”—originally identified on the recording sheet for “Job No. 3009” in Abbey Road Studio Three as “Mark I” when sessions commenced on April 6, 1966—is rife with studio innovations and flourishes only The Beatles and their revolutionary team of Abbey Road engineers could inaugurate as the methodology so many future artists would embrace: Inventing Artificial Double Tracking, a.k.a. ADT, to simulate the natural double-tracking of instruments and vocals (thank you, Ken Townsend).
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Mike Mettler Posted: Jun 25, 2014 0 comments
“I’m just into the ethos of having great sound,” says Giles Martin, describing his surround sound mixing philosophy. “The intention of what we do is to make the journey as seamless as possible. I want people to enjoy what they’re listening to without thinking about it.” Martin’s “natural surround” philosophy is in full effect with the stellar 192-kHz/24-bit 5.1 mix he’s done for the 50th anniversary of A Hard Day’s Night, released on June 24 by The Criterion Collection in a Director-Approved Dual-Format Blu-ray and DVD Special Edition. (If you want to experience the film in a theater setting, it will be playing in almost 100 cities across the country on July 4, courtesy of Janus Films. Theaters and cities can be found by clicking here.)

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