Who could be more perfect to solicit a pair of Desert Island Disc lists from than the executive producers of Lost, a show where music and locale are so often intertwined? Lost masterminds Damon Lindelof and Carlton Cuse couldn't have agreed more, so here are their respective 10-song lists.
Don Felder has found his groove. The former lead guitarist of the Eagles is now flourishing as a solo artist, having found his sea legs on record with the broad reach of Road to Forever (INgrooves/Forever Road Music) — only his second solo album in 30-odd years, following 1983’s Airborne — and a quite muscular live set, which features Eagles favorites and deep cuts alike, ranging from “Life in the Fast Lane” to “Those Shoes,” all interspersed between powerful readings of solo favorites like “You Don’t Have Me” and “Heavy Metal.” Before heading out on his winter solo tour, Felder, 67, and I got together to discuss his thoughts on sound quality, the very mystique of California itself, and how he came to create the acoustic intro that turned the already indelible “Hotel California” into a revamped classic. Ah, such a lovely place.
Could there be a better-named band to push the boundaries of creating original music for surround playback than Dream Theater? The ever-adventurous post-prog-metal collective previously experimented with 5.1 via Paul Northfield’s valiant multichannel spin on 2007’s frenzied Systematic Chaos, but Richard Chycki’s all-in full-bore mix of the band’s new, sprawling self-titled epic is in another stratosphere of total envelopment.