The bottom end has never been quite the same since Jack Bruce picked up his first bass over 6 decades ago. The vaunted Cream bassist wrote the book on the art of the low-end hook, as his syncopated approach to playing bass helped shift pop music’s bottom-end emphasis away from just laying down root notes and fifths, in turn opening the door to a more adventurous yet melodically inclined style that laid the foundation for the rock explosion of the ’60s. Turns in both Manfred Mann and John Mayall’s bands set the table for Bruce to connect with Eric Clapton and Ginger Baker and forge Cream, wherein the super Scotsman set the heavy-blues power-trio standard with epic runs and full-band interplay in songs like “I Feel Free,” “Spoonful,” “Politician,” and “Sunshine of Your Love.”
“I didn’t have the courage to go back to any of the masters and try to recreate those beautiful, real echoes,” says Justin Hayward of The Moody Blues about the surround-sound mixes he supervised for six of The Moodies’ “Classic Seven” albums: Days of Future Passed, On the Threshold of a Dream, To Our Children’s Children’s Children, A Question of Balance, Every Good Boy Deserves Favour, and Seventh Sojourn. (In case you were wondering, there weren’t any multitrack masters available for In Search of the Lost Chord.) All six of those 5.1 mixes — done by Paschal Byrne and Mark Powell and built on the original quad mixes supervised by producer Tony Clarke and constructed by engineer Derek Varnals — appear in Timeless Flight (Threshold/UMC), the band’s mighty, 50-year-career-spanning 17-disc box set. Yes, there is a more economical 4-disc version available, but the mondo box is the only way to fly in 5.1 — if you can find one, that is. “I think Universal needs to press a few more copies,” chuckles Hayward.
Who could be more perfect to solicit a pair of Desert Island Disc lists from than the executive producers of Lost, a show where music and locale are so often intertwined? Lost masterminds Damon Lindelof and Carlton Cuse couldn't have agreed more, so here are their respective 10-song lists.
Could there be a better-named band to push the boundaries of creating original music for surround playback than Dream Theater? The ever-adventurous post-prog-metal collective previously experimented with 5.1 via Paul Northfield’s valiant multichannel spin on 2007’s frenzied Systematic Chaos, but Richard Chycki’s all-in full-bore mix of the band’s new, sprawling self-titled epic is in another stratosphere of total envelopment.