Mike Mettler

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Mike Mettler  |  Nov 10, 2022  |  5 comments
Burgeoning fan-oriented livestreaming platform Mandolin is making all the right moves when it comes to offering high-quality live music options for home consumption.
Mike Mettler  |  Dec 07, 2008  |  0 comments
Buena Vista
Movie ••••½ Picture ••••• Sound ••••• Extras ••••½
TV's benchmark for A/V quali
Mike Mettler  |  Mar 29, 2017  |  0 comments
Performance
Sound
“Isn’t that amazing? I mean, there it actually is. I can’t believe it. I lived long enough to hear it right.” That’s Lou Reed, lifelong audiophile, commenting to his longtime friend and producer Hal Willner while listening to the in-studio playback of the remastered version of “I Wanna Be Black,” from his landmark 1978 album, Street Hassle.
Mike Mettler  |  Aug 31, 2018  |  0 comments
Performance
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Always the pauper, never quite the prince. Such was the case for Love, the racially integrated Los Angeles psychedelic/folk-rock hybrid who were always on the cusp of breaking through the ether during those heady revolutionary times of the late 1960s, but just couldn’t totally get there. While the sounds of other SoCal Sunset Strip brethren like The Doors and The Byrds made the leap into mass consciousness, Love’s impact initially came at more of the cult-favorite level—though their multicultural influence has only grown over the ensuing years, especially within the British alternative scene of the early ’90s.
Mike Mettler  |  Feb 11, 2022  |  1 comments
Welcome back my friends, to the column that never ends—but in our case, that’s a good thing indeed. Yes, it’s Week Two here in the wide world of the Spatial Audio File—and rather than just ramble on, I’m instead going to get right into our choices for this week’s pick-six of great Dolby Atmos mixes Made for Spatial Audio on Apple Music. Happy Spatial Listening, everybody!
Mike Mettler  |  Aug 03, 2016  |  0 comments
It’s one of the Top 3 moments of smashed guitars in music history, right behind Jimi Hendrix at Monterey Pop and Pete Townshend at Woodstock. But this one happened in a movie — namely, in the 1978 comedy classic, National Lampoon’s Animal House. That man on the stairs whose guitar was so violently gutted by Bluto (John Belushi) was in fact noted singer/songwriter Stephen Bishop (“On and On,” “It Might Be You,” “Separate Lives”). I called Bishop, 64, at his homestead in Los Angeles to discuss the literal sonic blueprint for his eclectic new album Blueprint, the give and take of writing with Eric Clapton, and confirming some heretofore unrevealed tech specs about that infamous Animal House guitar.
Mike Mettler  |  Nov 29, 2017  |  2 comments
Performance
Sound
I hate to admit it, but I didn’t “get” Marillion when I saw them open for Rush at the Rosemont Horizon just outside of Chicago on March 21, 1986, playing their 1985 breakthrough album Misplaced Childhood in its entirety. While I was properly enamored with the uplifting performance of their touchingly seductive FM hit “Kayleigh,” I just wasn’t able to connect with the rest of the set for some reason. Apparently, I wasn’t alone in that feeling, since I also heard a good bit of the crowd boo/catcall Marillion throughout their performance, the first time I had heard such a thing occur at a live show.
Mike Mettler  |  Apr 23, 2014  |  0 comments
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Some bands sputter and wither after major personnel changes, and then there’s Marillion. The British neo-progressive collective’s first incarnation crested with 1985’s concept-driven Misplaced Childhood, which featured original mercurial lead singer Fish and the hit guitar-driven lament, “Kayleigh.” Act II commenced with 1989’s transitional Seasons End, featuring new vocalist Steve Hogarth (a.k.a. “h”), who has since helped fuel the band to greater compositional heights over the last two decades.
Mike Mettler  |  Jan 02, 2014  |  1 comments
Performance
Sound
Finally seeing a stateside release after being available internationally for over a year, Privateering, Mark Knopfler’s seventh solo offering (and first double album of all-original material) is a showcase of Americana, as innately authentic as anything produced by any artist born on U.S. soil. Somewhere, Chet Atkins, Johnny Cash, John Lee Hooker, and Muddy Waters are all picking, grinning, and haw-haw-hawing their collective approval. (Me, I suspect Knopfler was spiritually born on the Mississippi Delta and then transplanted to the moors of his native Scotland.)
Mike Mettler  |  Dec 10, 2014  |  0 comments
When Mark Rivera isn’t splitting his time being Music Director for Ringo Starr or serving as a versatile multi-instrumentalist with Billy Joel (the latter for 32 years and counting), he’s doing what any good audiophile would — dropping the needle on some fine, fine wax. “The warmth of vinyl is like nothing else,” Rivera reports. “It really is. To me, it feels like it embraces you. It simply surrounds you.” Earlier this year, Rivera also found the time to put out his first solo album, Common Bond (Dynotone/Red River), and he’s patiently been overseeing having 1,000 copies of it pressed onto vinyl. “I couldn’t be more enthusiastic and more pleased about that,” he says. Here, Rivera, 62, and I talk about Common Bond‘s core production values, vintage gear and favorite LPs, and the ways music resonates over one’s lifetime. Ok, fine, we admit it — we just can’t get enough of that vinyl stuff.

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