Mike Mettler

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Mike Mettler Posted: Oct 02, 2008 0 comments
Warner
Movie •••½ Picture •••• Sound •••• Extras •••½
Can a great TV drama have an endoskeleton
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Mike Mettler Posted: May 15, 2014 Published: May 14, 2014 2 comments
Photo by Ross Halfin

"The best way to listen to Led Zeppelin is off of the analog tapes, but unfortunately, I can’t invite you around to listen to them." That's Jimmy Page, answering my question about whether vinyl was still the best way to experience the mighty Zeppelin's music at the press conference that followed the Led Zeppelin Deluxe Editions Listening Event Page hosted at the Crosby Street Hotel Screening Room in New York on May 13. Page also confirmed that he's done "really, really high-resolution files for whatever system comes next" and that 96kHz/24-bit files will be accessible via download cards in each of the Deluxe Edition box sets of the first three Led Zeppelin studio albums being released by Atlantic/Swan Song on June 3. Event moderator Robin Hurley further confirmed that all of the Zeppelin studio tracks from those three album packages coming to HDtracks.com will be 96/24. (Live tracks will be at 48/24.)

Mike Mettler Posted: Sep 18, 2012 0 comments

“Anything that we sit down in, we’re good at.” This is Steven Wilson, 5.1 mixmaster nonpareil, discussing two of the gold medals that Great Britain won in the Summer Olympics — one in cycling, the other in rowing. If there were Olympic medals given for achievement in surround-sound mixing, then Wilson would own more golden hardware than Michael Phelps has collected a dozen times over.

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Mike Mettler Posted: Jun 29, 2012 0 comments

Yesterday, a rep from Disney came to the S+V offices to show me some of the coolest interactive features that will be on the Blu-ray edition of The Avengers, which comes out on September 25.

Mike Mettler Posted: Dec 24, 2013 0 comments
Performance
Sound
Besides knocking the psychedelic movement off of its puffy cloud at the end of the ’60s with the seminal roots-based rustic albums Music From Big Pink (1968) and The Band (1969), The Band was also known for being a supernaturally gifted live act, having honed its stagecraft through many arduous but rewarding years on the road. Highlights from a magical four-night stand at New York’s Academy of Music were set in stone—or rather, on wax and disc—with 1972’s Rock of Ages. The album was a critically acclaimed best seller and a triumph in the eyes of everyone it touched. Well, almost everyone.
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Mike Mettler Posted: Jun 21, 2011 0 comments

The Big Man has left the building.

Clarence Clemons, the powerful tenor saxophonist of the E Street Band and onstage foil for Bruce Springsteen for 40 years, died Saturday at age 69 due to complications from a recent stroke.

Mike Mettler Posted: Nov 21, 2013 0 comments
Performance
Sound
Punk. Rock. Reggae. Hip-hop. Ska. Dub. Soul. Jazz. Rockabilly. No, this isn’t a listing of all the sections in one of the only remaining cool record stores left standing; this is the breadth of the genre-bending legacy of The Clash. And the sonic scope of Sound System is set to prove The Clash may very well be The Only Band That (Still) Matters.
Mike Mettler Posted: Oct 05, 2012 0 comments

Duke Ellington knew how to swing. Ellington (1899–1974) was one of the most prolific and influential songwriters of the 20th Century, a purveyor of what he liked to call American Music (he eschewed being labeled as “just” a jazz artist). You know him, even if you don’t think you know him: “Take the ‘A’ Train,” “Mood Indigo,” and “It Don’t Mean a Thing (If It Ain’t Got That Swing)” are but slivers of his deep (and deep-felt) compositional and performing catalog.

One particular set of highly attuned ears that were influenced by Ellington’s magic happen to belong to Joe Jackson. Yes, that Joe Jackson, he of the skinny-tie New Wave scene of the late ’70s who began reinventing himself at the dawn of the ’80s and never looked back. “I was always ready to move on,” Jackson, 58, said matter-of-factly over lunch in midtown Manhattan this past spring. (Well, to clarify, I had lunch; Jackson was content with “just water.”) “It never occurred to me that listeners may not have been ready to hear it. I thought the whole idea of being an artist was to do something different than everyone else.”

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Mike Mettler Posted: Jul 04, 2006 0 comments

Musicians sound off about the merits and detriments of the CD and how they're dealing with a digital-delivery-oriented future

Mike Mettler Posted: Oct 20, 2010 0 comments

So we’re here to dissect the Dream Attic, as it were…

Dissect the Attic? Okay, sounds dangerous.

I really like the decision you made to cut this album live while you were on tour earlier this year in the western US. Was that always the intent? How long ago had you decided that route when you were working on this material?

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