So, Sam, have you had a chance to breathe yet? It seems like you've been going, well, forever on all the Spider-man projects, especially Spider-Man 3. This is the longest movie cycle I've ever worked on. But yes, now I have a chance to breathe and spent time with my family, do some writing, and read some great books. I'm really enjoying myself.
"Who is Don Draper?" That’s the opening line—and the crux—of Mad Men’s Season 4 arc, something that show creator Matthew Weiner confirms multiple times over the course his welcome appearance this three-disc Lionsgate Blu-ray set’s commentary tracks.
Ah, zombies. It's a word that either gets your blood pumping or you skin crawling, or maybe it does both. Regardless, I come to praise The Walking Dead, not bury it - far, far from the latter, in fact.
When Robbie Robertson met Jimi Hendrix in New York’s Greenwich Village in 1966, Hendrix (then going by the name of Jimmy James) was intent on learning about a subject crucial to his future as an artist. “He only wanted to talk about songwriting,” revealed Robertson. “Because I was playing with Bob Dylan then, he thought I might know something about those secrets.” What was the best advice Robertson shared with Jimi? “If everybody is writing about one particular thing, then I would not go in that particular direction, because it’s crowded over there.
It’s hard to believe, but the eternally youthful blues maestro Robert Cray is celebrating five decades of plying his craft with the imminent release of 4 Nights of 40 Years Live. So, uh, Robert, do you mind if we call you an “elder statesman” at this point in your career? “Well, we’re doing what we do, and I’m having fun doing it. To me, that’s the most important thing,” says Cray. “It’s funny; whenever it’s mentioned that we’re ‘getting up there,’ I always revert back to my heroes — John Lee [Hooker], and B.B. [King] — and I just think about those guys as being ‘the guys.’ I never consider myself as being on the same ship.” Sorry to disagree with the man, but Cray is most definitely onboard with being on par with the masters of the blues art form. I called Cray, 62, at his hotel during a tour stop in the Pacific Northwest to discuss the sonics of 4 Nights, the ongoing merits of vinyl, and why live woodshedding is vital for bands who want to improve. “Oh yeah, there’s been a lot of change over the years,” Cray observes about his storied career. I guess he showed us.