Mike Mettler

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Mike Mettler Posted: Dec 17, 2014 0 comments
Performance
Sound
Peter Gabriel has made a career out of being a restless chameleon, a man perpetually interested in pushing sonic boundaries rather than remaining in stasis. The roles he’s chosen to inhabit over the last five decades are as varied and forward-thinking as they come: art school rocker. Progressive pundit. Alternative icon. Video vanguard. Electronic interpreter. World music leader. If there are new musical frontiers to discover and master, Gabriel is consistently among the first to dig into the aural dirt.
Mike Mettler Posted: Oct 02, 2014 0 comments
Performance
Sound
Which one’s Pink? It’s a debate that’s polarized fans ever since Pink Floyd principals David Gilmour and Roger Waters split up their creative partnership in the mid-’80s. Waters went on to build an unprecedented solo live Wall of epic visual and auditory proportions, while Gilmour retained the rights to the band name and constructed two diverse, divergent studio albums and subsequent tours with his other two Floydmates in tow, keyboardist Richard Wright and drummer Nick Mason. The latter of those two LPs, 1994’s admittedly divisive The Division Bell, now comes back to life with a 20th anniversary deluxe celebration in box set form, and thanks to a brilliantly stunning surround sound mix, material initially perceived as B-level reveals itself to have been A all the way.
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Mike Mettler Posted: Nov 14, 2011 0 comments

Surround-sound guru Steven Wilson has upped the ante yet again on his Grace for Drowning solo tour by presenting the music itself in surround sound, an unprecedented feat. Well, ok, technically speaking, the show is in live quad, with two speakers placed in the back of the venue at hand.

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Mike Mettler Posted: May 21, 2013 0 comments

Primus does 5.1 proud.

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Mike Mettler Posted: May 21, 2013 0 comments

Primus does 5.1 proud.

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Mike Mettler Posted: Oct 22, 2014 0 comments
“It’s a very common name. Back of $20 bills, that’s me.” Producer Andy Jackson is being typically self-effacing as he leans back in a chair across from me in front of the massive Neve 88R console that dominates the control room in the Astoria, the grand houseboat recording studio moored on the Thames somewhere near Hampton, Middlesex in England. It’s late August 2014, and it was my distinct honor to be summoned across the Pond to partake in an exclusive listening session for The Endless River, which has been deemed the final Pink Floyd album. (River will be released worldwide by Columbia on November 10.) After a rousing listening session in a place where much of the music I heard was either created, recorded, and/or mixed, I sat down across from Jackson exclusively to discuss the genesis of River, the costs and benefits of mixing in both analog and Pro Tools, and what may (or may not) be in Floyd's future.
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Mike Mettler Posted: Apr 20, 2012 0 comments

If you know anything about me, you know how much I love going to record stores, and that I especially love taking my time sifting through everything they have in stock.

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Mike Mettler Posted: Jul 14, 2011 0 comments

In my Track One column in the print edition of S+V’s June/July/August 2011 issue, I mentioned that I would be discussing my experiences with Autonomic’s Mirage MMS-5 media server in this space. Wellll... things change. Because we’re all good friends here, I’ll give you the scoop.

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