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Mike Mettler Posted: Jun 01, 2012 0 comments

Radiohead followed their own muse at the Prudential Center in Newark, New Jersey on Thursday, May 31.

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Mike Mettler Posted: Dec 07, 2008 0 comments
Buena Vista
Movie ••••½ Picture ••••• Sound ••••• Extras ••••½
TV's benchmark for A/V quali
Mike Mettler Posted: Apr 23, 2014 0 comments
Some bands sputter and wither after major personnel changes, and then there’s Marillion. The British neo-progressive collective’s first incarnation crested with 1985’s concept-driven Misplaced Childhood, which featured original mercurial lead singer Fish and the hit guitar-driven lament, “Kayleigh.” Act II commenced with 1989’s transitional Seasons End, featuring new vocalist Steve Hogarth (a.k.a. “h”), who has since helped fuel the band to greater compositional heights over the last two decades.
Mike Mettler Posted: Jan 02, 2014 1 comments
Finally seeing a stateside release after being available internationally for over a year, Privateering, Mark Knopfler’s seventh solo offering (and first double album of all-original material) is a showcase of Americana, as innately authentic as anything produced by any artist born on U.S. soil. Somewhere, Chet Atkins, Johnny Cash, John Lee Hooker, and Muddy Waters are all picking, grinning, and haw-haw-hawing their collective approval. (Me, I suspect Knopfler was spiritually born on the Mississippi Delta and then transplanted to the moors of his native Scotland.)
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Mike Mettler Posted: Dec 10, 2014 0 comments
When Mark Rivera isn’t splitting his time being Music Director for Ringo Starr or serving as a versatile multi-instrumentalist with Billy Joel (the latter for 32 years and counting), he’s doing what any good audiophile would — dropping the needle on some fine, fine wax. “The warmth of vinyl is like nothing else,” Rivera reports. “It really is. To me, it feels like it embraces you. It simply surrounds you.” Earlier this year, Rivera also found the time to put out his first solo album, Common Bond (Dynotone/Red River), and he’s patiently been overseeing having 1,000 copies of it pressed onto vinyl. “I couldn’t be more enthusiastic and more pleased about that,” he says. Here, Rivera, 62, and I talk about Common Bond‘s core production values, vintage gear and favorite LPs, and the ways music resonates over one’s lifetime. Ok, fine, we admit it — we just can’t get enough of that vinyl stuff.
Mike Mettler Posted: Jul 07, 2011 0 comments

Dave Grohl and I are crouched together on a hot blacktop driveway that encircles the SoCal locale where the photo session for this exclusive S+V cover story is taking place. To the onlookers who shuffle past us and sometimes hover at a respectful distance, it appears as if these two hunched, animated, close-talking bearded longhairs are plotting to take over the world — and perhaps that’s not an entirely wrong assumption.

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Mike Mettler Posted: Jul 16, 2011 0 comments

“By the way, who is this Derek Jeter guy?” asked Sir Paul McCartney of the full crowd at Yankee Stadium on July 15, four songs deep into the opening night of his Summer 2011 On the Run tour. “Somebody said he has more hits than me.”

Hmm, not bloody likely.

Mike Mettler Posted: Apr 10, 2014 0 comments
“Best guitar player I ever heard.” Some hip muso waxing on about the next Hendrix? Nope, that’s Bob Dylan on the late Michael Bloomfield, and the Bard’s ears are some damn fine arbiters. This three-CD/one-DVD Bloomfield box set reclaims a master guitarist’s legacy that’s as deep as the Delta, by way of the Windy City and the City by the Bay. Disc 1, subtitled Roots, sets the tap. The instrumental take on Dylan’s iconic “Like a Rolling Stone” is revelatory, keeping the focus on the as-it’s-happening creation of the now-familiar melody via Bloomfield’s chiming Telecaster riffs intermingling with Al Kooper’s wheedling Hammond B3.
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Mike Mettler Posted: Apr 09, 2015 0 comments
Chances are you know the name Michael Des Barres, but just exactly how most likely depends on your entry point. If you’ve read I’m With the Band: Confessions of a Groupie, then you know him as the ex-husband of Miss Pamela, Pamela Des Barres. If you’re a devout fan of ’70s rock, then you know him as the frontman of cult-fave bands Silverhead and Detective. If you’re a TV aficionado, you know him as Murdoc from MacGyver — and maybe even as Dog, the nattily dressed lead singer of fictional punk band Scum of the Earth from an all-time classic October 1978 episode of WRKP in Cincinnati. And if you’re a dedicated listener of Little Steven’s Underground Garage, Channel 21 on SiriusXM satellite radio, then you’re probably quite riveted to the insights, encyclopedic rock & roll knowledge, and cheeky humor he provides between the tracks that spin during his always exhilarating weekday shift. While the man’s far-reaching C.V. is indeed impressive, Des Barres is a musician first and foremost, and all of his killer instincts have converged on The Key to the Universe (FOD Records), his strongest and most consistent record, well, ever. Notes Des Barres, “People go insane for these new songs. It’s so astounding to me, after having not really done anything on this scale in 25 years, that people are responding to them. I think I sound better on this record than I’ve ever sounded.” Recently, I rang up Des Barres, 67, to discuss the sonic philosophy behind The Key, how to avoid including any “twiddly bits,” and finding one’s own voice as an artist. MDB is a true rock & roll survivor who knows how best to overcome adversity and get it on.
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Mike Mettler Posted: Sep 24, 2014 0 comments
And then there were… five? The above photo is no trick of the tale, for you’re indeed seeing the five key members of Genesis — from the top of the stairs down, Phil Collins, Tony Banks, Steve Hackett, Peter Gabriel, and Mike Rutherford — together again for the first time in many years. No, they’re not reforming, but rather have come together to celebrate the career-spanning documentary Genesis: Sum of the Parts airing on Showtime October 10 (and expected to see home release sometime in November), as well commemorate the September 30 release of R-KIVE (Rhino), a 37-track, three-CD box spanning 42 years of both band and solo material. “I know, who’d have thought there’d be all of this activity at my age?” laughs Mike Rutherford, a mainstay of the band through all of its incarnations. “But when you see all these songs side by side, like ‘Turn It on Again’ with [Collins’] ‘In the Air Tonight,’ [Gabriel’s] ‘Biko,’ and [Mike + The Mechanics’] ‘The Living Years’ — you go, ‘Wow, that’s a great body of songwriting.’ ” Full-bodied, you might even say. Recently, Rutherford, 63, and I talked about the band’s impetus for sound quality, why tracks like “Supper’s Ready” still endure, and what might come next. Play me my song, o musical box.


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