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Mike Mettler

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Mike Mettler Posted: Mar 29, 2013 0 comments

Why is Justified so damn good? Simply put, it’s one of the best written, best acted, best sounding, and best looking shows there is, season in and season out. Based on a character sprung from the brilliantly unique mind of Elmore LeonardJustified stars Timothy Olyphant as U.S.

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Mike Mettler Posted: Jun 11, 2014 0 comments
Photo by Maureen Clark

There are blues legends and there are blues masters, and then there’s John Mayall. Long acknowledged as the father of the British blues scene that emerged in the heyday of the ’60s and the man who helped school the guitarslinging likes of Eric Clapton, Peter Green, Mick Taylor, Coco Montoya, and Buddy Whittington, the 80-year-old Mayall shows no sign of slowing down anytime soon. “You have no other choice, really,” he says matter-of-factly. “You set your feet on your path, and that’s what you stick with. It’s the only thing that you know to do.” His latest album, A Special Life (Forty Below), carries on the rich blues tradition, thanks in no small part to Mayall’s rapport with his band, led by a Texas-born guitar ace (Rocky Athas) and anchored by a Chicago-bred rhythm section (bassist Greg Rzab and drummer Jay Davenport). “Never plan to fade away,” Mayall sings in the title track. Dear John: We’re going to hold you to that.

Mike Mettler Posted: Jan 02, 2014 0 comments
Performance
Sound
Pressure: It can get to anyone. Just ask the four members of the Followill clan, a.k.a. Nashville’s first family of deep-roots rock, Kings of Leon. The three brothers (Caleb, Jared, and Nathan) and one cousin (Matthew) comprising KoL were anointed rock saviors when they burst onto the scene with the guitar-driven Southern-fried primal-blues mash of 2003’s Youth & Young Manhood. And their arena-rocking prowess was cemented with the one-two punch of the yearning “Sex on Fire” and the anthemic “Use Somebody” on 2008’s best-selling Only by the Night.
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Mike Mettler Posted: Apr 02, 2014 0 comments
Photo by David McClister

“I’m basically what is known as a talented illusionist.” So says piano wizard Leon Russell, but the Oklahoma native is being more than somewhat modest. His C.V. is as impressive as they come: First-call member of the legendary ’60s L.A. studio collective known as The Wrecking Crew, co-founder of Shelter Records in 1969 with Denny Cordell, spearhead of Joe Cocker’s infamous 1970 Mad Dogs and Englishmen tour, and beneficiary of a revived recording career by teaming up with Elton John on 2010′s T Bone Burnett-produced The Union. On his just-released Life Journey (UMe), Russell comes full circle to show his mastery of the form on tasty covers like his piano-vamp stab at Robert Johnson’s “Come on in My Kitchen,” a slip-slidin’ romp through “Fever,” and a swing-sational full-orchestral take on Duke Ellington’s “I Got It Bad and That Ain’t Good.” Here, Russell, 72, and I discuss his ever-unique recording technique, what it’s like being “out on the edge,” and his time in the studio with Frank Sinatra. Face it, Brother Leon: You’re a one-man Wrecking Crew unto yourself.

Mike Mettler Posted: Feb 26, 2014 0 comments
Performance
Sound
The term supergroup gets a bad rap—but with good reason. Often, it’s applied to a collective of hot-shot all-star musicians who look pretty good together on paper, but the resulting music usually proves the individual parts are actually greater than the sum. Discerning listeners tend to cast a wary eye, er, ear toward such lineup mashups—unless the pedigree is an impeccably progressive one intent on exploring the cosmos of composition to achieve a common sonic goal.
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Mike Mettler Posted: Dec 02, 2009 0 comments
Mike Mettler Posted: Apr 20, 2011 0 comments

"From the bottom of our hearts, thank you everyone. I can't wait to answer the 'Is rock and roll dead' question now..." So tweeted @foofighters at midday, and with good reason - the band's hard-charging, all-analog new album Wasting Light debuts at #1 this week with 235,000 copies sold here in the States.

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Mike Mettler Posted: May 28, 2014 1 comments
“We were united for the best sound we could get, and that was it. That was what we were chasing.” Is Linda Ronstadt revealing her high-end hopes for Hasten Down the Wind? Actually, that’s her assessment of the main goal she had for the 15 songs on her new compilation, Duets (Rhino). The ace song interpreter simply soars on songs like the tender but tough “I Never Will Marry” with Dolly Parton, the special intuitive blend she gets with James Taylor on “I Think It’s Gonna Work Out Fine,” and the complementary vocal halo she sets for Frank Sinatra on “Moonlight in Vermont.” Ronstadt has since retired from singing (in 2013, she revealed she has Parkinson’s disease), but that hasn’t stopped her from appreciating the sound of a good mix or a stellar vocal — or gently trilling a few lines of her favorite songs while we talk. Here, Ronstadt, 67, and I discuss her hi-fi proclivities, when not to use echo, how the right vocal texture tells the right tale every time, and how she learned about spotting hollow fifths.
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Mike Mettler Posted: Sep 30, 2008 0 comments

You've always been a bit of a hi-fi geek, haven't you? I have. On prom night, my boyfriend and I checked out stereo speakers at an all-night speaker sale. It was a big deal back then, a ritual - you had to get the perfect speakers, and set your room up a certain way.

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Mike Mettler Posted: Apr 04, 2012 0 comments

“Church.”

That was how a musician friend responded shortly after I told him via iPhone chatter that it was 10 minutes before Bruce Springsteen & the E Street Band hit the stage last night in the first of two dates at the Izod Center in East Rutherford, New Jersey.

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