Mike Mettler

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Mike Mettler Posted: Jan 29, 2014 8 comments
“I want to hear what the band heard during playback in the studio. And I want to respect the sound that the engineers and producers tried so hard to capture.” It’s a mantra engineer Steve Hoffman follows whenever he remasters classic, iconic albums, and perhaps those words should be etched between the monitors perched above the mixing consoles in every mastering studio across the globe. One recent labor of reissued love is near and dear to Hoffman's audiophile heart – namely, The Audio Fidelity Collection limited-edition box set that houses four classic Deep Purple albums he remastered: In Rock (1970), Fireball (1971), Machine Head (1972), and Who Do We Think We Are (1973).
Mike Mettler Posted: Dec 25, 2012 0 comments

“Jeff has incredible studio I.Q. Ask anyone who makes music: he’s one of the great record producers, period.” So says Tom Petty, and? if anyone should know, it’s him, having worked with Jeff Lynne as a producer on sonic blockbusters like his own Full Moon Fever and the Traveling Wilburys’ Volume? 1.

Mike Mettler Posted: Sep 27, 2011 0 comments

“This is one case where the record company got it right.”

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Mike Mettler Posted: Apr 19, 2013 0 comments

The Dark Side of the Moon has long been considered to be the audiophile benchmark. It's been remastered and reissued a number of times over the years since it was initially released March 1, 1973 and proceeded to spend a record 741 weeks (that's 14.25 years!) on the album charts.

Mike Mettler Posted: Aug 19, 2014 3 comments
Editor's Note: Following Sound & Vision's initial print publication of this article, Neil Young took the post of PonoMusic CEO, replacing John Hamm. The company also named Rick Cohen, PonoMusic's general counsel, to be its COO, and accomplished producer Bruce Botnick to be its Head of Content Acquisition.

If there’s one thing we know about Neil Young, it’s that he’s deeply passionate about how his music gets heard. As an artist who’s long championed sound quality over final-mix compromise, Young has been on a lifelong quest to make sure listeners have the opportunity to hear his music the way he intended from both the studio and the stage, whether it be via high-grade 180-gram virgin vinyl or high-resolution stereo PCM on Blu-ray. “That’s all I do now—192/24,” he tells me. “Back when I started recording, we did everything we could so that our listeners could hear the music. The more we presented and the more you were able to hear, the happier you were. We lost touch with that.”

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Mike Mettler Posted: Dec 06, 2012 0 comments
Peter Gabriel's So Turns 25
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Mike Mettler Posted: Aug 12, 2008 0 comments

When asked how he'd like to see his own role defined in our ever-escalating high-definition home-entertainment world, Masi Oka, star of NBC's hit fantasy/sci-fi series Heroes, reaches for the stars. "I'd like to be known as a visionary Blu-ray Bluetooth," he smiles.

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Mike Mettler Posted: Jul 05, 2006 0 comments

What do you think of downloading? In the days when I grew up, you really had to work hard just to find music.

Mike Mettler Posted: Sep 18, 2012 0 comments

It’s nice to feel that the music can be improved, and in the case of Aqualung [which saw a 40th anniversary box-set reissue in 2011 with new stereo and 5.1 mixes by Steven Wilson], that wasn’t difficult because it wasn’t a very good recording.

Mike Mettler Posted: Oct 29, 2010 0 comments

To borrow Mick Jagger’s growl from the Rolling Stones’ feisty Tattoo You track “Neighbours”: labels, labels, labels, labels, LABELS! People feel like they have to label just about everything, especially when it comes to music. So whenever I’m asked to describe what Carlos Santana’s music sounds like, my answer is quite simple: “It sounds like Carlos Santana.” In the case of the 63-year-old guitar guru, his name defines his sound. “The majority of the music I play is still African music,” Carlos explains. “I honor that. And it comes through the Delta, and Mississippi.

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