From the late 1960s through the early '70s, Americans saw the crumbling of the old morality, which gave way to the new twin blights of urban decay and bad hair. If this golden age of anti-heroes and the stars who played them is your bag - if you take your detectives tough, your streets mean, and your realism gritty - then you'll want to add some of these movies to your collection.
When he first landed in the U.S. in 1961, British agent John Drake went mostly unnoticed. But when this Danger Man reappeared 4 years later - with a new name, a new theme song, and a visa extended from 30 minutes to an hour - he made quite a stir.
Are movies more important than life? Are women magic? These two questions, repeatedly posed in François Truffaut's Day for Night (1973), often seem to be at the heart of French cinema, especially in a big batch of recent DVD releases.
"She ... the meaning of my life is she," crooned Charles Aznavour in his tribute to les femmes back in the early 1970s, when male French filmmakers were still inspired by that unfathomable sphinx: woman. French cinema doesn't have the same power today, and equality has normalized relations between the sexes (somewhat).