Josef Krebs

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Josef Krebs  |  Sep 30, 2004  |  0 comments

[This is an extended version of the interview that appeared in the October 2004 Sound & Vision to accompany Carrie Fisher's exclusive interview with George Lucas.]

Josef Krebs  |  Jun 10, 2016  |  0 comments
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In 8th century China, the Tang dynasty, in decline, had built garrisons at the frontiers of its empire, but a hundred years later, some of those militarized provinces chose independence from the emperor. Weibo is the strongest, so a lovely assassin is sent to kill the head of its clan, Lord Tian. Made by Taiwanese writer-director Hsiao-Hsien Hou, The Assassin’s gorgeous, static imagery and characters, glacially slow-moving camera, and mood-filled silences are matched by the mysteries of the story that are only very gradually revealed, all of which evoke the poetic films of the great Andrei Tarkovsky.
Josef Krebs  |  May 12, 2023  |  0 comments
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Nominated for nine Academy Awards, including Best Picture, Best Directing, and Best Original Screenplay, as well as nods to each of the four leading actors, The Banshees of Inisherin tells a simple tale of a man living in a tiny island community off the coast of Ireland who is devastated on hearing that his lifelong friend no longer likes him and doesn’t want to waste any more time talking to him.

Josef Krebs  |  Jan 26, 2018  |  0 comments
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Shot on a budget of $5 million, acquired for $12 million, and promoted with a $20-million marketing budget, The Big Sick grossed $50 million worldwide and claimed much acclaim. For me, The Big Sick initially came across as The Big Suck, but on a second, more sobering screening, it made sense, building from the characters’ youthful shallowness to emotional growth into something like near-human depth.
Josef Krebs  |  Mar 02, 2009  |  0 comments
Universal
Movies •••½ Picture •••• Sound ••••½ Extras •••
Jason Bourne: not only a cool-soundi
Josef Krebs  |  Dec 08, 2008  |  0 comments
Warner
Movie •••• Picture ••••½ Sound ••••• Extras ••••
Terrorism, torture, intrusive surveillance, and a
Josef Krebs  |  Jan 08, 2021  |  0 comments
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Director David Lynch's film tells of Joseph Merrick, whose terrible deformities to head, limbs, and skin led to him being called the Elephant Man. It begins with Merrick's nightmare of his mother being attacked by elephants—supposedly the cause of Merrick's condition—in smeary, scary, surreal images as disturbing as those from Lynch's earlier fatherhood paranoia party film, Eraserhead.
Josef Krebs  |  Mar 18, 2016  |  0 comments
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The End of the Tour is like My Dinner with Andre but without the dinner or Andre. Yes, it does consist of one long conversation, but unlike Wallace Shaun and Andre Gregory’s fine feast of fascinating, erudite, intellectual spouting, with ideas crashing one upon another, the characters here are remarkable in their compelling ordinariness and awkwardness. It tells of a five-day interview of celebrated novelist David Foster Wallace by rookie Rolling Stone reporter David Lipsky on a road book tour following the 1996 publication of Wallace’s groundbreaking novel, Infinite Jest, which wowed a generation with its brilliant virtuosity.
Josef Krebs  |  Apr 24, 2015  |  0 comments
Like a big, wet, dumb, dopey dog jumping all over you, The Equalizer hits with home theater power that thumps you in the chest if not the heart. An ex-CIA operative has taken on a new identity, living in obscurity, working in a Home Depot, helping people with their self-esteem issues whenever he can, whether they need to lose weight, get an education, or stop being a corrupt cop. However, when faced with a teenager’s plight of enslavement by brutal sex traffickers, he’s forced back into using his main skillset—terminating roomfuls of bad guys with extreme swiftness and minimal prejudice.
Josef Krebs  |  Sep 25, 2015  |  0 comments
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In this witty and pithy examination of modern New York living circa 1991, director Terry Gilliam posits the absolute necessity to abandon cynicism in order to believe in something and someone. Jeff Bridges is wonderfully arrogant and nasty as stretch-limo-riding radio shock-jock, Jack, who accidentally provokes a desperate caller into entering a restaurant and slaughtering its yuppie patrons. Jack bails on his life, climbing into a bottle of whiskey and a chasm of sarcasm, self-loathing, and self-pity. Parry (another wonderfully manic Robin Williams performance), still traumatized by having seen his beloved blown away in the massacre, has gotten out of a mental institution only to become a crazed homeless person. After a chance meeting, Jack is drawn by his guilt to help Parry on a quest to steal the Holy Grail in the hope of healing both their damaged souls.

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