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Daniel Kumin Posted: Mar 21, 2016 1 comments
While computer algorithms, given adequate input, have generated more-or-less recognizable Bach counterpoint in two and even three voices, the synthesis of an entire, musically coherent two-part invention, let alone a form as complex as a Bach-style Fugue, appears to remain beyond them…for now.
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Daniel Kumin Posted: Jun 08, 2015 2 comments
It’s a self-administered “quiz” on file-format and audio quality, with six music segments presented, each with three clickable, on-screen “Play” buttons…
Daniel Kumin Posted: Jun 05, 2006 0 comments
What We Think
Despite cost-saving cosmetics in its "budget" version, this is a very good system for the price.
Crystal Acoustics is a new brand to me, and to most Americ
Daniel Kumin Posted: Aug 11, 2015 4 comments

Zensor 5 Speaker System
Performance
Build Quality
Value

VTF-1 MK2 Subwoofer
Performance
Features
Build Quality
Value
PRICE $2,244 as reviewed

AT A GLANCE
Plus
Neutral balance
Excellent center-L/R tonal match
Superb “small”-sub output and extension
Minus
Zensor 5 mini-towers are rather short

THE VERDICT
Combining DALI’s fine-performing, high-value two-way line with one of the best inexpensive 10-inch subwoofers available creates an affordable system that competes well with the many contenders in its price class.

DALI is a company that has nothing to do with surrealist art or Tibetan Buddhism. The acronym is for Danish Audiophile Loudspeaker Industries, which over some 30 years has grown from a home-market specialist to a respected international brand. Despite this success, I had never gotten up close and personal with any DALI designs (trade-show demos excepted) until they shipped us a representative selection of their new Zensor entry-level series. Since the Zensor-ship currently lacks a subwoofer, we tapped one of the best size- and price-appropriate designs we know, Hsu Research’s affordable VTF-1 MK2.

Daniel Kumin Posted: Sep 04, 2007 0 comments
DCM TimeFrame TFE200 home theater speaker system TFE200 DCM TFE200 Loudspeaker maker DCM has been around just about as long, and has reconstituted itself and its product line nearly as many times, as Lynyrd Skynyrd
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Daniel Kumin Posted: Jan 29, 2015 4 comments

Performance
Build Quality
Value
PRICE $5,693

AT A GLANCE
Plus
Awesome potential for clean loudness
Impressive tonal fidelity and finesse
No subwoofer required
Atmos!
Minus
Requires generous spacing and AC power
Connectivity is a bit complex

THE VERDICT
A one-stop, state-of-the-surround loudspeaker solution, especially apt for any who prefer not to accommodate a subwoofer—with the bonus of being Dolby Atmos enabled.

Definitive Technology’s BP-8060ST has remained a highlight of the Baltimore-area maker’s lineup for several years—a dog’s age in the new-and-improved, series-II world of high-end loudspeakers. The longevity suggests that Definitive considers this slim “power tower” a fully evolved design, and indeed it’s hard to argue the point.

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Daniel Kumin Posted: Jul 27, 2016 3 comments

Performance
Build Quality
Value
PRICE $7,194 as reviewed

AT A GLANCE
Plus
Spacious bipole sound
Seriously full-range with powered bass section
Astounding dynamics
Minus
Big and demanding of floor space
Reflective bipolar reproduction may not suit every room, taste

THE VERDICT
A big speaker with a sound to match, Definitive Technology’s latest, Atmos-onboard, powered-tower flagship delivers the impressive imaging depth and breadth we expect from bipoles. Its response is as full-range, and its dynamic abilities as unfettered, as anything I’ve heard from a one-piece system.

Definitive Technology’s monolithic bipolar towers —which launched the brand in 1990—have been around in one form or another almost as long as that thing in 2001: A Space Odyssey. With the fourth generation bowing recently, the Baltimore-area manufacturer set us up with a full suite: BP9080x fronts, CS9080 center, a pair of smallerbut-still-huge BP9060 towers for surrounds, and the A90 elevation speakers (Dolby Atmos-enabled and compatible with DTS:X) to go on top of those surrounds; the marquee BP9080x fronts have the same elevation componentry to bounce height-channel signals off the ceiling built right into their top 5 inches.

Daniel Kumin Posted: Jul 01, 2007 0 comments

the listThe flat-screen revolution has spawned a lot of dramatic and innovative loudspeakers, many of them different takes on the Definitive Technology Mythos - a family of sleek aluminum speakers that almost single-handedly reinvente

Daniel Kumin Posted: Nov 04, 2006 0 comments

For years, Baltimore's Definitive Technology has produced phalanxes of tall, imposing, powerful floorstanding towers.

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Daniel Kumin Posted: May 09, 2014 0 comments

Performance
Features
Ergonomics
Value
PRICE $1,199

AT A GLANCE
Plus
Super-svelte dimensions
Natural voicing and excellent subwoofer blend
Surprising volume ability
Minus
Limited stereo image width
Mediocre remote-control range

THE VERDICT
Solid tonal balance, unusually good soundbar/subwoofer integration, and substantial volume for so slim a design make the SoloCinema Studio a fine performer in its category.

Love them or hate them, soundbars are a big part of what’s keeping audio manufacturers afloat these days—those, at least, that haven’t already repaired to Davy Jones’ Locker. Baltimore’s Definitive Technology, a firm whose “real” loudspeakers have for two decades and more set high standards of performance and value, is no newcomer to the bar scene. Its latest effort is the SoloCinema Studio, a two-piece job, and the bar half is tiny, quite literally a bar: just 3-plus inches square by 42-plus wide.

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