Panasonic’s 2016 CES press conference focused largely on industrial and business-to-business products and services, but the brand highlighted a few choice tidbits for the A/V consumer sector that included new OLED and LCD UltraHDTVs, an Ultra HD Blu-ray player, and an expanded line-up of Technics audio products—among them the return of the Technics SL-1200 direct-drive turntable, a true audiophile classic.
2D Performance 3D Performance Features Ergonomics Value
PRICE $7,199
AT A GLANCE Plus
Stunning color
Gorgeously detailed 4K playback
A boatload of picture tweaks
Minus
Not quite plasma-like blacks and shadow detail
3D ghosting
The price
THE VERDICT
Panasonic’s statement Ultra HDTV sucks you in with its alluring image and doesn’t let go, but its high price is a deterrent.
When Panasonic left the plasma market in late 2013 to the whimpers of videophiles worldwide, the company committed to delivering an LED-backlit LCD that would rival the image of their best-ever TV—the ZT60 that was their plasma swan song. The first Panny Ultra HD LCD to follow, the edge-lit TC-65AX800U, was a fine TV, though hardly a breakout set. But in late 2014, Panasonic rolled out their flagship AX900U series at 55 and 65 inches, the latter of which we now review here.
AT A GLANCE Plus
Excellent color
Great screen uniformity
Artifact-free 1080p-to-UHD scaling
Minus
Poor black level and contrast
Meager streaming platform
THE VERDICT
Though it delivers solid entry-level performance, Panasonic’s CX400 faces more fully featured competition at its price.
Panasonic pulled big crowds at its CES booth in January with their CZ950 OLED, a 65-inch Ultra HD television that adds advanced processing to an LG-supplied OLED panel, with quite stunning results. Unfortunately, that set is only sold overseas for now (priced at €10,000 or about $11,000, no less), and it remains unclear when or if Panasonic will release it in the States.
2D Performance 3D Performance Features Ergonomics Value
Price: $1,699 At A Glance: Top-tier black levels and color accuracy • So-so 3D • World-class value
Last year, the number-one TV I recommended to friends, family, and anyone else who would listen was Panasonic’s ST50 series plasma. Although a serious enthusiast might have appreciated the superior black levels and more extensive picture controls of the company’s then top-line VT models, 2012’s ST50, like the ST30 models of the year before, delivered most of the VT’s performance and easily beat out all but the most expensive LED LCDs. It was simply an incredible value and was recognized as such in Home Theater’s Top Picks of the Year.
Now that Blu-ray Disc has vanquished HD DVD after a nearly 2-year battle in the marketplace, the dust has finally settled - right into the eyes of everyone who put off buying a high-def disc player. Understandably, many of these dawdlers will be squinting first at the more affordable Blu-ray prospects in the entry-level $400-to-$500 range.
In this first episode of Sound & Vision's podcast Pixels & Bits, Editor-in-Chief Rob Sabin and Contributing Technical Editor Steve Guttenberg discuss their roots in high-end audio; the affordable Magnepan MMGi magnetic planar speakers (4:00); the problem with "feature glut" (9:00), and whether Sonos sacrificed too much sound quality to gain simplicity with its Playbar soundbar (14:20).
Comments are welcome on these subjects, along with your suggestions for future episodes!
In Episode 2 of Sound & Vision's Pixels & Bits podcast, editor-in-chief Rob Sabin and contributing technical editor Steve Guttenberg discuss the birth of VHS and the Betamax/VHS videotape format war, spotlight the $3,000 HiFiMan HE1000 magnetic planar headphones (4:24); debate whether $6,000 headphones are really worth it (5:15); and talk about how the longevity of some audio products adds to their value (14:00).
S&V Editor Rob Sabin and Contributing Tech Editor Steve Guttenberg take a close look at the Outlaw Audio RR2160 Stereo Receiver (0:58), discuss the results of the 2017 Value Electronics TV Shootout (7:20), review the Blu-ray for Gore Verbinski's 2016 horror movie A Cure for Wellness, and share impressions from Steve's visit to Jimi Hendrix's Electric Lady Studios (13:50).