Among the many treasures on display at Sony's CES booth were several prototypes of flat panel displays based on Organic LED- or OLED. The model shown above was 26" diagonal, and there were several models on display that were sized appropriately for portable Blu-ray players or personal media players.
Talk about rare treats. Spielberg and Lucas became notorious for holding their titles from the DVD market until there was a sufficient install base for them to do killer sales numbers on release. This meant it was years into the format until we saw <I>Star Wars</I>, <I>Indiana Jones</I>, etc. This pattern is holding true on Blu-ray and HD DVD- they're both Lucas and Spielberg free so far.
Home Theater Magazine Editor Shane Buettner is on hand at the 2011 Consumer Electronics Show when Darth Vader and friends announce the release of the Star Wars Video Collection on Blue Ray.
Last Friday Senior Editor Tom Norton and I were treated to an up close look at Panasonic's new DMP-BD50 Blu-ray Disc player at Panasonic's Hollywood Lab facility. And I'm thrilled to report, at long last, that there's a standalone player that can be recommended without any significant functional caveats.
Price: $9,000 At A Glance: Room- and house-threatening LFE bass for movies • Surprising rhythm, pacing, and articulation for music • Relatively small footprint for a behemoth sub
Because You Can
So, I’m wheeling this ginormous 230-pound Paradigm subwoofer down and around the side of my house, to the double-door, daylight basement that serves as my home theater room. Being impatient, I’m doing this by myself and hoping like hell I don’t tip the thing over and watch it roll end over end down the slope in my backyard. About this time, it occurs to me to wonder, “Why am I even reviewing something this big?” The answer that came to mind is probably the same reason people will buy this $9,000 powder keg of bass. Because I can.
Of course, there’s more to it than that. At CES 2010, the best home theater demo I saw and heard was in the Anthem room, with Anthem’s electronics and sister brand Paradigm’s speakers and subwoofers. The bass was sensational, thunderous, and room shaking, and yet it was strikingly refined. That was the first time I saw the SUB 2, a 4,500-watt subwoofer (rated RMS, and never mind if you can actually get that out of your wall), with six 10-inch woofers arrayed in pairs, firing out of three sides of the cabinet. You read that right. I was every bit as awestruck as you probably are now. Why would Paradigm design and build such a thing? Because they can. In home theater and in life, it’s my firm belief that anything worth doing is worth overdoing. If that’s your philosophy too, read on, because the SUB 2 is a helluva ride.
They say there's nothing new under the sun, and nothing drives home that old adage like the birth of a new format or two. The first movies that come out on a new format invariably aren't the <I>Citizen Kanes</I>, or even the <I>Titanics</I> of film history. No, it's the star-studded action warhorses that are considered at least somewhat tried and true that are trotted out by the studios.
Paradigm is rolling out its PBK-1 Perfect Bass Kit as an optional upgrade for its entire subwoofer line. For $299 you can use the included microphone and tailor your sub’s response. The microphone and supplied software are based on the ARC system Anthem uses in its surround processors (Anthem’s parent company is Paradigm) and measure several different in-room positions to calculate correction for a variety of listening positions. No sub should leave the dealer without it!
Wow. I'm generally more into Will Ferrell than Colin Farrell, and still haven't forgiven Joel Schumacher for <I>Batman and Robin</I>, so <I>Phone Booth</I> wasn't even close to being on my radar until it showed up on Blu-ray. Happy to say, this was a surpirse as both a movie and BD transfer.