Shane Buettner

Following LG Electronics’ release of the Super Multi Blue Blu-ray/HD DVD combi player come rumblings among members of the press that the player might not be a full HD DVD player. Scuttlebut has it that the player will not be compatible with HD DVD’s HDi interactivity layer, which is the logic layer that supports the cutting edge interactivity features that run in full motion with HD video.

An industry colleague and I spent some time together the other day, and in kibbitzing about the state of the industry as we see it, he wondered aloud whether we’re now in the beginning of the end of the era of the AV receiver. Blu-ray players are now equipped with full decoding capabilities for both legacy lossy and full lossless Dolby and DTS audio. In addition to playing back Blu-ray Discs, these players are now full media hubs with hosts of streaming apps for both audio and video. Other set-top box media hub devices are entering the market as I write this, and some even integrate cable and satellite broadcast content into a unified interface that manages all of this content. It doesn’t seem a stretch to think these devices could evolve to include the base level audio decoding found in BD players, or that more with integrated BD drives will emerge. And full range wireless audio is something that’s been around the corner for some time, clearly a question of when not if. So, my colleague wondered, if you add powered loudspeaker systems with wireless capability into this equation is that a look at the future? The dazzling capabilities of the AV receiver are both its strength and weakness. AVRs are intimidating. How much of all that capability do people really bother to use? How many people could get by with a lot less capability in favor of usability? I don’t know the answers to these questions but found them provocative enough to bring to you, and get your opinion. Are these the end days of the AVR as we know it?

Steven Spielberg’s Jaws was the first summer blockbuster, a classic that not only cemented its director and stars in film’s pantheon, but transcended cinema altogether, taking a huge bite out of global pop culture. To this day, there are 40- and 50-somethings who quote this movie’s dialogue daily and still won’t go in the water. It’s the best monster movie ever made, and of course it’s legend that the unbearable suspense created by not seeing the beast for the first hour of the movie was due to the mechanical shark, Bruce, not working, forcing Spielberg and company to develop brilliant devices to have a shark movie without the shark.

The power of contrast.

In the quest for deeper blacks and ever better contrast-ratio specs, dynamic irises that close down and open up the projector's light output automatically depending on the program material are all the rage. But there's no free lunch here. While the best auto-iris designs deepen blacks and increase contrast and are invisible in operation, there are inevitable issues with the varying black levels and brightness compression involved in this sleight of hand.