Mike Prince

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Mike Prince  |  May 01, 2007  |  Published: Apr 01, 2007  |  0 comments
Video: 3
Audio: 2
Extras: 2
Augusten Burroughs’ memoir Running With Scissors (the memoir that Oprah didn’t put on her book club, then rip the author a new one after learning it was fake) finally makes its way to the screen courtesy of Nip/Tuck creator Ryan Murphy. For those unfamiliar, Burroughs had quite a bizarre upbringing. His mother (wonderfully played by Annette Bening) is a narcissistic, delusional dreamer who thinks her poetry is amazing and that she is someone important. Sadly, she neglects her son (Joseph Cross) to pursue her dreams, leaving him under the care of her eccentric therapist, Dr. Finch (Brian Cox), and his twisted family (including Jill Clayburgh and Gwyneth Paltrow) in a house packed to the gills with knickknacks, clutter, and junk. To call this boy’s upbringing dysfunctional is an understatement.
Mike Prince  |  Nov 13, 2006  |  0 comments
Video: 4
Audio: 4
Extras: 3
Thanks to gangsta rappers and the white suburban kids who worship them, we are blessed with yet another version of Brian De Palma’s bloody, operatic masterpiece. The story hasn’t changed since the last edition was released three years ago—only the sound effects have. The “all new” Platinum Edition comes complete with all new digitally remastered sound and picture that only seems like more of the same. Granted, it’s a better option than going the Lucas route and adding unnecessary robots or the sound of a vacuum when Pacino snorts mountains of coke. However, if you already own Scarface, this edition is needless.
Mike Prince  |  Feb 05, 2007  |  0 comments
Video: 4
Audio: 4
Extras: 5
Bloggers across the globe have said so much about Snakes on a Plane—even months before the film was released—except for the one thing that matters. Is the movie any good? The short answer is, no, it’s not good. Not by a long shot.
Mike Prince  |  May 18, 2007  |  0 comments
Video: 4
Audio: 4
Extras: 3
The log line “Will Ferrell hears narration” can conjure up a number of scenarios in one’s mind, some glorious, but most misguided and painful. Thankfully, Stranger Than Fiction turns out to be a rather subtle and charming “meta” comedy. Ferrell plays Harold Crick, a straight-laced, borderline-obsessive-compulsive IRS auditor who begins hearing the dulcet tones of narration. This sets in motion a chain of events that covers the broad spectrum of life, death, love, loss, and all creative endeavors, fictional and non.
Mike Prince  |  Feb 05, 2007  |  Published: Jan 05, 2007  |  0 comments
Video: 4
Audio: 3
Extras: 4
Aaron Eckhart owns the screen as tobacco lobbyist Nick Naylor in Jason Reitman’s Thank You for Smoking, an acerbic and wickedly funny view of spin control in the modern age. A star-studded cast fills out this comedy, but it’s Eckhart who commands your attention as Naylor tries to soften the image of tobacco in this health-conscious day and age. Whether convincing Hollywood to embrace smoking again, raising his young son, or going up against the U.S. Senate, Eckhart keeps the film together in a delicious performance.
Mike Prince  |  Feb 02, 2007  |  Published: May 02, 2006  |  0 comments
Video: 4
Audio: 4
Extras: 3
Suburban angst and dysfunction are prime fodder for films and TV, whether it be housewives that seem desperate or disaffected teens too heavily medicated to even communicate with each other. The Chumscrubber falls into the latter category and presents a world all too familiar, while retaining its individuality in the genre.
Mike Prince  |  Nov 13, 2006  |  0 comments
Video: 3
Audio: 2
Extras: 4
The mind of an artist is a frightening place, more so if you’re Daniel Johnston. The Devil and Daniel Johnston is a documentary about this troubled “genius,” covering those closest to him as he’s grappled with mental illness and unlimited artistic vision. Using an inexhaustible amount of archival footage, the film paints a portrait of Johnston, showcasing his artistic endeavors from childhood to recent years. Countless fans across the globe celebrate his work, hailing the cult hero.
Mike Prince  |  Mar 23, 2007  |  Published: Jun 23, 2006  |  0 comments
Video: 4
Audio: 3
Extras: 2
The Dying Gaul is an interesting little movie, written and directed by playwright Craig Lucas, in his feature-film debut. It tells the story of Robert (Peter Sarsgaard), a gay screenwriter who’s just sold his extremely personal script “The Dying Gaul” to studio executive Jeffrey Tishop (Campbell Scott). Jeffrey is married to Elaine (the always lovely Patricia Clarkson) but desires Robert, and they begin an affair. Elaine finds out, and soon deception and betrayal are afoot among the three, with Elaine pretending to be Robert’s recently deceased lover, whom his script is based on. The actors are all very good, if the story is a bit strange and the ending a tad unsatisfying.
Mike Prince  |  Apr 05, 2006  |  0 comments
Video: 3
Audio: 4
Extras: 3
The Yards is a moody little film noir that, while pretty to look at, doesn't become the movie it desperately wants to be. It's cut cleanly from the Mean Streets cloth, as it tells the story of Leo (Mark Wahlberg, barely making eye contact with anyone), a recently paroled thief. Leo's attempts to go straight run afoul by his Uncle Frank (James Caan, sporting a nice mustache) and best friend Willie (Joaquin Phoenix), both shady characters involved in the corrupt world of railroad contractors. There's also some creepy sexual undertones between Leo and his cousin Erica (a pre-Oscar Charlize Theron). The visuals (in anamorphic 2.35:1) seem kind of foggy, which seems to be the director's intention but does not look very good. The Dolby Digital 5.1 is the highlight of the entire package, providing a rich soundscape that achieves what the film as a whole could not.
Mike Prince  |  Jul 07, 2006  |  0 comments
Video: 5
Audio: 5
Extras: 4
Make no mistake—this is the exact same edition that was released over a year ago. The only difference is the addition of a third disc (despite the package's Two-Disc status) touting the virtues of the recent sequel Underworld: Evolution. As it stands, the movie is still rather weak.

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