Brent Butterworth

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Brent Butterworth  |  Jun 20, 2012  |  0 comments

Since my first lengthy experience with Sonos products, I’ve been recommending them as a simpler, lower-cost alternative to traditional multiroom audio systems. It’s just so much easier. Plug in a Sonos component, go through a simple config, and you have great-sounding music and Internet radio in any room (or many rooms) in a matter of minutes, all controlled by your smartphone or computer.

But there’s one thing a Sonos system doesn’t deliver: bass. Now that’s fixed.

Brent Butterworth  |  Apr 23, 2013  |  0 comments

Soundmatters didn’t invent the Bluetooth speaker, but it definitely invented the good, compact Bluetooth speaker: the FoxL. The FoxL’s guts became the basis for the much cuter and more broadly marketed Jawbone Jambox. The look and general driver layout of the Jambox were then copied—sometimes subtly, sometimes shamelessly—by practically every audio ODM in China.

Brent Butterworth  |  Apr 23, 2013  |  0 comments

Soundmatters didn't invent the Bluetooth speaker, but it definitely invented the good, compact Bluetooth speaker: the FoxL. The FoxL's guts became the basis for the much cuter and more broadly marketed Jawbone Jambox. The look and general driver layout of the Jambox were then copied-sometimes subtly, sometimes shamelessly-by practically every audio ODM in China.

Brent Butterworth  |  Jul 15, 2013  |  0 comments

Most outdoor speakers share pretty much the same design. But the OE5 One, like Speakercraft’s other Outdoor Elements speakers, has a feature found in only a few outdoor models: a ported enclosure. The port allows for deeper bass response than a sealed cabinetdoes.

Brent Butterworth  |  Apr 19, 2013  |  2 comments
Speakers are like karate. Subwoofers are like weightlifting. The quality of a speaker is determined by subtleties: well-chosen drivers, just-right crossover points and slopes, and a perfectly tuned, solidly constructed enclosure. The quality of a subwoofer is determined mostly by its muscle: the size of the enclosure, the displacement of its driver, and the power of its amplifier.
Brent Butterworth  |  Apr 19, 2013  |  0 comments

Speakers are like karate. Subwoofers are like weightlifting. The quality of a speaker is determined by subtleties: well-chosen drivers, just-right crossover points and slopes, and a perfectly tuned, solidly constructed enclosure. The quality of a subwoofer is determined mostly by its muscle: the size of the enclosure, the displacement of its driver, and the power of its amplifier.

Brent Butterworth  |  Nov 07, 2011  |  0 comments

One could argue that it’s silly to make a subwoofer look nice. Most subs get shoved into out-of-the-way places where even the most exotic wenge veneer, doused in seven coats of hand-rubbed lacquer and applied to gracefully arcing side panels, won’t really look any better than the cheapest black vinyl wrap glued over a plain rectangular box.

Those who find ugliness a virtue in subwoofers will love SVS’ new $769 PB12-NSD, which is about as plain as subwoofers get.

Brent Butterworth  |  Jun 16, 2011  |  0 comments

I would never do what SVS did with its new subwoofer, the SB13-Plus. The company originally sent me a review sample last fall, but despite the fact that it sounded (and measured) great, SVS asked me to hold the review while its engineers tweaked the sub’s Sledge STA-1000D amplifier. It took months for the new amplifier to arrive.

Brent Butterworth  |  Dec 09, 2011  |  0 comments

When we heard about the Sync by 50 headphones from SMS Audio, our hearts soared. We hoped that company founder and hip-hop star 50 Cent — or Fiddy, or Fif, or Cent, or Curtis, or whatever the hip-hop cognoscenti are calling him this week — would tap his fabled entrepreneurial skills and no-nonsense business attitude to create the world’s first hip-hop headphones that don’t at least kinda suck.

Brent Butterworth  |  Feb 20, 2012  |  0 comments

Companies that sell in-ear monitors seldom talk much about the technologies inside their products. But they should, because there are big differences between the ~$20 Philips and Skullcandy IEMs you buy at Target and the ~$200 models you get from Etymotic or Shure.

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