Brent Butterworth

Call it the projection paradox. Projector owners are so devoted to their pursuit of a cinematic effect that they’re willing to spend thousands of dollars more than the average TV buyer and endure lights-out viewing. Yet all the hot technology seems to go into those sexy flat-panel TV sets that people who don’t know a pixel from a pineapple buy at discount stores while they’re picking up tube socks and army-size bags of Cheddar Jalapeño Cheetos.

NHT was the first speaker company I ever wrote about, way back in 1989. The company has changed hands several times since then, but its current product offerings are strikingly similar to the originals. It still focuses on compact, well-engineered speakers with gloss-black finishes.

Mention noise-cancelling headphones and most people think of large, over-ear models like the Bose QC15. Comfy as those big cans can be, they’re waaaay too big to slip into a pocket or purse. But not all noise-cancelling headphones come in cases sized like jumbo donuts at the State Fair. In fact, a few manufacturers have added noise-cancelling technology to their in-ear monitors (IEMs), using a little “lump in the line” to house the needed electronics.

One might fairly ask, though: Do IEMs really need noise cancelling? After all, when used with tips that fit your ears properly, IEMs completely seal off your ear canals. However, IEMs do most of their noise-blocking at frequencies above 1 kHz. Below that, they’re not so effective at keeping the noise out.

Some critics say hip-hop is dead. If they’re right, then Kanye West and Li’l Wayne should get into the A/V receiver business. The two industries bear striking similarities. Hip-hop artists maximize sales by loading up their albums with guest performances. Audio manufacturers maximize sales by loading up their receivers with guest technologies.